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DTSTART;TZID=America/Toronto:20230209T180000
DTEND;TZID=America/Toronto:20230209T193000
DTSTAMP:20261004T024734
CREATED:20230120T194343Z
LAST-MODIFIED:20230201T183253Z
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SUMMARY:Edo 100 Talk III: Vivid Colours in ROM's Edo 100 Album\, Forgotten and Re-discovered
DESCRIPTION:*Note:\nThe Exhibition Talk event on February 9 by Dr. TAKESUE Akiko is now fully booked and registration is closed. \nThere will be no waiting list.  However\, on the day of the event\, we will have an in-person waiting line on a first-come\, first-served basis for cancelled seats. \nWe cannot guarantee your admittance\,  but if you are willing to take a chance\, please join the line. \n  \nIn conjunction with Hiroshige’s Edo 100 exhibition at The Japan Foundation\, Toronto \nEdo 100 Talk III: Vivid Colours in ROM’s Edo 100 Album\, Forgotten and Re-Discovered\nThursday\, February 9\, 2023\, 6:00-7:30 pm (ET)\n(Doors open at 5:00 pm)\nIn-Person | Admission Free | RSVP Required | @JFT \nThis will be an in-person event with a slide presentation\, Q&A\, and gallery viewing.  It will be presented by Dr. TAKESUE Akiko\, Bishop White Committee Associate Curator of Japanese Art & Culture\, Royal Ontario Museum. \nDoors will open at 5:00 pm for gallery viewing.  Please register for this exciting event at the bottom on this page.
URL:https://tr.jpf.go.jp/event/edo-100-talk-iii-vivid-colours-in-roms-edo-100-album-forgotten-and-re-discovered/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition,Lecture
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
GEO:43.6710659;-79.3857432
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20221202T180000
DTEND;TZID=America/Toronto:20221202T193000
DTSTAMP:20261004T024734
CREATED:20221121T205205Z
LAST-MODIFIED:20221124T190050Z
UID:78890-1670004000-1670009400@tr.jpf.go.jp
SUMMARY:Edo Hyaku Talk Series - Part II: Boats on Rivers\, Canals\, and Edo Bay
DESCRIPTION:Edo Hyaku Talk Series – Part II: Boats on Rivers\, Canals\, and Edo Bay\nCoinciding with the exhibition Hiroshige’s “Edo Hyaku” with Originals from the Royal Ontario Museum  \nFriday\, December 2\, 6:00 PM – 7:30 PM (ET)\nIn-Person Talk Event | JFT Event Hall | Free Admission | RSVP Required (register below)\nConducted by Toshi Aoyagi\, Program Officer\, The Japan Foundation\, Toronto \n   \nFrom L to R: Haneda Ferry\, Teppōzu\, Pine of Success\, On Sumida River Viewing Azuma-bashi Bridge \n\nRelated Programming:\n \nHiroshige’s “Edo Hyaku”: Perspectives of Landscape Ukiyo-e Prints in Portrait Layout \n“Edo Hyaku”\, One Hundred Famous Views of Edo 名所江戸百景 (Meisho Edo Hyakkei) is a series of over one hundred woodblock prints designed by Hiroshige (1797–1858) \, which began to be published in 1856 and was completed in 1859 after Hiroshige’s death. The current edition of the exhibition focuses on the theme of Boats and Bridges. Featuring original pieces from the Royal Ontario Museum. Open Tuesdays\, Thursdays\, and select Saturdays. \n Register Here \n  \n \nArt of the Game: Ukiyo-e Heroes \nJoin us on December 1st for our first in-person film screening at the JFT Event Hall in over 2 years! \nSynopsis: A journey of discovery into how a Canadian craftsman and an American designer\, with a father and son generation gap\, team up to revive the ancient art of Japanese woodblock prints (Ukiyo-e) by juxtaposing traditional art with pop culture icons such as Super Mario and Pokémon. \n Register Here \n  \nCheck Out JFT Library’s Books on Ukiyo-e (Japanese woodblock prints) before or after Gallery Visit! \nWant to dive deeper into the world of Hiroshige’s art? Learn more about Hiroshige\, the history of ukiyo-e and other ukiyo-e artists by checking out JFT library’s list of physical books and ebooks before or after visiting our current Gallery exhibition\, Hiroshige’s “Edo Hyaku”! \nApply for a new library card or renew your expired card here. \n Library Card
URL:https://tr.jpf.go.jp/event/edo-hyaku-talk-part-ii/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition,Lecture
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
GEO:43.6710659;-79.3857432
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20221126T143000
DTEND;TZID=America/Toronto:20221126T160000
DTSTAMP:20261004T024734
CREATED:20221115T204935Z
LAST-MODIFIED:20221124T190115Z
UID:78774-1669473000-1669478400@tr.jpf.go.jp
SUMMARY:Edo Hyaku Talk Series - Part I: Bridges over Sumida River
DESCRIPTION:Edo Hyaku Talk Series – Part I: Bridges over Sumida River\nCoinciding with the exhibition Hiroshige’s “Edo Hyaku” with Originals from the Royal Ontario Museum  \nSaturday\, November 26\, 2:30 PM – 4:00 PM (ET)\nIn-Person Talk Event | JFT Event Hall | Free Admission | RSVP Required (register below)\nConducted by Toshi Aoyagi\, Program Officer\, The Japan Foundation\, Toronto \n   \n\nRelated Programming:\n \nHiroshige’s “Edo Hyaku”: Perspectives of Landscape Ukiyo-e Prints in Portrait Layout \n“Edo Hyaku”\, One Hundred Famous Views of Edo 名所江戸百景 (Meisho Edo Hyakkei) is a series of over one hundred woodblock prints designed by Hiroshige (1797–1858) \, which began to be published in 1856 and was completed in 1859 after Hiroshige’s death. The current edition of the exhibition focuses on the theme of Boats and Bridges. Featuring original pieces from the Royal Ontario Museum. Open Tuesdays\, Thursdays\, and select Saturdays. \n Register Here \n  \n \nArt of the Game: Ukiyo-e Heroes \nJoin us on December 1st for our first in-person film screening at the JFT Event Hall in over 2 years! \nSynopsis: A journey of discovery into how a Canadian craftsman and an American designer\, with a father and son generation gap\, team up to revive the ancient art of Japanese woodblock prints (Ukiyo-e) by juxtaposing traditional art with pop culture icons such as Super Mario and Pokémon. \n Register Here \n  \nCheck Out JFT Library’s Books on Ukiyo-e (Japanese woodblock prints) before or after Gallery Visit! \nWant to dive deeper into the world of Hiroshige’s art? Learn more about Hiroshige\, the history of ukiyo-e and other ukiyo-e artists by checking out JFT library’s list of physical books and ebooks before or after visiting our current Gallery exhibition\, Hiroshige’s “Edo Hyaku”! \nApply for a new library card or renew your expired card here. \n Library Card
URL:https://tr.jpf.go.jp/event/edo-hyaku-talk-part-i/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition,Lecture
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
GEO:43.6710659;-79.3857432
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20221110T113000
DTEND;TZID=America/Toronto:20221110T163000
DTSTAMP:20261004T024734
CREATED:20221111T001609Z
LAST-MODIFIED:20231214T214726Z
UID:78738-1668079800-1668097800@tr.jpf.go.jp
SUMMARY:Hiroshige's "Edo Hyaku": Perspectives of Landscape Ukiyo-e Prints in Portrait Layout
