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DTSTART;VALUE=DATE:20140206
DTEND;VALUE=DATE:20140501
DTSTAMP:20180425T212849Z
CREATED:20140409T195710Z
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SUMMARY:The Many Faces of Danjuro IX
DESCRIPTION:Stuart Jackson Gallery and The Japan Foundation present\nThe Many Faces of Danjuro IX:\nAn exhibition of original Kabuki Prints\nFebruary 6 – April 30\, 2014 \nIchikawa Danjuro IX (1838-1903) was one of the most celebrated actors of his time and was key to preserving and modernizing Kabuki theatre for the 20th century. \nThe Japan Foundation and the Stuart Jackson Gallery are proud to present an exhibition of original antique woodblock prints depicting many of the faces\, or roles\, of this pivotal actor. \nIchikawa Danjuro IX was a direct descendant of Ichikawa Danjuro I (1660-1704). Kabuki theatre was still evolving when the young Danjuro I adopted his stage name in 1675 and originated the popular acting style called aragoto. Most actors who inherited this prestigious name were his direct descendants\, but it was not a given for the son to succeed the father; the title had to be earned and this line of actors is renowned for its great skills and mastery of the art. Ichikawa Danjuro IX inherited the name in 1874 at a time when Japan was modernizing and Kabuki was competing against a variety of new forms of entertainment. He was one of the biggest stars of the late 19th century\, highly skilled in the traditional theatre\, yet flexible enough to incorporate innovations to keep Kabuki relevant in a changing world. \n“Danjuro\, the ninth\, was the bridge that spanned the sudden gulf which yawned between the traditional past and the uncertain and changing modern world. He may be regarded as the saviour of Kabuki during a period when it might have suffered shipwreck\, had there not been a man of genius at the helm to guide the craft through the troubled waters.” \n– Zoe Kincaid\, Kabuki: The Popular Stage Of Japan\, 1925 \nGallery Hours\nMonday: 11:30 am – 7:00 pm EXTENDED HOURS\nTuesday: 11:30 am – 4:30 pm\nWednesday: 11:30 am – 4:30 pm\nThursday: 11:30 am – 7:00 pm EXTENDED HOURS\nFriday: 11:30 am – 4:30 pm\nSaturday openings: Noon – 5:00 pm \nSaturday opening dates: February 8 & 22\, March 8 & 22\, April 12\, 26\nClosed: Other Saturdays and Sundays\, February 17 (Family Day)\, April 18 – 21 (Easter)
URL:https://tr.jpf.go.jp/event/exhibition-the-many-faces-of-danjuro-ix/
LOCATION:2 Bloor St. East\, 3rd floor\, Toronto\, M4W 1A8\, Canada
CATEGORIES:Exhibition
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DTSTART;TZID=America/Toronto:20140408T063000
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DTSTAMP:20140409T191410Z
CREATED:20140409T191404Z
LAST-MODIFIED:20140409T191410Z
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SUMMARY:Danjuro Exhibition Talk VI
DESCRIPTION:Collaboration between Danjuro XI and Kawatake Mokuami (a Kabuki playwright)\, Connecting the Edo and Meiji Eras 『黙阿弥の明治維新』 Kōchiyama\, Michitose/Naozamurai　『天粉上野初花』　河内山宗俊、三千歳直侍\nTalk and DVD presentation By Toshi Aoyagi  \nDuring the challenging period of the Meiji Restoration (1868–1912)\, the playwright Kawatake Moakuami (1816–1893) wrote many Kabuki plays for Danjuro XI (1838–1903). Fulfilling his responsibility as a principal writer for major Kabuki theatres such as Shintomi-za and Kabuki-za\, Moakuami demonstrated his craftsmanship and versatility. Both the new government and Danjuro himself demanded from Mokuami academically intellectualized\, sophisticated plays which followed the historical facts rather than the theatrical fantasy\, and the playwright responded quite remarkably. However\, the audience did not favour these new theatrical trials. Almost the only success among the Mokuami-Danjuro collaborations was “Kumo ni Magou Ueno no Hatsuhana”\, a story set in the Edo era about a cunning blackmailer\, Kōchiyama\, and a sensuous love couple\, Michitose and Naozamurai. This is a highly nostalgic homage to the Edo period from the Meiji era\, romanticized by the Kiyomoto music.
URL:https://tr.jpf.go.jp/event/danjuro-exhibition-talk-vi/
LOCATION:2 Bloor St. East\, 3rd floor\, Toronto\, M4W 1A8\, Canada
CATEGORIES:Lecture
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