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DTSTART;TZID=America/Toronto:20240214T193000
DTEND;TZID=America/Toronto:20241204T203000
DTSTAMP:20260930T045713
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SUMMARY:VSS Chat Event
DESCRIPTION:Japanese Chat Event\nAre you a Japanese language learner over 18 and located in Canada (or studying at one of the Japan Foundation overseas offices)? \nIn our Virtual Study Space\, we hold regular chat events where you can practice speaking Japanese with native-level volunteers and other students. \nParticipants are divided into groups of 3-5 according to their Japanese level\, where our volunteers facilitate the conversation. A topic is preassigned every week but you can also opt to do free talk. (View Topic Schedule) \nRegister for our Virtual Study Space to gain access: https://tr.jpf.go.jp/language/jft-virtual-study-space/ \nWhat is the JFT Virtual Study Space?\nThe JFT virtual study space is a free 24/7 online space where Japanese language learners can get together to improve their Japanese language skills by experiencing the language outside of class. (Event Calendar)
URL:https://tr.jpf.go.jp/event/vss-chat-event/
LOCATION:Virtual
CATEGORIES:Language Class,Other JFT Events
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GEO:43.6710978;-79.386063
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DTSTART;TZID=America/Toronto:20240718T113000
DTEND;TZID=America/Toronto:20241011T163000
DTSTAMP:20260930T045713
CREATED:20240624T172036Z
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SUMMARY:Photographic Images and Matter: Japanese Prints of the 1970s
DESCRIPTION:  \n \n「映像と物質: 版画の1970年代・日本」\nCurated by Kyoji Takizawa\, Machida City Museum of Graphic Arts\nProduced by The Japan Foundation in 2015 \nIn 1957\, the Japanese government launched the International Biennial Exhibition of Prints in Tokyo as a special feature of its postwar culture policy. Awarded the International Grand Prize in the sixth edition of the biennale in 1968\, Tetsuya Noda transformed photographic portraits of his family into prints. His works were significant in that they exemplified the huge changes that were underway in prints internationally\, confirmed that there were parallels between trends in contemporary prints and contemporary art\, and suggested future developments in contemporary art. In the 1970s\, there was a rapid increase in Japanese works that adopted Noda’s method of converting photographs into prints\, leading to a golden age in the medium. The era also saw the rise of works that placed special importance on allowing the materials (matter) used in printmaking (print blocks\, paper\, ink\, etc.) to speak for themselves\, which was lauded as a new trend in the medium. Another significant trend was the emergence of prints with an extremely strong materiality in which the image was transformed into a material. \nThese autonomous expressions of photographic images and matter in the 1970s dramatically expanded the field of prints and also exerted a strong influence on trends in contemporary art. While introducing important trends in prints during the 1970s\, this exhibition focuses on print-inspired trends in contemporary art of the same period. \nSection 1: An Age of Photographic