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DTSTART;VALUE=DATE:20180110
DTEND;VALUE=DATE:20180330
DTSTAMP:20191223T214742Z
CREATED:20171214T224446Z
LAST-MODIFIED:20191223T214742Z
UID:21962-1515542400-1522367999@tr.jpf.go.jp
SUMMARY:Variation and Autonomy: The Prints by Contemporary Japanese Painters
DESCRIPTION:Print Exhibition\nJapan Foundation Touring Exhibition\nVariation and Autonomy:\nThe Prints by Contemporary Japanese Painters\n\nJanuary 10 – March 29\, 2018\nSensing the diverse potential of the print medium\, in the 1970s\, young Japanese artists began making prints\, and in so doing\, expanded the expressive range of contemporary art as a whole.Though certain aspects of this development have certainly been acknowledged\, it was mainly artists who did specialized in or concentrated on prints that served as pivotal figures in post – World War II\, contemporary Japanese print-making. Or at the very least\, that is the way it looks from this vantage point. In Europe and America\, artists who were responsible for trends in contemporary art made printmaking history. But the evolution Japanese printmaking seems to be a singular development in the world. \nHowever\, this does not mean that oil painters were not ambitiously engaged in printmaking from the prewar era onward. Some Japanese painters\, who had visited printmaking workshops in France\, Italy\, and Germany\, produced copperplate prints and lithographs at technical training sessions or in the workshops of acquaintances\, although the number of works was quite small. After World War II\, in the 1950s\, a growing number of painters worked in lithography and the emergence of the peintre-graveur (painter who is also a printmaker) in Japan was a noted phenomenon. Later\, in the 1960s\, printmaking rose to greater prominence and printing workshops were opened here and there\, creating an environment in which it was normal for artists who were not printmaking specialists\, from established painters and sculptors to emerging artists of the avant-garde\, to work with printers on production of their own prints. From the 1970s onward\, as the market value of prints rose\, an even greater number of artists turned their hands to prints in a wide range of styles and media\, strongly propelling the world of printmaking forward. This wide-open environment was correlated with a similarly broad range of printmaking expression among painters who were not specialists in printmaking. \nThis exhibition is not made up of works by artists who are considered to have created a unique or specific development in contemporary Japanese printmaking history\, but rather on those by artists who tend to be seen as support players in this process. There are two reasons for this focus. First\, the exhibition is designed to shed light on the fact that a new field was developed through contemporary Japanese prints. This field\, prints made by painters\, is notable both as a variation on painting and an autonomous form. Thus\, the works helped establish the genre of contemporary Japanese prints while imbuing it with a suitable breadth. Second\, the exhibition is intended to encourage viewers to reconsider the existing history of contemporary Japanese prints. Today\, 70 years after World War II\, at a point when prints are on the verge of being forgotten as a trend in contemporary art\, there is a need\, both in Japan and abroad\, to reconsider history from a variety of critical perspectives without overlooking the subject of dissolution. \nWithout a doubt\, the prints of the artists featured in this