DESCRIPTION:Hiroshige’s “Edo Hyaku”: Perspectives of Landscape Ukiyo-e Prints\nWith originals from the Royal Ontario Museum\n \n“Edo Hyaku”\, One Hundred Famous Views of Edo 名所江戸百景 (Meisho Edo Hyakkei) is a series of over one hundred woodblock prints designed by Hiroshige (1797–1858) \, which began to be published in 1856 and was completed in 1859 after Hiroshige’s death.  \nIn order to cover the huge amount of works in this series\, we have been having a geological lineup in our 2019 exhibition\, then we focused on the theme of cherry blossoms in October 2021 – April 2022. For this third Edo Hyaku period\, starting in the fall of 2022\, we are concentrating on the theme of Boats and Bridges\, which will be followed by our final period of Edo Hyaku: Residents and City Streets in New Year 2023. \nFor these upcoming two periods we are welcoming original pieces of the Edo Hundred series from the Royal Ontario Museum. This set of Edo Hyaku prints arrived for public attention relatively recently in 2002\, and was re-discovered as an album or a form of folded book bound by pasting prints together edge-to-edge. Although the edges of the prints are missing by the binding\, and the album suffered worm damage\, the colour condition of this set is remarkable. Being away from lights\, the prints here maintained their vivid colours. For the first time the prints are displayed publicly and individually at The Japan Foundation\, Toronto after going through conservation procedures such as separation of the pages\, cleaning\, and repair. \nIn addition to over twenty original pieces from the ROM in each period\, we have reproductions\, which some people rather call re-conceived prints. These non-originals are not offset prints from photography\, but are re-carved and hand-printed in the traditional method based on historical research. \nThrough these prints we are examining Hiroshige’s final years\, which is characterized by the use of tall portrait layout in landscape paintings. Linear perspectives and the expression of depth and distance are the keys to unfold the visual wealth of Hiroshige’s late pieces. A masterpiece of this period\, consisting of a trio of triptychs known as Snow\, Moon\, and Flower (1857) is on display\, along with pieces from the series kown as Famous Views of the Sixty-odd Provinces (1853–56). \nIn comparison with these other pieces from Hioroshige’s late period the special characteristics of the Edo Hyaku series become more evident. Hiroshige’s compassion and nostalgic affection for his own home town Edo\, now known as Tokyo\, is evident in the Edo Hyaku print series. Some researchers point out that the whole project of the publication of Edo Hyaku was a disaster relief effort for the Ansei Great Earthquake in 1855. Hiroshige’s beloved Edo was awfully almost completely destroyed\, and the lives of many citizens were lost. The glances of Hiroshige we can feel in Edo Hyaku are so gentle\, intimate\, comforting\, and yet noble and proud. \n\nAdmission: FREE \nGallery Hours: Hourly timeslots starting at 11:30 AM\, 12:30 PM\, 1:30PM\, 2:30 PM\, 3:30 PM (4:30 PM and 5:30 PM on select Fridays) \nOur gallery exhibition is open on Tuesdays\, Thursdays\, select Fridays\, and select Saturdays. In order to maintain social distancing\, we are limiting the number of visitors to 20 in each timeslot. \nLibrary & Gallery Opening Hours\n\n\n\n\n	MondayCLOSED\n\n\n	Tuesday11:30am to 4:30pm\n\n\n	WednesdayCLOSED\n\n\n	Thursday11:30am to 6:30pm\n\n\n	Friday11:30am to 4:30pm\n\n\n	Saturday11:30am to 4:30pm *Closed on select Saturdays\n\n\n\n	SundayCLOSED\n\n\n\n\n Book Your Visit Here \n\nRelated Programming:\nCheck Out JFT Library’s Books on Ukiyo-e (Japanese woodblock prints) before or after Gallery Visit! \nWant to dive deeper into the world of Hiroshige’s art? Learn more about Hiroshige\, the history of ukiyo-e and other ukiyo-e artists by checking out JFT library’s list of physical books and ebooks before or after visiting our current Gallery exhibition\, Hiroshige’s “Edo Hyaku”! \nApply for a new library card or renew your expired card here. \n Library Card \n 
URL:https://tr.jpf.go.jp/event/hiroshige-rom/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition
GEO:43.6710659;-79.3857432
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Japan Foundation Toronto 2 Bloor St. East 3rd Floor Toronto ON M4W 1A8 Canada;X-APPLE-RADIUS=500;X-TITLE=2 Bloor St. East\, 3rd Floor:geo:-79.3857432,43.6710659
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20220426T113000
DTEND;TZID=America/Toronto:20220426T163000
DTSTAMP:20261004T024734
CREATED:20220404T210455Z
LAST-MODIFIED:20220803T161725Z
UID:74693-1650972600-1650990600@tr.jpf.go.jp
SUMMARY:The Superlative Artistry of Japan
DESCRIPTION:Vermilion tomon-ra fabric by KITAMURA Takeshi \nThis exhibition captures Japan’s creative culture and Monozukuri spirit – the passion and devotion in producing things – through the theme of Chōzetsu-Gikō\, superlative artistry\, which refers to the exceptional methods and techniques used. \nThe Superlative Artistry of Japan exhibition presents a cohesive collection of works and materials from various genres that place great emphasis on highly skilled techniques which incorporate ingenious expressions and concepts. An extremely high level of technical perfection takes viewers by surprise. Elaborate kōgei craft works from the Meiji era (1868–1912) are introduced as a starting point\, looking back at their star status in the expositions of 19th- century Europe. Meiji kōgei pieces were one of the first international impacts of Japan\, which initiated the Japonism trend. \nThe following main body of this exhibition consists of numerous contemporary works of superlative artistry\, embracing pop-culture products\, such as capsule toy figures and food samples\, that illustrate a strong commitment to craftsmanship. \nThrough this exhibition we intend to introduce the outstanding techniques of each work as well as the worlds of expression that serve to even surpass such skill and finesse. It is hoped that viewers will be able to appreciate this specific part of Japan’s creative culture that honors craftsmanship and has constantly shown a thorough sense of meticulousness and devotion towards production processes. \n\nAdmission: FREE \nGallery Hours: Hourly timeslots starting at 11:30 AM\, 12:30 PM\, 1:30PM\, 2:30 PM\, and 3:30 PM \nDue to COVID-19 precautions\, we are limiting visitation to 5 hourly timeslots per day. In order to maintain social distancing\, we are limiting the number of visitors to 10 in each timeslot.  \n\n\n\nMonday\nCLOSED\n \n\n\nTuesday\nOPEN\n \n\n\nWednesday\nCLOSED\n \n\n\nThursday\nOPEN\n \n\n\nFriday\nCLOSED\n \n\n\nSaturday\nOPEN\n*select dates only: August 6\, 20\, 27\n\n\nSunday\nCLOSED\n \n\n\n\nPlease wear facial coverings at all times while you are on the premises. Hand sanitizers will be available for your convenience. Your cooperation will be deeply appreciated. \n\nThe exhibition features 37 items and groups in a wide range of genres and eras: \nMeiji Era Kōgei (enamel\, Satsuma ceramic\, lacquerware\, Jizai metalwork\, embroidery)\nDiorama by ARAKI Satoshi\nObjects by FUKAHORI Riusuke\nPhotography by HONJŌ Naoki\nInstallation by IWASAKI Takahiro\nWoven works: KITAMURA Takeshi\nSolo dance in digital environment by UMEDA hiroaki\nPaintings by YAMAGUCHI Akira\nCeramics YAMAMOTO Ichiyō\nFigures produced by Kaiyōdō\n3D objects by MISHIMA Kimiyo\nPaintings by NISHIWAKI Naoki\nInstallation by SUZUKI Yasuhiro\nFood Samples and Shokugan (small toys sold with candy)\n \n  \nThis exhibition is produced by the Japan Foundation.\nExhibition Supervisor: YAMASHITA Yūji. Produced in 2017. \n\nBook Your Visit Here \n\n \nJFT Library’s Physical Books & Ebook about the Artistry of Japan  \nLearn more about the artistry of Japan by checking out JFT library’s books related to the exhibition before or after visiting the gallery. Apply for a new library card or renew your expired card here.
