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DTSTART;VALUE=DATE:20180110
DTEND;VALUE=DATE:20180330
DTSTAMP:20191223T214742Z
CREATED:20171214T224446Z
LAST-MODIFIED:20191223T214742Z
UID:21962-1515542400-1522367999@tr.jpf.go.jp
SUMMARY:Variation and Autonomy: The Prints by Contemporary Japanese Painters
DESCRIPTION:Print Exhibition\nJapan Foundation Touring Exhibition\nVariation and Autonomy:\nThe Prints by Contemporary Japanese Painters\n\nJanuary 10 – March 29\, 2018\nSensing the diverse potential of the print medium\, in the 1970s\, young Japanese artists began making prints\, and in so doing\, expanded the expressive range of contemporary art as a whole.Though certain aspects of this development have certainly been acknowledged\, it was mainly artists who did specialized in or concentrated on prints that served as pivotal figures in post – World War II\, contemporary Japanese print-making. Or at the very least\, that is the way it looks from this vantage point. In Europe and America\, artists who were responsible for trends in contemporary art made printmaking history. But the evolution Japanese printmaking seems to be a singular development in the world. \nHowever\, this does not mean that oil painters were not ambitiously engaged in printmaking from the prewar era onward. Some Japanese painters\, who had visited printmaking workshops in France\, Italy\, and Germany\, produced copperplate prints and lithographs at technical training sessions or in the workshops of acquaintances\, although the number of works was quite small. After World War II\, in the 1950s\, a growing number of painters worked in lithography and the emergence of the peintre-graveur (painter who is also a printmaker) in Japan was a noted phenomenon. Later\, in the 1960s\, printmaking rose to greater prominence and printing workshops were opened here and there\, creating an environment in which it was normal for artists who were not printmaking specialists\, from established painters and sculptors to emerging artists of the avant-garde\, to work with printers on production of their own prints. From the 1970s onward\, as the market value of prints rose\, an even greater number of artists turned their hands to prints in a wide range of styles and media\, strongly propelling the world of printmaking forward. This wide-open environment was correlated with a similarly broad range of printmaking expression among painters who were not specialists in printmaking. \nThis exhibition is not made up of works by artists who are considered to have created a unique or specific development in contemporary Japanese printmaking history\, but rather on those by artists who tend to be seen as support players in this process. There are two reasons for this focus. First\, the exhibition is designed to shed light on the fact that a new field was developed through contemporary Japanese prints. This field\, prints made by painters\, is notable both as a variation on painting and an autonomous form. Thus\, the works helped establish the genre of contemporary Japanese prints while imbuing it with a suitable breadth. Second\, the exhibition is intended to encourage viewers to reconsider the existing history of contemporary Japanese prints. Today\, 70 years after World War II\, at a point when prints are on the verge of being forgotten as a trend in contemporary art\, there is a need\, both in Japan and abroad\, to reconsider history from a variety of critical perspectives without overlooking the subject of