exhibition constitute variations on the medium of painting\, yet at the same time they stand alone as works of art that could only be realized through printmaking. Viewing the works of these peintre-graveurs leads us to a genuine understanding of contemporary printmaking in Japan. \n  \n42 works by 10 artists \nHitoshi Nakazato\, Kosai Hori\, Masanari Murai\, Naoyoshi Hikosaka\, \nNatsuyuki Nakanishi\, Toeko Tatsuno\, Tomoharu Murakami\, Toshinobu Onosato \nYasukazu Tabuchi\, Yayoi Kusama \n  \nShow GALLERY HOURS \nMon 11:30 am – 6:30 pm EXTENDED HOURS \nTues 11:30 am – 4:30 pm \nWed 11:30 am – 4:30 pm \nThurs 11:30 am – 6:30 pm EXTENDED HOURS \nFri 11:30 am – 4:30 pm \n \nShow The Japan Foundation\, Toronto \n2 Bloor Street East \nHudson’s Bay Centre\, 3rd floor \nAbove Royal Bank of Canada \nwww.jftor.org 416.966.1600 x229 \n \n  \nADMISSION: FREE \nSaturday openings: \n11:00 am – 4:00 pm \nJanuary 13\, 27\, February 10\, 24\, March 3\, 24 \nClosed: Other Saturdays and Sundays \nFebruary 19 (Family Day)
URL:https://tr.jpf.go.jp/event/variation-and-autonomy/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
GEO:43.6710659;-79.3857432
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DTSTART;TZID=America/Toronto:20180119T150000
DTEND;TZID=America/Toronto:20180119T170000
DTSTAMP:20200616T225408Z
CREATED:20200616T225408Z
LAST-MODIFIED:20200616T225408Z
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SUMMARY:JFT Introductory Course on Teaching Japanese: Winter 2018
DESCRIPTION:日本語教育入門研修のお知らせ\nNEW SESSION STARTING IN JANUARY 2018\n\n＊ The JFT Introductory Course on Teaching Japanese is designed for people who have sufficient Japanese language proficiency but little to no experience teaching Japanese. Please find the details of the course in Japanese as follows. \n\n \nカナダに住み始めて日本語を教える仕事に興味をもった日本人の方、上級まで日本語を勉強してきて、いつか日本語を教えてみたいと思っている日本語学習者の方、実は結構いらっしゃるのではないでしょうか。 \n日本語教師とはどんな仕事なのでしょうか。日本語教師になるためにはどんな知識や技術が必要なのでしょうか。将来日本語教師になりたかったら、どんな準備や勉強をしていけばいいのでしょうか。国際交流基金トロント日本文化センターでは、2018年1月から週一回全十回の日本語教育入門研修を実施することになりました。日本語教育の世界に興味がある方、すでに少しだけ日本語教育に関わりを持ち始めた方、将来日本語を教えるかどうかはわからなくても、普段意識して考えたこともないような日本語そのものについて勉強してみたい方、私たちの日本語教育入門研修にいらっしゃいませんか。 \n対象者：\n以下の全てを満たす方 \n\n日本語母語話者、または上級日本語学習者（日本語能力試験N2程度以上）\n日本語教育の経験が浅い、または全くない方\n18歳以上の方\n\n日時：\n2018年1月19日（金）から3月23日（金）まで毎週金曜日　午後3時－5時　10回 \n＊人数によっては開講がキャンセルされる場合があります。 \n会場：\nThe Japan Foundation\, Toronto　Seminar Room\n2 Bloor Street East\, Suite 300\, Toronto\, Ontario \n受講料：\n100カナダドル（配布資料代を含む） \n受講登録：\n以下よりお申込みください。【受付締切いたしました】 \n講師：\n田中香織（日本語教育コンサルタント） \n講師紹介：2013年9月より国際交流基金トロント日本文化センターにて勤務。台南・台中YMCA同盟日本語講師、稲江高校（在台北）専任講師、群馬大学国際教育・研究センター非常勤講師、ポーランド国立ヤギェロン大学日本学科講師（ジャパンファウンデーション派遣日本語専門家）等、様々な現場での日本語教育経験の他、日本語教師養成講座講師、ボランティア教師研修会講師等、教師研修の経験も豊富。 \n\nコースの概要（仮：変更の可能性あり）\n\n\n\n第1回\n日本語教師ってどんな仕事？\n\n\n第2回\n日本語教育のホットな話題（日本語教育事情）\n\n\n第3回\n日本語の教科書を見てみよう\n\n\n第4回\n日本語そのものについて学ぶ①\n\n\n第5回\n日本語そのものについて学ぶ②\n\n\n第6回\n日本語教師って、実際何をやっているの？\n\n\n第7回\n授業の準備ってどうやるの？\n\n\n第8回\n日本語の授業ってどうやるの？\n\n\n第9回\n実際の授業を見てみよう！（ビデオによる授業見学）\n\n\n第10回\nまとめ―これからの勉強のために―\n\n\n\n\n本研修に関し、ご不明な点やご質問などございましたら、以下の担当までご連絡ください。 \n担当者：齋藤典子      　nsaito@jftor.org  416‐966‐1600 ext. 224 \n＊このコースは、日本語教育についての入門的な知識や概要を学ぶためのコースです。\n 国際交流基金トロント日本文化センターが、資格を授与するものではありません。 \n \n  \n\n日本語教育入門研修　受講登録\n日本語教育入門研修受講規約書（Terms and Conditions）をご確認の上、以下からお申込ください。 ＊全項目記入必須 \n【受付締切いたしました】
URL:https://tr.jpf.go.jp/event/introductory-course-winter-2018/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Teachers’ Workshops
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
GEO:43.6710659;-79.3857432
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