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DTSTART;VALUE=DATE:20180110
DTEND;VALUE=DATE:20180330
DTSTAMP:20191223T214742Z
CREATED:20171214T224446Z
LAST-MODIFIED:20191223T214742Z
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SUMMARY:Variation and Autonomy: The Prints by Contemporary Japanese Painters
DESCRIPTION:Print Exhibition\nJapan Foundation Touring Exhibition\nVariation and Autonomy:\nThe Prints by Contemporary Japanese Painters\n\nJanuary 10 – March 29\, 2018\nSensing the diverse potential of the print medium\, in the 1970s\, young Japanese artists began making prints\, and in so doing\, expanded the expressive range of contemporary art as a whole.Though certain aspects of this development have certainly been acknowledged\, it was mainly artists who did specialized in or concentrated on prints that served as pivotal figures in post – World War II\, contemporary Japanese print-making. Or at the very least\, that is the way it looks from this vantage point. In Europe and America\, artists who were responsible for trends in contemporary art made printmaking history. But the evolution Japanese printmaking seems to be a singular development in the world. \nHowever\, this does not mean that oil painters were not ambitiously engaged in printmaking from the prewar era onward. Some Japanese painters\, who had visited printmaking workshops in France\, Italy\, and Germany\, produced copperplate prints and lithographs at technical training sessions or in the workshops of acquaintances\, although the number of works was quite small. After World War II\, in the 1950s\, a growing number of painters worked in lithography and the emergence of the peintre-graveur (painter who is also a printmaker) in Japan was a noted phenomenon. Later\, in the 1960s\, printmaking rose to greater prominence and printing workshops were opened here and there\, creating an environment in which it was normal for artists who were not printmaking specialists\, from established painters and sculptors to emerging artists of the avant-garde\, to work with printers on production of their own prints. From the 1970s onward\, as the market value of prints rose\, an even greater number of artists turned their hands to prints in a wide range of styles and media\, strongly propelling the world of printmaking forward. This wide-open environment was correlated with a similarly broad range of printmaking expression among painters who were not specialists in printmaking. \nThis exhibition is not made up of works by artists who are considered to have created a unique or specific development in contemporary Japanese printmaking history\, but rather on those by artists who tend to be seen as support players in this process. There are two reasons for this focus. First\, the exhibition is designed to shed light on the fact that a new field was developed through contemporary Japanese prints. This field\, prints made by painters\, is notable both as a variation on painting and an autonomous form. Thus\, the works helped establish the genre of contemporary Japanese prints while imbuing it with a suitable breadth. Second\, the exhibition is intended to encourage viewers to reconsider the existing history of contemporary Japanese prints. Today\, 70 years after World War II\, at a point when prints are on the verge of being forgotten as a trend in contemporary art\, there is a need\, both in Japan and abroad\, to reconsider history from a variety of critical perspectives without overlooking the subject of dissolution. \nWithout a doubt\, the prints of the artists featured in this exhibition constitute variations on the medium of painting\, yet at the same time they stand alone as works of art that could only be realized through printmaking. Viewing the works of these peintre-graveurs leads us to a genuine understanding of contemporary printmaking in Japan. \n  \n42 works by 10 artists \nHitoshi Nakazato\, Kosai Hori\, Masanari Murai\, Naoyoshi Hikosaka\, \nNatsuyuki Nakanishi\, Toeko Tatsuno\, Tomoharu Murakami\, Toshinobu Onosato \nYasukazu Tabuchi\, Yayoi Kusama \n  \nShow GALLERY HOURS \nMon 11:30 am – 6:30 pm EXTENDED HOURS \nTues 11:30 am – 4:30 pm \nWed 11:30 am – 4:30 pm \nThurs 11:30 am – 6:30 pm EXTENDED HOURS \nFri 11:30 am – 4:30 pm \n \nShow The Japan Foundation\, Toronto \n2 Bloor Street East \nHudson’s Bay Centre\, 3rd floor \nAbove Royal Bank of Canada \nwww.jftor.org 416.966.1600 x229 \n \n  \nADMISSION: FREE \nSaturday openings: \n11:00 am – 4:00 pm \nJanuary 13\, 27\, February 10\, 24\, March 3\, 24 \nClosed: Other Saturdays and Sundays \nFebruary 19 (Family Day)
