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DTSTART;VALUE=DATE:20190118
DTEND;VALUE=DATE:20190414
DTSTAMP:20191223T221910Z
CREATED:20181217T181717Z
LAST-MODIFIED:20191223T221910Z
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SUMMARY:Landmarks From Before It Was Called Tokyo: Hiroshige's One Hundred Famous Views of Edo
DESCRIPTION:January 18 – April 13\, 2019\n\nLandmarks From Before It Was Called Tokyo:\nHiroshige’s One Hundred Famous Views of Edo\n広重作江戸名所百景展\nCo-presented by Stuart Jackson Gallery & The Japan Foundation\, Toronto\n  \nOriginal print works of One Hundred Famous Views of Edo\, for short “Edo Hyaku (hundred)”\, by Hiroshige (1797-1858) for your view\, together with related works\, and contemporary hand-carved\, hand-printed reproductions to bring back the excitement and ambience of sophisticated urban life in Edo.  \n*UPDATE: Feb 6\, 2019  – Snow storm brought additional snow scenes to Hiroshige’s One Hundred Famous Views of Edo exhibition. See bottom for details.\n“Edo Hyaku” of Urban Serenity \nOne Hundred Famous Views of Edo\, for short “Edo Hyaku (hundred)” by Hiroshige is a series of multi-coloured woodblock prints depicting the landmarks of Tokyo at the time the city was called Edo. \nHiroshige (1797-1858) was an ukiyo-e artist whose reputation was most strongly established in the genre of topographical prints. This direction towards landmark themes came to Hiroshige\, a late bloomer\, in 1831 when his artistic breakthrough\, Tōto Meisho or Famous Views of the Eastern Capital (Edo) print series was published. In 1833 Hiroshige’s popularity exploded when his series 53 Stations of Tōkaidō Highway appeared. \nAcross Japan many famous views became the subjects of Hiroshige’s print series\, but the city of Edo had a special place in his artistry. In volume alone\, Hiroshige created more than one thousand prints of the landscapes of Edo. Among all these books and prints of Edo by Hiroshige\, “Edo Hyaku” occupies an even more privileged position. \n \n“Edo Hyaku” is a summit of Hiroshige’s famous view prints. He himself had previously created many series of famous views\, as though they were the foothills supporting this magnificent peak. In “Edo Hyaku”\, which was created during the last two-and-a half years of Hiroshige’s life\, the artist made one last creative leap: Unlike his travelogue prints which had sense of humour and vitality\, the urban scenes in “Edo Hyaku” embrace poetic stillness and serenity along with new dramatic elements of composition. \nContemporary researchers say that “Edo Hyaku” had an intention of providing emotional relief from the disasters of that time — the Great Ansei Earthquake in 1855 and the Great Wind Storm in 1856. Hiroshige encouraged the citizens\, celebrated the recovery and restoration\, and mourned for the victims through his artworks. Having the 2020 Tokyo Olympics in a country deeply hurt by an earthquake in 2011\, Hiroshige’s generous\, affectionate glance to the city and its residents is more touching than ever. \nOriginal works from “Edo Hyaku”\, related works\, and contemporary hand-carved\, hand-printed reproductions bring back the excitement and ambience of sophisticated urban life in Edo. Nature and the seasons along with man-made structures were fully appreciated by Edo residents who made up a population of more than a million individuals. \nHiroshige’s farewell poem\n  \nAzumaji e Fude wo nokoshite Tabi no Sora \nNishi no Mikuni no Nadokoro wo min. \nI leave my brush in the East \nAnd set forth on my journey. \nI shall see the famous places \nin the Western Land. \n  \n(The Western Land in this context refers to the strip of land by the Tōkaidō between Kyoto and Edo\, \nbut it does double duty as a reference to the paradise of the Amida Buddha.) \n  \n*Just added February 6 \n \nNight View in Takanawa \nfrom Eight Snow Views of Eastern Capital series \nThis series of eight snow scenes had never been published in Hiroshige’s life time\, only the sketch remained Paris\, France. These works are considered as Hiroshige’s latest work\, at a same time with One Hundred Famous Views of Edo. First in 1928 the blocks were carved and printed. The piece on display is a reproduction\, hand-carved\, hand-printed\, in 1979. \nThe rest of seven pieces will be added to the exhibition later this month. \nJanuary 18 – April 13\, 2019 \nShow GALLERY HOURS  \nMon 11:30 am – 6:30 pm EXTENDED HOURS \nTues 11:30 am – 4:30 pm \nWed 11:30 am – 4:30 pm \nThurs 11:30 am – 6:30 pm EXTENDED HOURS \nFri 11:30 am – 4:30 pm \n  \nSaturday openings: \n11:00 am – 4:00 pm \nJanuary 19\, February 2\, 16\, March 2\, 16\, 30\, April 13 \nClosed: Other Saturdays and Sundays \nFebruary 18 (Family Day) \n \n  \nADMISSION: FREE \n  \nShow The Japan Foundation\, Toronto  \n2 Bloor Street East \nHudson’s Bay Centre\, 3rd floor \nAbove Royal Bank of Canada \nwww.jftor.org 416.966.1600 x229
