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DTSTART;VALUE=DATE:20180110
DTEND;VALUE=DATE:20180330
DTSTAMP:20191223T214742Z
CREATED:20171214T224446Z
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SUMMARY:Variation and Autonomy: The Prints by Contemporary Japanese Painters
DESCRIPTION:Print Exhibition\nJapan Foundation Touring Exhibition\nVariation and Autonomy:\nThe Prints by Contemporary Japanese Painters\n\nJanuary 10 – March 29\, 2018\nSensing the diverse potential of the print medium\, in the 1970s\, young Japanese artists began making prints\, and in so doing\, expanded the expressive range of contemporary art as a whole.Though certain aspects of this development have certainly been acknowledged\, it was mainly artists who did specialized in or concentrated on prints that served as pivotal figures in post – World War II\, contemporary Japanese print-making. Or at the very least\, that is the way it looks from this vantage point. In Europe and America\, artists who were responsible for trends in contemporary art made printmaking history. But the evolution Japanese printmaking seems to be a singular development in the world. \nHowever\, this does not mean that oil painters were not ambitiously engaged in printmaking from the prewar era onward. Some Japanese painters\, who had visited printmaking workshops in France\, Italy\, and Germany\, produced copperplate prints and lithographs at technical training sessions or in the workshops of acquaintances\, although the number of works was quite small. After World War II\, in the 1950s\, a growing number of painters worked in lithography and the emergence of the peintre-graveur (painter who is also a printmaker) in Japan was a noted phenomenon. Later\, in the 1960s\, printmaking rose to greater prominence and printing workshops were opened here and there\, creating an environment in which it was normal for artists who were not printmaking specialists\, from established painters and sculptors to emerging artists of the avant-garde\, to work with printers on production of their own prints. From the 1970s onward\, as the market value of prints rose\, an even greater number of artists turned their hands to prints in a wide range of styles and media\, strongly propelling the world of printmaking forward. This wide-open environment was correlated with a similarly broad range of printmaking expression among painters who were not specialists in printmaking. \nThis exhibition is not made up of works by artists who are considered to have created a unique or specific development in contemporary Japanese printmaking history\, but rather on those by artists who tend to be seen as support players in this process. There are two reasons for this focus. First\, the exhibition is designed to shed light on the fact that a new field was developed through contemporary Japanese prints. This field\, prints made by painters\, is notable both as a variation on painting and an autonomous form. Thus\, the works helped establish the genre of contemporary Japanese prints while imbuing it with a suitable breadth. Second\, the exhibition is intended to encourage viewers to reconsider the existing history of contemporary Japanese prints. Today\, 70 years after World War II\, at a point when prints are on the verge of being forgotten as a trend in contemporary art\, there is a need\, both in Japan and abroad\, to reconsider history from a variety of critical perspectives without overlooking the subject of dissolution. \nWithout a doubt\, the prints of the artists featured in this exhibition constitute variations on the medium of painting\, yet at the same time they stand alone as works of art that could only be realized through printmaking. Viewing the works of these peintre-graveurs leads us to a genuine understanding of contemporary printmaking in Japan. \n  \n42 works by 10 artists \nHitoshi Nakazato\, Kosai Hori\, Masanari Murai\, Naoyoshi Hikosaka\, \nNatsuyuki Nakanishi\, Toeko Tatsuno\, Tomoharu Murakami\, Toshinobu Onosato \nYasukazu Tabuchi\, Yayoi Kusama \n  \nShow GALLERY HOURS \nMon 11:30 am – 6:30 pm EXTENDED HOURS \nTues 11:30 am – 4:30 pm \nWed 11:30 am – 4:30 pm \nThurs 11:30 am – 6:30 pm EXTENDED HOURS \nFri 11:30 am – 4:30 pm \n \nShow The Japan Foundation\, Toronto \n2 Bloor Street East \nHudson’s Bay Centre\, 3rd floor \nAbove Royal Bank of Canada \nwww.jftor.org 416.966.1600 x229 \n \n  \nADMISSION: FREE \nSaturday openings: \n11:00 am – 4:00 pm \nJanuary 13\, 27\, February 10\, 24\, March 3\, 24 \nClosed: Other Saturdays and Sundays \nFebruary 19 (Family Day)
URL:https://tr.jpf.go.jp/event/variation-and-autonomy/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
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DTSTART;TZID=America/Toronto:20180303T150000
DTEND;TZID=America/Toronto:20180303T170000
DTSTAMP:20180426T150511Z
CREATED:20171106T220621Z
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SUMMARY:The 25th Katari Japanese Storytelling Show - Hina Doll Festival
DESCRIPTION:The Japan Foundation\, Toronto and the Toronto Storytelling Festival present\nThe 25th Katari Japanese Storytelling Show – Hina Doll Festival.\nJoin us for an afternoon of Japanese folk tales\, songs and stories at the 25th annual Katari Japanese Storytelling event. This family-friendly event is presented in cooperation with the Toronto Storytelling Festival. The Katari Japanese Storytellers programme includes traditional and contemporary stories accompanied by guitar renditions\, for visitors of all ages. \nAudience: Family\nAdmission: Free (RSVP required)\nWheelchair Accessibility: Yes \n**Registration will open in February 2018** \nProgramme: \n\nNatalie Vachon : Issun Boshi\nAisha Masaoka : A Boy in the Moon\nKoko Kikucho : Saburo\, the Eel Hunter\nYusuke Tanaka : Reiko’s Hina Dolls\nRui Umezawa : The Art of Fighting Without Fighting\nNoriko Yamamoto : Clown\n\n——————————————————————————————————————————————————————————————————————– \nKoko Kikuchi Born in Tohoku\, in the Northeast region of Japan\, Koko has been involved in Katari since its inception. He specialized in the folktakes of his native region of Iwate. \nYusuke Tanaka Veteran translator\, writer and director of the Katari Storytellers since 1994\, he has been telling Ainu people’s stories and his own adaptations of Japanese folklore in many places including New York\, Seoul\, Kyoto\, Tokyo and Sapporo. \nNoriko Yamamoto A professional dancer\, mime\, silent storyteller\, and visual artist. Since moving to Toronto from Tokyo in 1994\, Noriko has added Nia dance exercise to her repertoire. She performs regularly at schools\, libraries\, festivals\, and at various other events. \nNathalie Vachon A writer/storyteller and painter whose work is described as whimsical\, magical and heartwarming. She lived in Osaka for a year and a half and loves to share\, hear stories and travel back into memories of Japan and Asia. \nRui Umezawa A Toronto writer and storyteller. His novel The Truth About Death and Dying was shortlisted for the Commonwealth Book Prize for Best First Book. His past participation in Katari inspired his most recent publication\, Strange Light Afar: Tales of the Supernatural from Old Japan. \nAisha Masaoka Aisha is excited to have the opportunity to perform with the Katari Storytellers again. She is a graduate of Humber College’s Theatre Performance Program. She recently moved to Listowel\, Ontario from Toronto and is enjoying the small town life. \n \n       \n  \n*** Registration is at capacity for this event. To join the waiting list please email library@jftor.org  RSVPs will be held until 10 minutes before the start of the event\, after which point patrons from the waiting list will be allowed in\, if space allows.
URL:https://tr.jpf.go.jp/event/katari-japanese-storytelling-2018/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
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