URL:https://tr.jpf.go.jp/event/superlative-artistry-of-japan/2022-04-26/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
GEO:43.6710659;-79.3857432
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20211012T113000
DTEND;TZID=America/Toronto:20211012T163000
DTSTAMP:20261004T024734
CREATED:20211006T181021Z
LAST-MODIFIED:20220331T215358Z
UID:54805-1634038200-1634056200@tr.jpf.go.jp
SUMMARY:Hiroshige's "Edo Hyaku": Perspectives of Landscape Ukiyo-e Prints in Portrait Layout
DESCRIPTION:To book a visit to see this exhibition\, please take a look at the guidelines and acknowledgement page:\nBook Your Visit Here \n“Edo Hyaku”\, One Hundred Famous Views of Edo 名所江戸百景 (Meisho Edo Hyakkei) is a series of over one hundred woodblock prints designed by Hiroshige (1797–1858) \, which began to be published in 1856 and was completed in 1859 after Hiroshige’s death. Compassion and nostalgic affection of Hiroshige to his own home town Edo\, now known as Tokyo\, is evident in the Edo Hyaku print series. A previous exhibition at The Japan Foundation\, Toronto in 2019 of “Edo Hyaku” approached this masterpiece from the viewpoint of its serene\, poetic expressions\, which were based on Hiroshige’s emotional input to his own city. The exhibition focused on the theme of snow and moon\, displaying other Edo city portrayal pieces by Hiroshige. \nIn order to cover the huge amount of works omitted from our previous exhibition\, we switch our focus to cherry blossoms and boats on water for our new exhibition. We are also examining Hiroshige’s final years\, which is characterized by the use of tall portrait layout in landscape paintings. Linear perspectives and the expression of depth and distance are the keys to unfold the visual wealth of Hiroshige’s late pieces. \nA masterpiece of this period\, consisting of a trio of triptychs known as\, Snow\, Moon\, and Flower (1857) is on display\, along with pieces from the series Famous Views of the Sixty-odd Provinces (1853–56). \nThe artworks on display are reproductions\, not off-set prints from photography\, but are re-carved and hand-printed in the traditional method based on historical research. We also display jigsaw puzzles of Hiroshige prints. During the course of quarantine each small piece of these puzzles has drawn our attention to the details of the artwork; as well\, each assembly clarified the composition.  Enjoy the urban splendour and excitement of Edo and the natural phenomenon of Japan in meticulously sophisticated woodblock prints. \nAdmission: FREE \nGallery Hours: 11:30 AM to 1:30 PM • 2:30 PM to 4:30 PM \n\n\n\nMonday\nCLOSED\n\n\nTuesday\nOPEN\n\n\nWednesday\nCLOSED\n\n\nThursday\nOPEN\n\n\nFriday\nCLOSED\n\n\nSaturday (April 9 & 30 only)\nOPEN \n\n\nSunday\nCLOSED\n\n\n\n*Due to COVID-19 precautions\, we are limiting visitation to 4 timeslots per day\, 2 days per week (with the exception of 2 Saturdays every month). Book your visit here. \nProof of Vaccination: We take the health and safety of our patrons and staff very seriously. We are working to ensure a safe reopening according to public health guidelines. We ask that you show your receipt of COVID-19 vaccination at the entrance. Please also wear facial covering at all times while you are on the premises. Hand sanitizers will be available for your convenience. \nFor proof of vaccination requirements for your JFT Library visits\, please find out more here. \n\n \nJFT Library’s Physical Books & ebooks about Ukiyo-e: Japanese Woodblock Prints \nDive deeper into the world of Hiroshige’s art by checking out JFT library’s physical books and ebooks on Japanese woodblock prints available at JF OverDrive. Learn about Hiroshige before or after visiting our current gallery exhibition. \nApply for a new library card or renew your expired card here.
URL:https://tr.jpf.go.jp/event/hiroshige-edo-hyaku/2021-10-12/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
GEO:43.6710659;-79.3857432
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20210729T113000
DTEND;TZID=America/Toronto:20211005T163000
DTSTAMP:20261004T024734
CREATED:20210722T180052Z
LAST-MODIFIED:20250617T025123Z
UID:53980-1627558200-1633451400@tr.jpf.go.jp
SUMMARY:NINGYŌ: Art and Beauty of Japanese Dolls
DESCRIPTION:To book a visit to see this exhibition\, please take a look at the guidelines and acknowledgement page:\nBook Your Visit Here \nThe traveling exhibition NINGYŌ: Art and Beauty of Japanese Doll has been produced afresh in spring 2020 by The Japan Foundation Headquarters\, Tokyo. The Japanese word for “doll\,” NINGYŌ\, which literally means “human shape\,” points out the origin of a long tradition of dolls in Japan. The doll culture that has flourished over the long history of Japan will be introduced in this exhibition through over 70 dolls\, divided into 5 sections: “Ningyō to pray for children’s growth\,” “Ningyō as fine art\,” “Ningyō as folk art\,” “Spread of Ningyō culture\,” and “Ningyō and performing arts.” \nJapanese doll culture could be characterized by its diversity of dolls and their delicate craftsmanship\, backed by a deep love. This exhibition presents a comprehensive introduction to Japanese doll culture\, from Katashiro and Amagatsu from ancient animistic tradition\, which are considered to be the archetypes of dolls in Japan\, to local dolls that reflect the climate and anecdotes from across the country\, to contemporary products\, such as factory-mass-produced dress-up dolls like Licca-chan that are beloved in Japan today as doll toys and intricate anime-based figures that are highly regarded around the world. \nThe fact that dolls are an indispensable part of people’s daily lives is not limited to Japan\, but you can find so many dolls in every household in Japan. The dolls are not only toys\, but sometimes share spiritual functions\, and can be one of the artworks to decorate homes\, or memorabilia/souvenirs of family trips. People purchase the dolls\, but also make them with their own hands. Doll making is a popular hobby in diverse styles and materials\, enforcing the bond between the Japanese nation and its dolls. \nAdmission: FREE \nGallery Hours: 11:30 AM to 1:30 PM • 2:30 PM to 4:30 PM \n\n\n\nMonday\nCLOSED\n\n\nTuesday\nOPEN\n\n\nWednesday\nCLOSED\n\n\nThursday\nOPEN\n\n\nFriday\nCLOSED\n\n\nSaturday & Sunday\nCLOSED
URL:https://tr.jpf.go.jp/event/ningyo2021-2/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
GEO:43.6710659;-79.3857432
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Japan Foundation Toronto 2 Bloor St. East 3rd Floor Toronto ON M4W 1A8 Canada;X-APPLE-RADIUS=500;X-TITLE=2 Bloor St. East\, 3rd Floor:geo:-79.3857432,43.6710659
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20210729T113000
DTEND;TZID=America/Toronto:20210729T163000
DTSTAMP:20261004T024734
CREATED:20210722T180052Z
LAST-MODIFIED:20210831T161130Z
UID:53961-1627558200-1627576200@tr.jpf.go.jp
SUMMARY:NINGYŌ: Art and Beauty of Japanese Dolls
