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DTSTART;VALUE=DATE:20140206
DTEND;VALUE=DATE:20140501
DTSTAMP:20180425T212849Z
CREATED:20140409T195710Z
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UID:1636-1391644800-1398902399@tr.jpf.go.jp
SUMMARY:The Many Faces of Danjuro IX
DESCRIPTION:Stuart Jackson Gallery and The Japan Foundation present\nThe Many Faces of Danjuro IX:\nAn exhibition of original Kabuki Prints\nFebruary 6 – April 30\, 2014 \nIchikawa Danjuro IX (1838-1903) was one of the most celebrated actors of his time and was key to preserving and modernizing Kabuki theatre for the 20th century. \nThe Japan Foundation and the Stuart Jackson Gallery are proud to present an exhibition of original antique woodblock prints depicting many of the faces\, or roles\, of this pivotal actor. \nIchikawa Danjuro IX was a direct descendant of Ichikawa Danjuro I (1660-1704). Kabuki theatre was still evolving when the young Danjuro I adopted his stage name in 1675 and originated the popular acting style called aragoto. Most actors who inherited this prestigious name were his direct descendants\, but it was not a given for the son to succeed the father; the title had to be earned and this line of actors is renowned for its great skills and mastery of the art. Ichikawa Danjuro IX inherited the name in 1874 at a time when Japan was modernizing and Kabuki was competing against a variety of new forms of entertainment. He was one of the biggest stars of the late 19th century\, highly skilled in the traditional theatre\, yet flexible enough to incorporate innovations to keep Kabuki relevant in a changing world. \n“Danjuro\, the ninth\, was the bridge that spanned the sudden gulf which yawned between the traditional past and the uncertain and changing modern world. He may be regarded as the saviour of Kabuki during a period when it might have suffered shipwreck\, had there not been a man of genius at the helm to guide the craft through the troubled waters.” \n– Zoe Kincaid\, Kabuki: The Popular Stage Of Japan\, 1925 \nGallery Hours\nMonday: 11:30 am – 7:00 pm EXTENDED HOURS\nTuesday: 11:30 am – 4:30 pm\nWednesday: 11:30 am – 4:30 pm\nThursday: 11:30 am – 7:00 pm EXTENDED HOURS\nFriday: 11:30 am – 4:30 pm\nSaturday openings: Noon – 5:00 pm \nSaturday opening dates: February 8 & 22\, March 8 & 22\, April 12\, 26\nClosed: Other Saturdays and Sundays\, February 17 (Family Day)\, April 18 – 21 (Easter)
URL:https://tr.jpf.go.jp/event/exhibition-the-many-faces-of-danjuro-ix/
LOCATION:2 Bloor St. East\, 3rd floor\, Toronto\, M4W 1A8\, Canada
CATEGORIES:Exhibition
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DTSTART;TZID=America/Toronto:20140311T063000
DTEND;TZID=America/Toronto:20140311T200000
DTSTAMP:20140409T191741Z
CREATED:20140409T191741Z
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UID:1626-1394519400-1394568000@tr.jpf.go.jp
SUMMARY:Danjuro Exhibition Talk I
DESCRIPTION:ARAGOTO\, Family Traditions of Ichikawa Clan\n SHIBARAKU\, YA-NO-NE (Arrow Sharpening) KENUKI (The Tweezers)\n市川宗家の藝: 荒事『暫』『矢の根』『毛抜』\nTalk and DVD presentation by Toshi Aoyagi \nThe Ichikawa family has been positioned as central to the Kabuki world\, in particular in Edo (Tokyo) style Kabuki. Danjuro I (1660-1704) originated the Aragoto acting style\, which portrays fearsome heroes. The emotional highlight of the drama is emphasized by the electrifying Mie stop motion\, which creates an effect similar to the use of the close-up in film. Bold Kumadori make-up and forced eye movements establish the focus of the entire stage. Over-the-top gigantic costumes must surely have inspired the design of Transformer robots in the twentieth century. However\, the audiences of Edo saw the purifying\, divine power in those childlike minds of their super heroes. They were more than heroes\, but gods in splendour.
URL:https://tr.jpf.go.jp/event/danjuro-exhibition-talk-i/
LOCATION:2 Bloor St. East\, 3rd floor\, Toronto\, M4W 1A8\, Canada
CATEGORIES:Lecture
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