URL:https://tr.jpf.go.jp/event/hiroshige-one-hundred-famous-views-of-edo/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
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DTSTART;TZID=America/Toronto:20190121T000000
DTEND;TZID=America/Toronto:20190330T000000
DTSTAMP:20190221T170511Z
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SUMMARY:2019 Book Tree
DESCRIPTION:The JFT Library Book Tree\nThe JFT Library will have a book tree again this year. Help us grow the tree while gaining chances to win prizes from our generous donors.\nTo participate is simple: continue to borrow and enjoy materials from the JFT Library. \nFill out a ballot and write a comment about what you’ve read for a chance to win a prize! \nEvery time you borrow 5 or more items you may enter a ballot.\n*Magazines excluded* \nHelp the Book Tree grow by writing comments on leaves and adding them to our tree. \nBook Tree eligibility:\nMaterials checked out within the period of\nJanuary 21 – March 30\, 2019 [6:30pm]  \nThank you for participating! \nThank you to our generous sponsors.\nPrizes include: \nTIFF – 2 Tickets for an opening night screening and party at the 44th annual Toronto International Film Festival. (Princess of Wales or Elgin Theatre screenings only; festival runs Sept 5 – 15\, 2019) \nAGO – 4 General Admission Tickets for a group visit to the Art Gallery of Ontario. (not including special exhibitions) \nThe KEG – $25 Gift Card for The Keg Steakhouse + Bar \n 
URL:https://tr.jpf.go.jp/event/2019-book-tree/
LOCATION:2 Bloor St. East\, 3rd floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Library
GEO:43.6710978;-79.386063
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DTSTART;TZID=America/Toronto:20190227T183000
DTEND;TZID=America/Toronto:20190227T200000
DTSTAMP:20190131T142201Z
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SUMMARY:The Cultural Dimensions of Packaging in Japan
DESCRIPTION:Packaging\, the wrapping of goods and materials\, indeed “wrapping” even in its widest sense\, is integral to human exchange and interaction. There are of course direct functional reasons for both personal and commercial packaging: physical protection; containment or agglomeration; security; information transmission\, or even just for general convenience\, to name but a few. However\, beyond these pragmatic rationales there are important\, often unspoken\, cultural uses for packaging and wrapping\, e.g. a package as package may have an emotional\, or a communicative\, or a symbolic import that is integral to the traditions of a culture. This talk proposes to introduce some of these same elements and their aspects as they inhere in Japanese packaging and wrapping practices. \nDr. Rudi Meyer holds a BFA from NSCAD University\, a BA from McGill University\, an MA from the University of Toronto\, and a PhD from McGill University. He has taught at both McGill and Concordia University\, while keeping up a freelance design practice\, and is now the Director of the Master of Design Program at the Nova Scotia College of Art and Design (NSCAD University). He has had a long association with Japan\, having lived there for two years and visiting almost every year since his return to Canada to take up a position at NSCAD. He is keenly interested in Japanese design and has participated in a number of conferences devoted to the topic in Japan. His research interests also include design through use; repair and ad-hoc design as sources of innovation; flexible urban dwellings. In addition to studio courses he teaches design history and theory. \nReservations are now closed. Thank you for your interest. We will have a rush line starting 30 minutes before the event\, and will start to release unclaimed seats 10 minutes before the event.