DESCRIPTION:To book a visit to see this exhibition\, please take a look at the guidelines and acknowledgement page:\nBook Your Visit Here \nThe traveling exhibition NINGYŌ: Art and Beauty of Japanese Doll has been produced afresh in spring 2020 by The Japan Foundation Headquarters\, Tokyo. The Japanese word for “doll\,” NINGYŌ\, which literally means “human shape\,” points out the origin of a long tradition of dolls in Japan. The doll culture that has flourished over the long history of Japan will be introduced in this exhibition through over 70 dolls\, divided into 5 sections: “Ningyō to pray for children’s growth\,” “Ningyō as fine art\,” “Ningyō as folk art\,” “Spread of Ningyō culture\,” and “Ningyō and performing arts.” \nJapanese doll culture could be characterized by its diversity of dolls and their delicate craftsmanship\, backed by a deep love. This exhibition presents a comprehensive introduction to Japanese doll culture\, from Katashiro and Amagatsu from ancient animistic tradition\, which are considered to be the archetypes of dolls in Japan\, to local dolls that reflect the climate and anecdotes from across the country\, to contemporary products\, such as factory-mass-produced dress-up dolls like Licca-chan that are beloved in Japan today as doll toys and intricate anime-based figures that are highly regarded around the world. \nThe fact that dolls are an indispensable part of people’s daily lives is not limited to Japan\, but you can find so many dolls in every household in Japan. The dolls are not only toys\, but sometimes share spiritual functions\, and can be one of the artworks to decorate homes\, or memorabilia/souvenirs of family trips. People purchase the dolls\, but also make them with their own hands. Doll making is a popular hobby in diverse styles and materials\, enforcing the bond between the Japanese nation and its dolls. \nExhibition Dates: July 29\, 2021 – October 8\, 2021 \nAdmission: FREE \nGallery Hours: 11:30 AM to 1:30 PM • 2:30 PM to 4:30 PM \n\n\n\nMonday\nOPEN\n\n\nTuesday\nOPEN\n\n\nWednesday\nCLOSED\n\n\nThursday\nOPEN\n\n\nFriday\nOPEN\n\n\nSaturday & Sunday\nCLOSED\n\n\n\n 
URL:https://tr.jpf.go.jp/event/ningyo2021/2021-07-29/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
GEO:43.6710659;-79.3857432
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Japan Foundation Toronto 2 Bloor St. East 3rd Floor Toronto ON M4W 1A8 Canada;X-APPLE-RADIUS=500;X-TITLE=2 Bloor St. East\, 3rd Floor:geo:-79.3857432,43.6710659
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20201001
DTEND;VALUE=DATE:20201002
DTSTAMP:20261004T024734
CREATED:20200915T213307Z
LAST-MODIFIED:20201015T204719Z
UID:48763-1601510400-1601596799@tr.jpf.go.jp
SUMMARY:NINGYO: Art and Beauty of Japanese Dolls
DESCRIPTION:Temporary closure\, until further notice\nUPDATE: As Toronto braces for the 2nd wave of the pandemic\, in consideration of the health and wellbeing of our patrons and staff\, The Japan Foundation\, Toronto will temporarily suspend our in-person programming\, including NINGYO: Art and Beauty of Japanese Dolls exhibition starting Tuesday October 13\, 2020\, until further notice. Our online programming will continue uninterrupted.  \nMore details here > https://tr.jpf.go.jp/important-message-covid-19/ \n\nNINGYŌ: Art and Beauty of Japanese Dolls\nTouring exhibition produced by The Japan Foundation\, Tokyo\n\n\n\n\n\nOctober 1\, 2020 – January 12\, 2021 \n \nThe traveling exhibition “NINGYŌ: Art and Beauty of Japanese Dolls” was produced afresh in 2020 by The Japan Foundation Head Quarters\, Tokyo. Under the exhibition title NINGYŌ\, which means “human shape” in Japanese\, the doll culture that has been cultivated over the long history of Japan will be introduced through over 70 carefully selected dolls\, divided into 5 sections: “Ningyō to pray for children’s growth\,” “Ningyō as fine art\,” “Ningyō as folk art\,” “Spread of Ningyō culture\,” and “Ningyō and performing arts.”\n \n\n\n\nThe Japan Foundation\, Toronto \n\n\n\n2 Bloor Street East \n\n\n\nHudson’s Bay Centre\, 3rd floor (Above Royal Bank of Canada) \n\n\n\n\n\nwww.jftor.org 416.966.1600 x229 \n\n\n\n\n\n\n\n 
URL:https://tr.jpf.go.jp/event/ningyo-japanese-dolls/2020-10-01/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
GEO:43.6710659;-79.3857432
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Japan Foundation Toronto 2 Bloor St. East 3rd Floor Toronto ON M4W 1A8 Canada;X-APPLE-RADIUS=500;X-TITLE=2 Bloor St. East\, 3rd Floor:geo:-79.3857432,43.6710659
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200723
DTEND;VALUE=DATE:20200724
DTSTAMP:20261004T024734
CREATED:20200720T211611Z
LAST-MODIFIED:20200818T203557Z
UID:47340-1595462400-1595548799@tr.jpf.go.jp
SUMMARY:Manga Hokusai Manga: Approaching the Master's Compendium from the Perspective of Contemporary Comics
DESCRIPTION:We are pleased to announce that the JFT Gallery will reopen from Thursday\, July 23\, 2020. The health and safety of our guests and staff members is our primary concern. As we re-open the Gallery to the public\, we ask you for your cooperation to keep the Gallery a safe place for yourself\, for other visitors and for our staff by carefully reading the following JFT Acknowledgement and Guidelines below: JFT Acknowledgement and Guidelines \n\nWhat to expect when you visit the Gallery\n\nIn order to manage the flow and capacity of visitors\, all visitors must make a booking prior to visiting\nAll visitors and staff must wear a mask inside the building\nPlease use hand sanitizer provided at the entrance\nPlease keep a safe space (2 metres) between yourself\, other guests and staff\nNo lockers are available at this time\, so please travel light and avoid bringing large bags and backpacks\nIn order to prevent the spread of COVID-19\, we may decline entry to those who are non-compliant with the regulations listed above.\nThe Bloor street and concourse level entrances are open. The Yonge street entrance is closed\nElevator access to the 3rd floor is limited\, you must be accompanied by JFT staff. Instructions on how to contact JFT staff will be in the booking confirmation\n\n\nManga Hokusai Manga:\n\n\n\nApproaching the Master’s Compendium from the Perspective of Contemporary Comics\n\n\n\n\n\n「マンガ・北斎・漫画」展 — 現代日本マンガから見た『北斎漫画』\n\n\n\nJuly 23 – September 18\, 2020 (extended dates!)\nIn light of Japan’s contemporary comics and their global proliferation\, the 19th-century Hokusai Manga is attracting increasing interest. Fans worldwide tend to even regard this pictorial compendium by ukiyo-e artist Katsushika Hokusai as the origin of today’s manga. But the outward appearance of these two types of manga does not immediately suggest a continuous tradition. Do present-day graphic narratives and the master’s “diverse drawings” share anything other than a name? Unlike past exhibitions of Hokusai’s work\, Manga Hokusai Manga approaches the Hokusai Manga from the perspective of contemporary Japanese comics\, focusing on genre\, pictorial storytelling and participatory culture rather than the integration of word and image or the role of popular characters. And instead of aiming at a historiographic verification of influences\, the exhibition invites viewers to ponder their own notions about manga by comparing works from different periods while exploring the diversity therein. Jaqueline Berndt Professor\, Manga/Comics Theory\, Kyoto Seika University.   \n\nTo book a visit to see this exhibition\, please take a look at the guidelines and acknowledgement page here. JFT Acknowledgement and Guidelines \n\n\n\n\n\n\n\n\n\nADMISSION: FREE \n\nGALLERY HOURS 11:30 AM to 1:30 PM & 2:30 PM to 4:30 PM \n\n\n\nMon   OPEN \nTue    OPEN \nWed   CLOSED \nThu    OPEN \nFri       OPEN \nSat & Sun CLOSED \n\n\n\nThe Japan Foundation\, Toronto \n\n\n\n2 Bloor Street East \n\n\n\nHudson’s Bay Centre\, 3rd floor (Above Royal Bank of Canada) \n\n\n\n\n\nwww.jftor.org 416.966.1600 x229 \n\n\n\n\n\n\n\n 
URL:https://tr.jpf.go.jp/event/manga-hokusai-manga-and-contemporary-comics/2020-07-23/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
GEO:43.6710659;-79.3857432
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Japan Foundation Toronto 2 Bloor St. East 3rd Floor Toronto ON M4W 1A8 Canada;X-APPLE-RADIUS=500;X-TITLE=2 Bloor St. East\, 3rd Floor:geo:-79.3857432,43.6710659
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20200116