Expression\nWith the increase in photographs and printing\, and the proliferation of the powerful medium of television\, which accompanied the expansion of production and consumption in the 1960s and ’70s\, Japanese society came to be overrun with images. During this period\, new techniques such as silkscreening and offset printing\, which made it easy to transform photographic images\, quickly took hold. Under these circumstances\, numerous works emerged in which photographic images were converted into prints through the use of photoengraving\, leading to a new mainstream in printmaking. In many of these works\, all traces of handiwork were eliminated in order to suppress emotional content and encode the image. \nExhibiting artists: \nTetsuya Noda野田哲也\, Kosuke Kimura木村光佑\, Akira Matsumoto松本旻\, Satoru Saito斎藤智\, Hideki Kimura木村秀樹\, and Sakumi Hagiwara萩原朔美 \nSection 2: Images of Autonomous Matter\nBetween about 1968 and the early 1970s\, a new trend emerged in art in which simple substances such as stone\, wood\, paper\, cotton\, and steel sheets were presented as works\, sometimes alone and sometimes in combination with each other. As an extension of this movement\, print works\, which limited human involvement and manipulation of the image to a bare minimum\, and set out to allow materials (matter) such as print blocks\, paper\, and ink to speak for themselves\, received attention for expanding the concept of the print and giving rise to a new trend in the medium. This period also saw the materialization of images\, a conscious movement that had begun in the 1950s\, and an approach to production that centered on expressing something spiritual through matter\, which resulted in works with a strong material quality. \nExhibiting artists: \nJiro Takamatsu高松次郎\, Katsuro Yoshida吉田克朗\, Koji Enokura榎倉康二\, Shoichi Ida井田照一\, Tatsuo Kawaguchi河口龍夫\, Lee Ufan李禹煥\, Mitsuo Kano加納光於\, and Arinori Ichihara一原有徳 \n\nAdmission: FREE \nAdvanced\, time-specific reservations are recommended. \nBook your visit here \nHand-sanitization at the entry and wearing face-coverings on our premises are recommended. \nGallery Hours: Open on Tuesdays\, Thursdays\, Fridays\, and Saturdays. Hourly timeslots starting at 11:30 AM\, 12:30 PM\, 1:30PM\, 2:30 PM\, 3:30 PM (4:30 PM and 5:30 PM on Thursdays) \nClosed on select days: August 3 (Civic Holiday weekend)\, August 31 (Labour Day weekend)\, September 28 (National Day for Truth and Reconciliation weekend) \nExhibition Period: July 18 – October 11\, 2024\nLibrary & Gallery Opening Hours\n\n\n\n\n	MondayCLOSED\n\n\n	Tuesday11:30am to 4:30pm\n\n\n	WednesdayCLOSED\n\n\n	Thursday11:30am to 6:30pm\n\n\n	Friday11:30am to 4:30pm\n\n\n	Saturday11:30am to 4:30pm *Closed on select Saturdays\n\n\n\n	SundayCLOSED\n\n\n\n\n*September 21: Open from 11:30 am to 2:00 pm \n*Closed on Sundays\, Mondays\, Wednesdays\, and Select Saturdays:\nCanada Day weekend June 29- July 1\nCivic Holiday weekend August 3-5\nLabour Day weekend August 31- September 2\nNational Day for Truth and Reconciliation weekend: September 28-30\nThanksgiving Day weekend October 12-14 \n  \n\nRelated Programming: \n \nDive Deeper into the 1970s Japanese Prints with JFT Library Books! \nWhether you are planning to visit or have already been fascinated by the JFT Gallery