URL:https://tr.jpf.go.jp/event/variation-and-autonomy/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20180115T180000
DTEND;TZID=America/Toronto:20180115T200000
DTSTAMP:20180123T173824Z
CREATED:20171213T152850Z
LAST-MODIFIED:20180123T173824Z
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SUMMARY:Japanese Through Films: "A Tale of Samurai Cooking"
DESCRIPTION:(c) 2013 “A Tale of Samurai Cooking” Film Partners \nRegistration is now closed. We thank you for your interest. \nDo you like Japanese? Do you like films? Why not join us at the Japan Foundation\, Toronto for “Japanese through Films”! \nIn this class\, focusing on conversation\, students will first gather for a language class to buff up their knowledge before the next week\, which will be a private screening of the popular film “A Tale of Samurai Cooking.” There will then be a follow-up class held the following week\, after everyone has seen the film\, where students can share their thoughts as well as re-imagine certain scenes – all in Japanese! \n※ Please note that this is an intermediate-level (JFS B1/JLPT N3) language class\, designed for students who already have a fair knowledge of the Japanese language.\n※※ If you are not sure if this class is the right level for you\, please feel free to contact us or click here for an online level checker. \nClass Content & Schedule:\nThis class runs for three Mondays in January\, including the film screening. \n・　Day 1: January 15 (6:00 pm – 8:00 pm): Learn about the history of the movie and the language used\n・　Day 2: January 22 (6:00 pm – 8:30 pm): Private screening of “A Tale of Samurai Cooking”\n・　Day 3: January 29 (6:00 pm – 8:00 pm): Discuss the movie and put your own personal twist on favourite scenes \nSpace is limited so make sure to register! \n\nFilm Introduction:\nGreat cook Haru has married into the legendary “Kitchen Samurai” family. But her husband who is the successor of the family can’t cook at all. Haru makes a vow to make him a superb samurai chef\, and starts teaching her new husband how to cook. Directed by Yuzo Asahara\, known for “Free and Easy” series\, the film stars Aya Ueto “Oshin” (2013) as Haru\, along with Kengo Kora “A Story of Yonosuke” (2012) as her husband Yasunobu\, supported by the veteran actors Kimiko Yo “Departures” (2008)\, Toshiyuki Nishida “Outrage Beyond” (2012)\, and aromas and flavors of Kaga cuisine.
URL:https://tr.jpf.go.jp/event/samuraicooking/2018-01-15/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Language Class
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
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DTSTART;TZID=America/Toronto:20180115T183000
DTEND;TZID=America/Toronto:20180115T203000
DTSTAMP:20171221T235404Z
CREATED:20171221T181249Z
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SUMMARY:Critical Look at Japan's Film Industry: Today & Beyond
DESCRIPTION:Critical Look at Japan’s Film Industry: TODAY & Beyond\nLecture by Japanese Director Gen Takahashi \nJapanese with English interpretation \n  \nJoin us for an in-depth lecture that will shed light on the current and future situation of the film industry in Japan. Director Gen Takahashi will offer his critical insights having worked in the industry and also share the challenges and experiences in becoming an independent filmmaker. \nGen Takahashi is the maverick independent director of the film Yoko The Cherry Blossom\, featured in our Japanese Movies at Hot Docs Cinema. He is a talented Director\, but also a writer\, editor\, producer\, cinematographer and art director. Some of his other films include; Lady Plastic (2001)\, Charon (2004)\, Confessions of a Dog (2006)\, Goth (2008)\, and Court of Zeus (2013). \nSunday January 14th 2018 > Yoko The Cherry Blossom film screening at Hot Docs Cinema more info here >
URL:https://tr.jpf.go.jp/event/gen_takahashi_film_lecture/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Lecture
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
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