URL:https://tr.jpf.go.jp/event/meyer/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Lecture
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DTSTART;TZID=America/Toronto:20190227T200000
DTEND;TZID=America/Toronto:20190227T210000
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SUMMARY:Online Lecture for Japanese Language Teachers: Talk by Ms. Izumi Adachi (University of Saskatchewan)
DESCRIPTION:JFT日本語教師オンライン講演会のお知らせ\nJFT日本語教師オンラインセミナーは、カナダで活躍する日本語教師による日本語教師研修です。国際交流基金派遣の村上専門家（アルバータ州教育省）がモデレーターとなり、招聘講師による講演、ワークショップ、または、招聘講師との対談をオンラインで行ないます。参加者による質疑応答も予定しております。今回はインタビュー形式で行います。 \n参加ご希望の方は以下をご確認の上、以下のリンクよりお申し込みください。\nhttps://goo.gl/forms/RwUJ0xjVndeYVrfy1 \nタイトル「大学に入学してくる日本語独習者の実像に迫る！」\nTitle: Autonomous Learners in the University Language Classroom\n講師：安達いずみ（サスカチェワン州サスカチェワン大学講師）\nLecturer: Ms. Izumi Adachi (University of Saskatchewan) \n主催：国際交流基金トロント日本文化センター \n日時：2月27日（水）午後8時～9時（東部時間） \nお住まいの地域での時刻はこちらでご確認ください。\nhttps://www.timeanddate.com/worldclock/fixedtime.html?msg=JFT+Online+Lecture&iso=20190227T20&p1=250&ah=1 \nゲスト講師への村上によるインタビューのあとに、小グループに分かれたディスカッション、全体での質疑応答を予定しています。 \n場所：オンライン（ご自宅から参加できます） \n運営方法：\n・今回はZoomというオンライン会議システムを利用いたします。\n・講師によるプレゼンの間、参加者はチャットボックスを使って質問をすることができます。その質問への回答のタイミングは講師の判断によります。\n・プレゼンの終了後に、小グループに分かれた意見交換会と、 全体での質疑応答があります。 \n定員：100名（うち60名はカナダ在住者優先） \n受講費：無料（要申込） \n使用言語：日本語 \n必要なもの：\n・インターネット接続\n・マイクとカメラ （パソコンに内蔵されているものでも大丈夫です。カメラは肖像権の使用に同意された方のみ）\n・イヤホン（ハウリングを防ぐのに必要です）\n・スマホやタブレットの方は専用のアプリが必要です。\n（Zoomのアカウントは必要ありません） \nZoomの利用方法\n・パソコンの場合は、お申し込みの後に主催者から送られるリンクを開いてください。小さなプログラムがダウンロードされ、自動的に接続されます。場合によっては5分ほどかかる場合もありますので、初めて利用される場合は5分ほど前にはリンクを開いてください。\n・このセミナーは録画され、JFトロント日本文化センターの公式YouTubeチャンネルで公開されますが、お申し込みの際に肖像権の使用を同意されない方でもご参加になれます。\n・スマートフォンやタブレットの場合は、 予め ZOOM Cloud Meeting というアプリをダウンロードしてください。アプリを開いてから、お申し込みの後に主催者から送られる「Meeting ID」 を入力すると、このセミナーにご参加になれます。 \niTunes　https://itunes.apple.com/ca/app/zoom-cloud-meetings/id546505307\nAndroid　https://play.google.com/store/apps/details?id=us.zoom.videomeetings \n申し込み方法：以下のリンクからお申し込みください。\nhttps://goo.gl/forms/RwUJ0xjVndeYVrfy1 \n多くの皆様のご応募をお待ちしております！ \n本研修に関し、ご不明な点やご質問などございましたら、以下の担当までご連絡ください。 \n担当者：齋藤典子　nsaito@jftor.org　416‐966‐1600 ext. 224\n　　　　村上吉文　Yoshifumi.Murakami@gov.ab.ca
URL:https://tr.jpf.go.jp/event/workshop190227/
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CATEGORIES:Teachers’ Workshops
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
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