exhibition “Photographic Images and Matter: Japanese Prints of the 1970s“\, add an extra layer of appreciation by checking out JFT Library’s books! To enrich your art experience\, we have curated a library book list\, which includes: Contemporary Japanese Prints 1\, a comprehensive catalogue highlighting the inventive techniques and artists of the 1970s like NODA Tetsuya\, ICHIHARA Arinori\, IDA Shōichi\, and KAWAGUCHI Tatsuo; Japanese Art after 1945: Scream Against the Sky\, an illustrated survey revealing vibrant avant-garde movements that shaped postwar art scene including Mono-ha (“School of Things”); Hideki Kimura: Works\, 1972-1990\, a catalogue raisonné showcasing Kimura’s innovative use of photoengraving and silkscreen techniques\, reflecting his exploration of reality’s fragmented nature; and more! These curated books are currently on display in our library right next to the gallery. Don’t miss this opportunity to delve deeper into this pivotal period in printmaking! \nApply for a new library card or renew your expired card here. \nFull Booklist
URL:https://tr.jpf.go.jp/event/photographic-images-and-matter-japanese-prints-of-the-1970s/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition
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DTSTART;TZID=America/Toronto:20240921T140000
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SUMMARY:Let's Travel through the World of Stories
DESCRIPTION:おはなしの世界を旅しよう\n日本語の美しさやリズムを、ストーリーテリング、遊び歌などを通してゆっくり味わってください。そして、ほぐれた心と身体で、作家の村中李衣さんと絵本作家の石川えりこさんが語る絵本の世界を会場のみなさんで旅してみましょう。会場での90分が物語と共に自在に伸び縮みする、絵本の魅力をたっぷりお楽しみください。 \n当日は、ストーリーテリングや絵本の朗読等の活動を親子で一緒にご体験いただきます。活動の合間に先生方から活動の意義や絵本に込めた思いについてもお話しいただく予定です。 \n日時：2024年9月21日（土）14：00→15：30\n会場：国際交流基金トロント日本文化センター　セミナールーム\n対象：日本語のお話しを聞きたい子どもたち（お話しを聴ける年齢の人ならだれでも）\n※ご参加には保護者の方の同伴が必要です。また、人数制限があることから事前のお申込みが必要です。１回のお申込み人数は保護者の方を含めて最大５名となります。\n※※授乳室やおむつ交換台は施設内にございません。\n定員：70名（同伴の保護者も含まれます。定員となり次第、締め切らせていただきます。）\nお申し込み：ご興味のある方は本ページ下段よりお申し込みください。 \nスケジュール：\n13：30: 開場\n14：00→15：30 おはなし会 \n\nストーリーテリング\n絵本の朗読（「こくん」他）\n遊び歌と遊び歌体操\n質問タイム\n\n15：30:　終了 \nプロフィール： \n石川 えりこ（いしかわえりこ） \n福岡県生まれ。 デザイナーを経て、 フリーのイラストレーター・絵本作家となる。 幼少期の体験をもとに描いた『ボタ山であそんだころ』（福音館書店）は 2015年に第46回講談社出版文化賞絵本賞及び 2017年に台湾でOpenbook最佳童書を受賞。 同作品は2015年にブラティスラヴァ絵本原画展へ出展。 \n作絵では、『あひる』（くもん出版）、『流木のいえ』（小学館）『しぶがき　ほしがき　あまいかき』（福音館／令和元年度社会保障審議会福祉文化財推薦作品特別他受賞）、『てんきのいい日はつくしとり』（福音館）、『かんけり』（アリス館）、『庭にくるとり』（ポプラ社）、『ほんやねこ』（講談社　2024年ブラティスラヴァ絵本原画展へ出展）、『カイト』（講談社）他多数。 \n挿絵では、『またおこられてん』（文　小西貴士／童心社）、『わたしはふね』（文　曹文軒／小学館）、『チョコレートひとつ』（文　余 麗瓊／传世活字国际文化传媒／第9回中国童書榜賞など多数受賞）他多数。 \n村中 李衣（むらなかりえ） \n1958 年山口県生まれ。児童文学作家、ノートルダム清心女子大学教授を経て、山口学芸大学客員教授。大学院修了後、慶應大学医学部病院管理学教室にて読書療法の研究に着手。活動の場所は小児病棟、老人保健施設、児童養護施設、刑務所等幅広い。2017 年、西隆太朗との共著「長期入院児のための絵本の読みあい：支援プログラムの実際とこれから」で絵本学会第 1 回日本絵本研究賞受賞。 \n主な作品は、『小さいベッド』（絵　かみやしん／偕成社／第32回サンケイ児童出版文化賞）、『おねいちゃん』（絵　中村悦子／理論社／野間児童文芸賞）、『チャーシューの月』（絵　佐藤真紀子／小峰書店／第53回日本児童文学者協会賞）、『ねむろんろん』（絵　こしだミカ／新日本出版社／第27回絵本日本賞最終候補）、『女性受刑者とわが子をつなぐ絵本の読みあい』（かもがわ出版）他多数 \n石川えりこと村中李衣による共著作品\n『あららのはたけ』（偕成社　第35回坪田譲治賞）\n『こくん』（童心社／2021年IBBYバリアフリー部門選定図書）\n『はだしであるく』（あすなろ書房／JBBYによる2025年IBBYバリアフリー部門推薦図書）\n『奉還町ラプソディ』（BL出版／2024年 JBBYおすすめ！日本のこどもの本）\n『「子どもの本」の創作講座～おはなしの家を建てよう』（金子書房）
URL:https://tr.jpf.go.jp/event/story-world/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Other JFT Events
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