DTEND;VALUE=DATE:20200117
DTSTAMP:20261004T024734
CREATED:20200116T193347Z
LAST-MODIFIED:20200402T184124Z
UID:43404-1579132800-1579219199@tr.jpf.go.jp
SUMMARY:Manga Hokusai Manga
DESCRIPTION:  \nManga Hokusai Manga:\nApproaching the Master’s Compendium\nfrom the Perspective of Contemporary Comics\n「マンガ・北斎・漫画」展 — 現代日本マンガから見た『北斎漫画』\nJanuary 16 – April 23\, 2020\nIn light of Japan’s contemporary comics and their global proliferation\, the 19th-century Hokusai Manga is attracting increasing interest. Fans worldwide tend to even regard this pictorial compendium by ukiyo-e artist Katsushika Hokusai as the origin of today’s manga. But the outward appearance of these two types of manga does not immediately suggest a continuous tradition. Do present-day graphic narratives and the master’s “diverse drawings” share anything other than a name? Unlike past exhibitions of Hokusai’s work\, Manga Hokusai Manga approaches the Hokusai Manga from the perspective of contemporary Japanese comics\, focusing on genre\, pictorial storytelling and participatory culture rather than the integration of word and image or the role of popular characters. And instead of aiming at a historiographic verification of influences\, the exhibition invites viewers to ponder their own notions about manga by comparing works from different periods while exploring the diversity therein. \nJaqueline Berndt Professor\, Manga/Comics Theory\, Kyoto Seika University \n\n\nShow GALLERY HOURS  \nMon 11:30 am – 6:30 pm EXTENDED HOURS \nTues 11:30 am – 4:30 pm \nWed 11:30 am – 4:30 pm \nThurs 11:30 am – 6:30 pm EXTENDED HOURS \nFri 11:30 am – 4:30 pm \n  \n  \nShow The Japan Foundation\, Toronto  \n2 Bloor Street East \nHudson’s Bay Centre\, 3rd floor \nAbove Royal Bank of Canada \nwww.jftor.org 416.966.1600 x229 \n  \n\nADMISSION: FREE \nSaturday openings: \n11:00 am – 4:00 pm \nJanuary 25\, February 8\, 22\, \nMarch 7\, 21\, April 4\, 18 \nClosed: Other Saturdays and Sundays \nFebruary 17 (Family Day) \nEaster closing April 10-13
URL:https://tr.jpf.go.jp/event/manga-hokusai-manga/2020-01-16/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
GEO:43.6710659;-79.3857432
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Japan Foundation Toronto 2 Bloor St. East 3rd Floor Toronto ON M4W 1A8 Canada;X-APPLE-RADIUS=500;X-TITLE=2 Bloor St. East\, 3rd Floor:geo:-79.3857432,43.6710659
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20191017
DTEND;VALUE=DATE:20191018
DTSTAMP:20261004T024734
CREATED:20191018T212449Z
LAST-MODIFIED:20200120T220838Z
UID:41768-1571270400-1571356799@tr.jpf.go.jp
SUMMARY:FANS ONSTAGE
DESCRIPTION:FANS ONSTAGE\nHandheld Splendours of the Japanese Traditional Performing Arts\n \nAn exhibition presented by The Japan Foundation\nin conjunction with Cinema Kabuki 2019 Toronto\nSpecial thanks to Tomatsuya-Fukui in Kyoto and Bunsendō in Asakusa\, Tokyo\n  \nOctober 17\, 2019 – January 11\, 2020 \nADMISSION: FREE \n\nJapan’s association with fans can be traced back to the Nara period (8th century) with the cypress fans made of wooden hinged strips\, followed by the invention of paper folded fans in the Heian period (9th century).  As early as the late 10th century the paper folded fans\, which differed from flat unfoldable fans\, were exported from Japan to the Korean peninsula and China as luxury imports.  In the West\, in ancient Egypt and Greece\, there were records of folded fans\, but the tradition of using fans died out during the Middle Ages.  Whereas in the East the new technique of making fans – the application of paper on both sides of the fan ribs – was brought from China to Japan at the beginning of the Muromachi period (early 14th century).  This new method of manufacture revolutionized the production and export of fans.  Through Portuguese and Dutch traders folding fans were spread out from Japan to the global market and other cultures. \nPaper folded fans have been widely used in people’s daily lives in Japan\, but also in the ceremonies of religions and politics\, and particularly most effectively in the performing arts. \nNoh theatre\, which originated in the 15th century\, uses fans in the same symbolic way as its masks.  Noh actors are aiming on stage for some kind of unification of their souls with the spiritual being they find in the masks and fans.  Therefore\, the treatment of the objects is as rigid as the actors’ own bodies in order to achieve internal energy flow.  The faces are covered by masks and the hands are often invisible\, covered by the costume.  One can see the fans as the replacement of hands\, but the performers keep their wrists immobile to create concentrated\, abstract movements.  On the contrary\, in Kabuki theatre – founded in the early 17th century – the actors’ wrists and arms are freely moving their fans.  In Kabuki\, the external effects are established by fans\, reflecting commoners’ aesthetics.  This is the opposite of the Noh theatre aesthetic which reflects Samurai warriors’ philosophy.  In Kabuki dance\, performers turn their fans from front to back quickly\, or create swaying waves\, maneuvering their fans with their arms and wrists.  They even toss fans into the air and catch them. \nThe difference of the internal versus external use of fans in Noh and Kabuki is physically evident in the proportion of the fans.  Noh theatre fans have a silhouette almost like an upside-down equilateral triangle\, whereas Kabuki fans are wider horizontally.  In spite of these physical differences\, one thing is common: they are all beautifully handcrafted.  In both Noh and Kabuki\, fans are far beyond decoration or props.  They are the handheld splendours which can conjure universal imagery in the theatrical experience. \n  \nOctober 17\, 2019 – January 11\, 2020 \nGALLERY HOURS \nMon 11:30 am – 6:30 pm EXTENDED HOURS \nTues 11:30 am – 4:30 pm \nWed 11:30 am – 4:30 pm \nThurs 11:30 am – 6:30 pm EXTENDED HOURS \nFri 11:30 am – 4:30 pm \n  \nSaturday openings: \n11:00 am – 4:00 pm \nOctober 19\, November 2\, 16\, 30\, December 14\, 2019\, January 11\, 2020 \nClosed: Other Saturdays and Sundays\, November 11 (Remembrance Day) \nChristmas & New Year’s closing: December 21\, 2019 – January 5\, 2020
URL:https://tr.jpf.go.jp/event/fans-onstage/2019-10-17/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
GEO:43.6710659;-79.3857432
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Japan Foundation Toronto 2 Bloor St. East 3rd Floor Toronto ON M4W 1A8 Canada;X-APPLE-RADIUS=500;X-TITLE=2 Bloor St. East\, 3rd Floor:geo:-79.3857432,43.6710659
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190807
DTEND;VALUE=DATE:20191010
DTSTAMP:20261004T024734
CREATED:20190718T213650Z
LAST-MODIFIED:20191224T160351Z
UID:40267-1565136000-1570665599@tr.jpf.go.jp
SUMMARY:Ceramic Design For Sake Exhibition
