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DTSTART;VALUE=DATE:20180110
DTEND;VALUE=DATE:20180330
DTSTAMP:20191223T214742Z
CREATED:20171214T224446Z
LAST-MODIFIED:20191223T214742Z
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SUMMARY:Variation and Autonomy: The Prints by Contemporary Japanese Painters
DESCRIPTION:Print Exhibition\nJapan Foundation Touring Exhibition\nVariation and Autonomy:\nThe Prints by Contemporary Japanese Painters\n\nJanuary 10 – March 29\, 2018\nSensing the diverse potential of the print medium\, in the 1970s\, young Japanese artists began making prints\, and in so doing\, expanded the expressive range of contemporary art as a whole.Though certain aspects of this development have certainly been acknowledged\, it was mainly artists who did specialized in or concentrated on prints that served as pivotal figures in post – World War II\, contemporary Japanese print-making. Or at the very least\, that is the way it looks from this vantage point. In Europe and America\, artists who were responsible for trends in contemporary art made printmaking history. But the evolution Japanese printmaking seems to be a singular development in the world. \nHowever\, this does not mean that oil painters were not ambitiously engaged in printmaking from the prewar era onward. Some Japanese painters\, who had visited printmaking workshops in France\, Italy\, and Germany\, produced copperplate prints and lithographs at technical training sessions or in the workshops of acquaintances\, although the number of works was quite small. After World War II\, in the 1950s\, a growing number of painters worked in lithography and the emergence of the peintre-graveur (painter who is also a printmaker) in Japan was a noted phenomenon. Later\, in the 1960s\, printmaking rose to greater prominence and printing workshops were opened here and there\, creating an environment in which it was normal for artists who were not printmaking specialists\, from established painters and sculptors to emerging artists of the avant-garde\, to work with printers on production of their own prints. From the 1970s onward\, as the market value of prints rose\, an even greater number of artists turned their hands to prints in a wide range of styles and media\, strongly propelling the world of printmaking forward. This wide-open environment was correlated with a similarly broad range of printmaking expression among painters who were not specialists in printmaking. \nThis exhibition is not made up of works by artists who are considered to have created a unique or specific development in contemporary Japanese printmaking history\, but rather on those by artists who tend to be seen as support players in this process. There are two reasons for this focus. First\, the exhibition is designed to shed light on the fact that a new field was developed through contemporary Japanese prints. This field\, prints made by painters\, is notable both as a variation on painting and an autonomous form. Thus\, the works helped establish the genre of contemporary Japanese prints while imbuing it with a suitable breadth. Second\, the exhibition is intended to encourage viewers to reconsider the existing history of contemporary Japanese prints. Today\, 70 years after World War II\, at a point when prints are on the verge of being forgotten as a trend in contemporary art\, there is a need\, both in Japan and abroad\, to reconsider history from a variety of critical perspectives without overlooking the subject of dissolution. \nWithout a doubt\, the prints of the artists featured in this exhibition constitute variations on the medium of painting\, yet at the same time they stand alone as works of art that could only be realized through printmaking. Viewing the works of these peintre-graveurs leads us to a genuine understanding of contemporary printmaking in Japan. \n  \n42 works by 10 artists \nHitoshi Nakazato\, Kosai Hori\, Masanari Murai\, Naoyoshi Hikosaka\, \nNatsuyuki Nakanishi\, Toeko Tatsuno\, Tomoharu Murakami\, Toshinobu Onosato \nYasukazu Tabuchi\, Yayoi Kusama \n  \nShow GALLERY HOURS \nMon 11:30 am – 6:30 pm EXTENDED HOURS \nTues 11:30 am – 4:30 pm \nWed 11:30 am – 4:30 pm \nThurs 11:30 am – 6:30 pm EXTENDED HOURS \nFri 11:30 am – 4:30 pm \n \nShow The Japan Foundation\, Toronto \n2 Bloor Street East \nHudson’s Bay Centre\, 3rd floor \nAbove Royal Bank of Canada \nwww.jftor.org 416.966.1600 x229 \n \n  \nADMISSION: FREE \nSaturday openings: \n11:00 am – 4:00 pm \nJanuary 13\, 27\, February 10\, 24\, March 3\, 24 \nClosed: Other Saturdays and Sundays \nFebruary 19 (Family Day)
URL:https://tr.jpf.go.jp/event/variation-and-autonomy/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
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DTSTART;TZID=America/Toronto:20180131T183000
DTEND;TZID=America/Toronto:20180131T200000
DTSTAMP:20171221T210013Z
CREATED:20171221T200559Z
LAST-MODIFIED:20171221T210013Z
UID:22075-1517423400-1517428800@tr.jpf.go.jp
SUMMARY:Being a doctor in Japan: From the everyday to the extraordinary
DESCRIPTION:Japan\, like all developed countries\, is facing challenges providing healthcare services to those living outside its major centres. Japan spends about 11% of its GDP on healthcare\, the same as in Canada. As is well known\, overall already 27% of Japan’s citizens are aged 65 or over\, compared with about 17% in Canada. Japan’s regional areas tend to be even older and suffer from a shortage of doctors. \nThe panel will comprise two parts. Dr. Shinya Ito\, of the Hospital for Sick Children\, will outline how Japan prepares doctors and delivers care and support in its regions\, in normal\, “everyday” circumstances. Dr. Takeshi Kanno\, Assistant Professor and Physician at Tohoku University Hospital\, will talk about his own experiences as a doctor responding to an “extraordinary” event\, the 2011 Great East Japan Earthquake and Tsunami\, which hit the hospital he was working in.  Dr. James Tiessen\, of Ryerson University’s School of Health Services Management\, will be the chair. \n\n  \nDr. Shinya Ito is Professor and Chief\, Division of Clinical Pharmacology and Toxicology\, Department of Paediatrics\, at the University of Toronto\, Hospital for Sick Children.  He is also Chair of the SickKids Drugs and Therapeutics committee and a WHO Expert Advisor. A prolific researcher\, he is widely published and received many awards for his research on medication safety in pregnant women\, breastfeeding mothers and babies\, and children. He earned his medical degree at Jichi Medical University and practiced in rural Japan before coming to the Hospital for Sick Children in 1989. \n  \n \nDr. Takeshi Kanno is Assistant Professor at Tohoku University Hospital in Sendai\, Japan.  He earned his medical degree at Jichi Medical University and his PhD at Tohoku University. Dr. Kanno  served in the front lines as a physician in the Tohoku Region when the earthquake and tsunami struck. His exemplary contributions to the care of victims earned him recognition as one of Time Magazine’s Most Influential People of 2011. \n  \n  \n \nDr. James Tiessen is Associate Professor and Director of the School of Health Services Management at Ryerson University. He studies healthcare policy and management\, with a focus on Japan and Canada. He is a Distinguished Fellow of the Asia Pacific Foundation of Canada. \n 
URL:https://tr.jpf.go.jp/event/being-a-doctor-in-japan/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Lecture
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