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X-ORIGINAL-URL:https://tr.jpf.go.jp
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DTSTART;VALUE=DATE:20140206
DTEND;VALUE=DATE:20140501
DTSTAMP:20180425T212849Z
CREATED:20140409T195710Z
LAST-MODIFIED:20180425T212849Z
UID:1636-1391644800-1398902399@tr.jpf.go.jp
SUMMARY:The Many Faces of Danjuro IX
DESCRIPTION:Stuart Jackson Gallery and The Japan Foundation present\nThe Many Faces of Danjuro IX:\nAn exhibition of original Kabuki Prints\nFebruary 6 – April 30\, 2014 \nIchikawa Danjuro IX (1838-1903) was one of the most celebrated actors of his time and was key to preserving and modernizing Kabuki theatre for the 20th century. \nThe Japan Foundation and the Stuart Jackson Gallery are proud to present an exhibition of original antique woodblock prints depicting many of the faces\, or roles\, of this pivotal actor. \nIchikawa Danjuro IX was a direct descendant of Ichikawa Danjuro I (1660-1704). Kabuki theatre was still evolving when the young Danjuro I adopted his stage name in 1675 and originated the popular acting style called aragoto. Most actors who inherited this prestigious name were his direct descendants\, but it was not a given for the son to succeed the father; the title had to be earned and this line of actors is renowned for its great skills and mastery of the art. Ichikawa Danjuro IX inherited the name in 1874 at a time when Japan was modernizing and Kabuki was competing against a variety of new forms of entertainment. He was one of the biggest stars of the late 19th century\, highly skilled in the traditional theatre\, yet flexible enough to incorporate innovations to keep Kabuki relevant in a changing world. \n“Danjuro\, the ninth\, was the bridge that spanned the sudden gulf which yawned between the traditional past and the uncertain and changing modern world. He may be regarded as the saviour of Kabuki during a period when it might have suffered shipwreck\, had there not been a man of genius at the helm to guide the craft through the troubled waters.” \n– Zoe Kincaid\, Kabuki: The Popular Stage Of Japan\, 1925 \nGallery Hours\nMonday: 11:30 am – 7:00 pm EXTENDED HOURS\nTuesday: 11:30 am – 4:30 pm\nWednesday: 11:30 am – 4:30 pm\nThursday: 11:30 am – 7:00 pm EXTENDED HOURS\nFriday: 11:30 am – 4:30 pm\nSaturday openings: Noon – 5:00 pm \nSaturday opening dates: February 8 & 22\, March 8 & 22\, April 12\, 26\nClosed: Other Saturdays and Sundays\, February 17 (Family Day)\, April 18 – 21 (Easter)
URL:https://tr.jpf.go.jp/event/exhibition-the-many-faces-of-danjuro-ix/
LOCATION:2 Bloor St. East\, 3rd floor\, Toronto\, M4W 1A8\, Canada
CATEGORIES:Exhibition
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DTSTART;TZID=America/Toronto:20140318T183000
DTEND;TZID=America/Toronto:20140318T200000
DTSTAMP:20140409T191847Z
CREATED:20140409T191847Z
LAST-MODIFIED:20140409T191847Z
UID:1627-1395167400-1395172800@tr.jpf.go.jp
SUMMARY:Danjuro Exhibition Talk II
DESCRIPTION:KANJINCHŌ The Subscription Scroll\n歌舞伎十八番の内『勧進帳』 \nTalk and DVD presentation by Toshi Aoyagi  \nOne of the most popular\, frequently performed Kabuki plays\, KANJINCHŌis based on the story of the flight of the accused former hero Yoshitsune as he attempted to pass through a barrier gate with his chief retainer\, Benkei\, and his party of retainers. The confrontation of three men at the barrier creates a thrilling melodrama which displays prototypical Japanese characteristics. The barrier officer\, Togashi\, is a bureaucrat who is faithful to the system\, but humanely sympathetic. Yoshitsune is a helplessly abandoned\, symbolic noble\, who is protected by Benkei\, a wise\, independent leader. \nThe story is brought to the stage accompanied by one of the most beautiful scores of Nagauta music. KANJINCHŌ contains multiple styles\, such as sophisticated dance sequences and breathtakingly tense exchanges of spoken dialogue.
URL:https://tr.jpf.go.jp/event/danjuro-exhibition-talk-ii/
LOCATION:2 Bloor St. East\, 3rd floor\, Toronto\, M4W 1A8\, Canada
CATEGORIES:Lecture
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