DESCRIPTION:Ceramic Design For Sake Exhibition\nDisplay of the contemporary\, industrial design for Japanese rice wine Sake. Through the craftsmanship and original creativity imbedded in those design products the exhibition examine Japanese tradition and aesthetic sensitivity. \n  \n日本酒のための陶磁器デザイン展 \n日本酒のために制作された現代のデザイン作品を、陶磁器に特定して展示し、 \nデザインに込められた創意や配慮を通じて、日本人の美意識を探求する。 \n \n  \nAugust 7 – October 9\, 2019 \nGALLERY HOURS \nMon 11:30 am – 6:30 pm EXTENDED HOURS \nTues 11:30 am – 4:30 pm \nWed 11:30 am – 4:30 pm \nThurs 11:30 am – 6:30 pm EXTENDED HOURS \nFri 11:30 am – 4:30 pm \n  \nThe Japan Foundation\, Toronto \n2 Bloor Street East \nHudson’s Bay Centre\, 3rd floor \nAbove Royal Bank of Canada \nwww.jftor.org 416.966.1600 x229 \n  \nADMISSION: FREE \n  \nSaturday openings: \n11:00 am – 4:00 pm \nAugust 10\, 24\, September 7\, 21\, October 5 \nClosed: Other Saturdays and Sundays \nSeptember 2 (Labour Day) \n  \nCeramic Design for Sake\n \nSake\, often referred to as Japanese rice wine\, is the national beverage of Japan.  Mythological documents call Japan by the name Mizuho-no-kuni or Land of Abundant Rice Fields\, and the rice was gifted to the nation by the sun goddess Amaterasu from her divine rice paddies in heaven.  In Shinto ceremonies sake has been one of the most sacred offerings to the gods alongside rice. \n  \nPeople in the Land of Abundant Rice Fields developed their rich tradition in serving sake\, devising various sets of cups and servers.  When sake is served hot\, Tokkuri\, a bulbous flask with a narrow neck\, is used in order to prevent the heat from escaping.  For room-temperature serving\, Katakuchi\, spouted vessels\, are also used. \n  \nThe cups used for drinking sake are generally small because of the relatively higher percentage of alcohol by volume\, 18-20 %\, and the customary appreciation method of taking little sips.  Choko is a cylindrical vessel which can comfortably rest between index finger and thumb.  On casual occasions the Guinomi without Kōdai foot can work as a shot glass.  For ceremonial use\, the serving vessel would be the flatter\, wide-mouthed Sakazuki. \n  \nThe Land of Abundant Rice Fields also has a long successful history as The Land of Ceramics dating back even to the prehistoric era.  Current ceramic industry centres across Japan all have a history of over 300 years.  Receptacles for sake serving can be crafted out of wood\, lacquered wood\, glass or plastic\, but the ceramic industry provided the vast majority of the tools for appreciation of the national beverage. \n  \nThe production of sake in Japan has been declining since the mid-1970s\, competing in the market against beer\, wine\, and spirits.  However\, the quality of the products\, thanks to new brewing technology\, surpassed the past standard.  Sake is appreciated not only in Japan\, but worldwide.  In this new environment and conditions\, the contemporary ceramic industry in Japan expressed their creativity in their product design. \n  \nIn this exhibition\, over 130 pieces from local studios in the ceramic centres of Aichi\, Gifu\, Nagasaki\, and Saga are on display.  These are industrial products from studios or factories\, not from artisans’ private studios.  The exhibits are mass-produced\, but not necessarily machine-made\, in fact most are handcrafted.  The goal of these new designs must be contemporary and global: a deeper\, more sophisticated appreciation of sake in ordinary lives by a wider range of people\, including those overseas.
URL:https://tr.jpf.go.jp/event/ceramic-design-for-sake/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
GEO:43.6710659;-79.3857432
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Japan Foundation Toronto 2 Bloor St. East 3rd Floor Toronto ON M4W 1A8 Canada;X-APPLE-RADIUS=500;X-TITLE=2 Bloor St. East\, 3rd Floor:geo:-79.3857432,43.6710659
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190425
DTEND;VALUE=DATE:20190720
DTSTAMP:20261004T024734
CREATED:20190418T161944Z
LAST-MODIFIED:20191223T222326Z
UID:38361-1556150400-1563580799@tr.jpf.go.jp
SUMMARY:Four Seasons of Gardens in Kyoto: Photographs by Katsuhiko Mizuno
DESCRIPTION:April 25 – July 31\, 2019\nFour Seasons of Gardens in Kyoto: Photographs by Katsuhiko Mizuno\n『四季の京都の庭園』写真　水野克比古\nJapanese culture has been strongly influenced by foreign culture and aesthetics from time to time\, such as Chinese Buddhism  in the ancient period\, Zen Buddhism in medieval times\, Confucian philosophy during the Edo Shogunate\, and European modern civilization in the Meiji period. Japanese gardens were not an exception and experienced constant transfiguration under foreign influence. However\, over the centuries\, although in different forms\, Japanese gardens maintained some kind of continuity. One of the unique characteristics of the Japanese garden is the relationship between man and nature. \nIn describing his own creations of over 40 years\, Kyoto-born photographer Katsuhiko Mizuno has said that nothing in his photos is either purely artificial or purely natural. He always sees someone’s hands or glances behind a tree or a rock in the gardens and captures the aura of timeless spirits with his camera. In the old capital of Kyoto even nature unfolds its seasonal cycle in the context of human history. \nApril 25 – July 31\, 2019 \nShow GALLERY HOURS  \nMon 11:30 am – 6:30 pm EXTENDED HOURS \nTues 11:30 am – 4:30 pm \nWed 11:30 am – 4:30 pm \nThurs 11:30 am – 6:30 pm EXTENDED HOURS \nFri 11:30 am – 4:30 pm \n  \nSaturday openings: \n11:00 am – 4:00 pm \nApril 27\, May 11\, June 8&22\, July 6&20 \nDoors Open Toronto 10:00 am – 5:00 pm: May 25&26 \nClosed: Other Saturdays and Sundays \nVictoria Day May 20\, Canada Day: July 1 \nAdmission Free \n  \n  \nADMISSION: FREE \n  \nShow The Japan Foundation\, Toronto  \n2 Bloor Street East \nHudson’s Bay Centre\, 3rd floor \nAbove Royal Bank of Canada \nwww.jftor.org 416.966.1600 x229
URL:https://tr.jpf.go.jp/event/gardens-in-kyoto/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/png:https://tr.jpf.go.jp/wp-content/uploads/Untitled-design-4-1.png
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
GEO:43.6710659;-79.3857432
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Japan Foundation Toronto 2 Bloor St. East 3rd Floor Toronto ON M4W 1A8 Canada;X-APPLE-RADIUS=500;X-TITLE=2 Bloor St. East\, 3rd Floor:geo:-79.3857432,43.6710659
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20190118
DTEND;VALUE=DATE:20190414
DTSTAMP:20261004T024734
CREATED:20181217T181717Z
LAST-MODIFIED:20191223T221910Z
UID:35714-1547769600-1555199999@tr.jpf.go.jp
SUMMARY:Landmarks From Before It Was Called Tokyo: Hiroshige's One Hundred Famous Views of Edo
DESCRIPTION:January 18 – April 13\, 2019\n\nLandmarks From Before It Was Called Tokyo:\nHiroshige’s One Hundred Famous Views of Edo\n広重作江戸名所百景展\nCo-presented by Stuart Jackson Gallery & The Japan Foundation\, Toronto\n  \nOriginal print works of One Hundred Famous Views of Edo\, for short “Edo Hyaku (hundred)”\, by Hiroshige (1797-1858) for your view\, together with related works\, and contemporary hand-carved\, hand-printed reproductions to bring back the excitement and ambience of sophisticated urban life in Edo.  \n*UPDATE: Feb 6\, 2019  – Snow storm brought additional snow scenes to Hiroshige’s One Hundred Famous Views of Edo exhibition. See bottom for details.\n“Edo Hyaku” of Urban Serenity \nOne Hundred Famous Views of Edo\, for short “Edo Hyaku (hundred)” by Hiroshige is a series of multi-coloured woodblock prints depicting the landmarks of Tokyo at the time the city was called Edo. \nHiroshige (1797-1858) was an ukiyo-e artist whose reputation was most strongly established in the genre of topographical prints. This direction towards landmark themes came to Hiroshige\, a late bloomer\, in 1831 when his artistic breakthrough\, Tōto Meisho or Famous Views of the Eastern Capital (Edo) print series was published. In 1833 Hiroshige’s popularity exploded when his series 53 Stations of Tōkaidō Highway appeared. \nAcross Japan many famous views became the subjects of Hiroshige’s print series\, but the city of Edo had a special place in his artistry. In volume alone\, Hiroshige created more than one thousand prints of the landscapes of Edo. Among all these books and prints of Edo by Hiroshige\, “Edo Hyaku” occupies an even more privileged position. \n \n“Edo Hyaku” is a summit of Hiroshige’s famous view prints. He himself had previously created many series of famous views\, as though they were the foothills supporting