dissolution. \nWithout a doubt\, the prints of the artists featured in this exhibition constitute variations on the medium of painting\, yet at the same time they stand alone as works of art that could only be realized through printmaking. Viewing the works of these peintre-graveurs leads us to a genuine understanding of contemporary printmaking in Japan. \n  \n42 works by 10 artists \nHitoshi Nakazato\, Kosai Hori\, Masanari Murai\, Naoyoshi Hikosaka\, \nNatsuyuki Nakanishi\, Toeko Tatsuno\, Tomoharu Murakami\, Toshinobu Onosato \nYasukazu Tabuchi\, Yayoi Kusama \n  \nShow GALLERY HOURS \nMon 11:30 am – 6:30 pm EXTENDED HOURS \nTues 11:30 am – 4:30 pm \nWed 11:30 am – 4:30 pm \nThurs 11:30 am – 6:30 pm EXTENDED HOURS \nFri 11:30 am – 4:30 pm \n \nShow The Japan Foundation\, Toronto \n2 Bloor Street East \nHudson’s Bay Centre\, 3rd floor \nAbove Royal Bank of Canada \nwww.jftor.org 416.966.1600 x229 \n \n  \nADMISSION: FREE \nSaturday openings: \n11:00 am – 4:00 pm \nJanuary 13\, 27\, February 10\, 24\, March 3\, 24 \nClosed: Other Saturdays and Sundays \nFebruary 19 (Family Day)
URL:https://tr.jpf.go.jp/event/variation-and-autonomy/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
GEO:43.6710659;-79.3857432
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DTSTART;TZID=America/Toronto:20180209T183000
DTEND;TZID=America/Toronto:20180209T200000
DTSTAMP:20180205T191808Z
CREATED:20180125T223840Z
LAST-MODIFIED:20180205T191808Z
UID:22406-1518201000-1518206400@tr.jpf.go.jp
SUMMARY:Dentō Kōgei Traditional Craft Screenings Phase IV
DESCRIPTION:Dentō Kōgei Traditional Craft Screening Series Phase Four February 9 – 26\, 2018\n\nIn conjunction with Artistry in Silk: the Kimono of Itchiku Kubota exhibition at the Textile Museum of Canada.\nDentō Kōgei Traditional Craft Screening Series 16\nFriday\, February 9\, 2018 6:30 PM\n1) Tsumugi-ori Weaving: The Art of SHIMURA Fukumi 34 min. NEW \n紬織: 志村ふくみのわざ 2014 \n2) TAGUCHI Yoshikuni: Beauty of Maki-e\, 36 min. \n変幻自在—田口善国・蒔絵の美— 1993 \n  \nDentō Kōgei Traditional Craft Screening Series 17\nMonday\, February 12\, 2018 6:30 PM\n1) Tōso Ningyō Dolls: The Art of HAYASHI Komao 37 min. \n桐塑人形: 林駒夫のわざ 2006 \n2) Mumyōi-yaki: The Ceramic Art of ITŌ Sekisui V 30 min. . NEW \n無名異焼: 伊藤赤水のわざ 2014 \nDentō Kōgei Traditional Craft Screening Series 18 [Yuzen Festival]\nThursday\, February 15\, 2018 6:30 PM\n1) Yūzen\, The Art of MORIGUCHI Kunihiko 34 min. NEW \n友禅: 森口邦彦のわざ 2011 \n2) Yūzen\, The Textile Art of FUTATSUKA Osao 36 min. \n友禅: 二塚長生のわざ 2016 \n3) The Yūzen Silk\, The Dyeing Art of MORIGUCHI Kakō 30 min. \n友禅: 森口華弘のわざ 1989 \nDentō Kōgei Traditional Craft Screening Series 19\nTuesday\, February 20\, 2018 6:30 PM\n1) Iron Glaze Pottery: The Art of HARA Kiyoshi 39 min. \n鉄釉陶器: 原清のわざ 2010 \n2) Woodwork: The Art of MURAYAMA Akira 34 min. NEW \n木工: 村山明のわざ 2014 \nDentō Kōgei Traditional Craft Screening Series 20\nFriday\, February 23\, 2018 6:30 PM\n1) Saga-Nishiki Weaving: The Art of KOGA Fumi 30 min. \n佐賀錦: 古賀フミのわざ 2015 \n2) Tankin: Hammering\, The Art of TAMAGAWA Norio 35 min. . NEW \n鍛金:  玉川宣夫のわざ 2016 \nDentō Kōgei Traditional Craft Screening Series 21\nMonday February 26\, 2018 6:30 PM\n1) Miyako Jōfu 41 min. \n宮古上布 1994 \n2) Chōkin\, Metal Chasing: The Art of KATSURA Morihito 34 min. . NEW \n彫金: 桂盛仁のわざ 2010
URL:https://tr.jpf.go.jp/event/dento-kogei-phase-four/2018-02-09/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Film Screening
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
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