this magnificent peak. In “Edo Hyaku”\, which was created during the last two-and-a half years of Hiroshige’s life\, the artist made one last creative leap: Unlike his travelogue prints which had sense of humour and vitality\, the urban scenes in “Edo Hyaku” embrace poetic stillness and serenity along with new dramatic elements of composition. \nContemporary researchers say that “Edo Hyaku” had an intention of providing emotional relief from the disasters of that time — the Great Ansei Earthquake in 1855 and the Great Wind Storm in 1856. Hiroshige encouraged the citizens\, celebrated the recovery and restoration\, and mourned for the victims through his artworks. Having the 2020 Tokyo Olympics in a country deeply hurt by an earthquake in 2011\, Hiroshige’s generous\, affectionate glance to the city and its residents is more touching than ever. \nOriginal works from “Edo Hyaku”\, related works\, and contemporary hand-carved\, hand-printed reproductions bring back the excitement and ambience of sophisticated urban life in Edo. Nature and the seasons along with man-made structures were fully appreciated by Edo residents who made up a population of more than a million individuals. \nHiroshige’s farewell poem\n  \nAzumaji e Fude wo nokoshite Tabi no Sora \nNishi no Mikuni no Nadokoro wo min. \nI leave my brush in the East \nAnd set forth on my journey. \nI shall see the famous places \nin the Western Land. \n  \n(The Western Land in this context refers to the strip of land by the Tōkaidō between Kyoto and Edo\, \nbut it does double duty as a reference to the paradise of the Amida Buddha.) \n  \n*Just added February 6 \n \nNight View in Takanawa \nfrom Eight Snow Views of Eastern Capital series \nThis series of eight snow scenes had never been published in Hiroshige’s life time\, only the sketch remained Paris\, France. These works are considered as Hiroshige’s latest work\, at a same time with One Hundred Famous Views of Edo. First in 1928 the blocks were carved and printed. The piece on display is a reproduction\, hand-carved\, hand-printed\, in 1979. \nThe rest of seven pieces will be added to the exhibition later this month. \nJanuary 18 – April 13\, 2019 \nShow GALLERY HOURS  \nMon 11:30 am – 6:30 pm EXTENDED HOURS \nTues 11:30 am – 4:30 pm \nWed 11:30 am – 4:30 pm \nThurs 11:30 am – 6:30 pm EXTENDED HOURS \nFri 11:30 am – 4:30 pm \n  \nSaturday openings: \n11:00 am – 4:00 pm \nJanuary 19\, February 2\, 16\, March 2\, 16\, 30\, April 13 \nClosed: Other Saturdays and Sundays \nFebruary 18 (Family Day) \n  \n  \nADMISSION: FREE \n  \nShow The Japan Foundation\, Toronto  \n2 Bloor Street East \nHudson’s Bay Centre\, 3rd floor \nAbove Royal Bank of Canada \nwww.jftor.org 416.966.1600 x229
URL:https://tr.jpf.go.jp/event/hiroshige-one-hundred-famous-views-of-edo/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
GEO:43.6710659;-79.3857432
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Japan Foundation Toronto 2 Bloor St. East 3rd Floor Toronto ON M4W 1A8 Canada;X-APPLE-RADIUS=500;X-TITLE=2 Bloor St. East\, 3rd Floor:geo:-79.3857432,43.6710659
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20181016
DTEND;VALUE=DATE:20181017
DTSTAMP:20261004T024734
CREATED:20180913T160211Z
LAST-MODIFIED:20200120T220427Z
UID:34358-1539648000-1539734399@tr.jpf.go.jp
SUMMARY:Noriko Maeda: Foundations
DESCRIPTION:Calligraphy Exhibition\nNoriko Maeda: Foundations\nThe art of Japanese calligraphy unfolds itself in time and weaves itself through language and visual form. Although highly regarded outside of Japan\, the inner pulse of this art form is often perceived as an unfathomable mystery. \nFor years\, Noriko Maeda’s exhibitions and classes have introduced Canadian audiences to the heartbeat of calligraphy. Her speeches and works have nurtured a vocabulary for expounding the essence of her art. Noriko Maeda Foundations is the culmination of a three-year project to capture the mature form of this vocabulary in the pages of a single book. \nThis exhibition displays the collection of original works prepared for the publication and explores the broad spectrum of expressive powers harnessed by the calligrapher. In an odyssey through sight\, language\, and time\, the exhibition mirrors the structure of the book\, reveals the inner workings of Noriko’s art\, and frames a calligrapher’s view on the foundations of Japanese calligraphy. \n  \nOctober 16\, 2018– January 11\, 2019 \nShow GALLERY HOURS  \nMon 11:30 am – 6:30 pm EXTENDED HOURS \nTues 11:30 am – 4:30 pm \nWed 11:30 am – 4:30 pm \nThurs 11:30 am – 6:30 pm EXTENDED HOURS \nFri 11:30 am – 4:30 pm \n  \nSaturday openings: \n11:00 am – 4:00 pm \nOctober 20\, November 3\, 17\, December 1\, 15\, January 5\, 2019 \nClosed: Other Saturdays and Sundays \nChristmas & New Year’s closing December 22\, 2018 – January 3\, 2019 \n  \n  \nADMISSION: FREE \n  \nShow The Japan Foundation\, Toronto  \n2 Bloor Street East \nHudson’s Bay Centre\, 3rd floor \nAbove Royal Bank of Canada \nwww.jftor.org 416.966.1600 x229
URL:https://tr.jpf.go.jp/event/noriko-maeda-foundations/2018-10-16/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
GEO:43.6710659;-79.3857432
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Japan Foundation Toronto 2 Bloor St. East 3rd Floor Toronto ON M4W 1A8 Canada;X-APPLE-RADIUS=500;X-TITLE=2 Bloor St. East\, 3rd Floor:geo:-79.3857432,43.6710659
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180719
DTEND;VALUE=DATE:20181006
DTSTAMP:20261004T024734
CREATED:20180705T195302Z
LAST-MODIFIED:20191223T221547Z
UID:33656-1531958400-1538783999@tr.jpf.go.jp
SUMMARY:Masks Onstage: Noh Theatre Photography Exhibition
DESCRIPTION:  \nMasks Onstage: \nNoh Theatre Photography Exhibition\nPresented by The Japan Foundation\, Toronto \nIn association with the Yokohama Noh Theatre \nPhotography Yoshiaki Kanda \n能面舞台写真展\n主催: 国際交流基金トロント日本文化センター\n協力: 横浜能楽堂\n写真撮影: 神田佳明\nMasks are one of the most characteristic elements of Noh Theatre. Designated as Intangible Cultural Heritage by UNESCO\, commonly called World Heritage\, in 2001\, Noh Theatre has been developing and maintaining an elaborate theatre form since its establishment in the 14th century. The unique use of masks in Noh results not only in physical changes in the facial appearance of the actor\, but also an actual change in the reality of the whole fiction\, which can be much larger than life and profoundly spiritual. \n \nIn far more than half of the Noh plays the main characters are ghosts. Gods and goddesses are conjured on stage not as deus ex machina\, but as the main characters. Spirits of plants and animals can be the leads. A large portion of the stories is based on the great classic literature\, such as The Tale of Genji and The Tale of Ise\, and epic legends of warlord samurai. The Noh masks connect us to the mythical world and we can embrace the reality of the magic and grandeur of these god-like characters. \nThe masks are surprisingly small\, not completely covering the actors’ faces. The masks are placed high on the actor’s face\, towards the forehead\, like a symbol of the character. The performer’s view through the eyeholes is so limited that actors can only mark their own positions by viewing the four pillars at the corners of the stage. These facts can make the Noh masks seem dysfunctional\, but these are all a result of the mask’s function being to build a myth for whole theatre rather than only assisting the wearer to be in character. \nAt a first quick look\, the masks seem motionless: However\, on stage subtle changes in the angle of the mask can suggest a range of emotions\, such as anger\, joy\, and sadness. In this exhibition\, the stage photo and the close-up of the mask are paired. Photographer Yoshiaki Kanda (1937–) specializes in Noh Theatre and has been following performances at the Yokohama Noh Theatre since its inaugural opening in 1996. \nWe invite you to the universe of Noh Theatre through the images of masks in action and in details. \n  \nShow GALLERY HOURS  \nMon 11:30 am – 6:30 pm EXTENDED HOURS \nTues 11:30 am – 4:30 pm \nWed 11:30 am – 4:30 pm \nThurs 11:30 am – 6:30 pm EXTENDED HOURS \nFri 11:30 am – 4:30 pm \n  \nSaturday openings: \n11:00 am – 4:00 pm \nJuly 21\, August 11\, 25\, September 8\, 22 \nClosed: Other Saturdays and Sundays \nAugust 6 (Civic Holiday)\, September 3 (Labour Day) \n  \n  \nADMISSION: FREE \n  \nShow The Japan Foundation\, Toronto  \n2 Bloor Street East \nHudson’s Bay Centre\, 3rd floor \nAbove Royal Bank of Canada \nwww.jftor.org 416.966.1600 x229
URL:https://tr.jpf.go.jp/event/noh-masks-onstage/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
GEO:43.6710659;-79.3857432
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Japan Foundation Toronto 2 Bloor St. East 3rd Floor Toronto ON M4W 1A8 Canada;X-APPLE-RADIUS=500;X-TITLE=2 Bloor St. East\, 3rd Floor:geo:-79.3857432,43.6710659
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180411
DTEND;VALUE=DATE:20180712
DTSTAMP:20261004T024734
CREATED:20180403T185214Z
LAST-MODIFIED:20191223T220257Z
UID:23329-1523404800-1531353599@tr.jpf.go.jp
SUMMARY:Tokyo BEFORE/AFTER Photography Exhibition
DESCRIPTION:   \nTop images (left to right):\nNatsumi Hayashi\, Today’s Levitation 02/21/2011; Mika Ninagawa\, TOKYO INNOCENCE (2015); Image from photo album Nippon (1938).\n\nJapan Foundation Touring Exhibition: April 11 – July 11\, 2018\nTokyo BEFORE/AFTER\nPhotography Exhibition\n\n\nThis touring exhibition “Tokyo Before/After” features 80 pieces of photography in two groups. The historical works shot in Tokyo in the 1930s to 1940s are displayed in contrast with contemporary pieces created after 2010. \nBefore World War II\, the city of Tokyo in the 1930s and 1940s was about to complete the urban structural framework as a contemporary metropolis. Photographers took expressive advantage of the high technical level of their medium in order to fix the images of a vibrant\, urban space\, where the traditional and the modern co-existed and clashed at the same time. \n\nNobuyoshi Araki\, Tombeau Tokyo (2016/2017)\nIn contrast\, after 2010 Tokyo enfolds the fluid social condition of the era after the Great Eastern Japan Earthquake and is experiencing even greater transformation\, aiming towards the Tokyo Olympic Games in 2020. Rapid digitalization of the photographic method influences the characteristics of photographic expression; thus\, the individuality and viewpoint of each artist are more clearly visible than ever. \nIn comparing the two groups of photography from these different eras\, the figures of Tokyo in the past\, present\, and future are distinctively intensifying. Tokyo is drawing international attention in the light of the Tokyo Olympic Games in 2020. We hope that exhibition visitors will deepen their understanding of the multi-faceted megacity of Tokyo through the photographs by Japanese artists in this touring exhibition. \nParticipating artists – “Before”\nArtists published in Koga (1932-1933):\nYasuzo Nojima\, Masao Horino\, Ihei Kimura\, Yotsuo Kono\, Hyoue Sakuma\, Koujiro Iida\, Hajime Okano \nArtists published in Nippon (1938):\nYonosuke Natori and others \nKineo Kuwabara  (1913-2007) \nParticipating artists – “After”\nNobuyoshi Araki\, Mika Ninagawa\, Motoyuki Daifu\, Shintaro Sato\, Shinya Arimoto\, Natsumi Hayashi\, Kenta Cobayashi\, Daido Moriyama \n  \nShow GALLERY HOURS  \nMon 11:30 am – 6:30 pm EXTENDED HOURS \nTues 11:30 am – 4:30 pm \nWed 11:30 am – 4:30 pm \nThurs 11:30 am – 6:30 pm EXTENDED HOURS \nFri 11:30 am – 4:30 pm \n  \nSaturday openings: \n11:00 am – 4:00 pm \nApril 14\, 28\, May 12\, 26\, June 9\, 23\, July 7 \nDoors Open Toronto: May 26 & 27 \nClosed: Other Saturdays and Sundays \nMay 21 (Victoria Day) \n  \n  \nADMISSION: FREE \n  \nShow The Japan Foundation\, Toronto  \n2 Bloor Street East \nHudson’s Bay Centre\, 3rd floor \nAbove Royal Bank of Canada \nwww.jftor.org 416.966.1600 x229 \n  \n 
URL:https://tr.jpf.go.jp/event/tokyo-before-after/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
GEO:43.6710659;-79.3857432
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Japan Foundation Toronto 2 Bloor St. East 3rd Floor Toronto ON M4W 1A8 Canada;X-APPLE-RADIUS=500;X-TITLE=2 Bloor St. East\, 3rd Floor:geo:-79.3857432,43.6710659
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180110
DTEND;VALUE=DATE:20180330
DTSTAMP:20261004T024734
CREATED:20171214T224446Z
LAST-MODIFIED:20191223T214742Z
UID:21962-1515542400-1522367999@tr.jpf.go.jp
SUMMARY:Variation and Autonomy: The Prints by Contemporary Japanese Painters
DESCRIPTION:Print Exhibition\nJapan Foundation Touring Exhibition\nVariation and Autonomy:\nThe Prints by Contemporary Japanese Painters\n\nJanuary 10 – March 29\, 2018\nSensing the diverse potential of the print medium\, in the 1970s\, young Japanese artists began making prints\, and in so doing\, expanded the expressive range of contemporary art as a whole.Though certain aspects of this development have certainly been acknowledged\, it was mainly artists who did specialized in or concentrated on prints that served as pivotal figures in post – World War II\, contemporary Japanese print-making. Or at the very least\, that is the way it looks from this vantage point. In Europe and America\, artists who were responsible for trends in contemporary art made printmaking history. But the evolution Japanese printmaking seems to be a singular development in the world. \nHowever\, this does not mean that oil painters were not ambitiously engaged in printmaking from the prewar era onward. Some Japanese painters\, who had visited printmaking workshops in France\, Italy\, and Germany\, produced copperplate prints and lithographs at technical training sessions or in the workshops of acquaintances\, although the number of works was quite small. After World War II\, in the 1950s\, a growing number of painters worked in lithography and the emergence of the peintre-graveur (painter who is also a printmaker) in Japan was a noted phenomenon. Later\, in the 1960s\, printmaking rose to greater prominence and printing workshops were opened here and there\, creating an environment in which it was normal for artists who were not printmaking specialists\, from established painters and sculptors to emerging artists of the avant-garde\, to work with printers on production of their own prints. From the 1970s onward\, as the market value of prints rose\, an even greater number of artists turned their hands to prints in a wide range of styles and media\, strongly propelling the world of printmaking forward. This wide-open environment was correlated with a similarly broad range of printmaking expression among painters who were not specialists in printmaking. \nThis exhibition is not made up of works by artists who are considered to have created a unique or specific development in contemporary Japanese printmaking history\, but rather on those by artists who tend to be seen as support players in this process. There are two reasons for this focus. First\, the exhibition is designed to shed light on the fact that a new field was developed through contemporary Japanese prints. This field\, prints made by painters\, is notable both as a variation on painting and an autonomous form. Thus\, the works helped establish the genre of contemporary Japanese prints while imbuing it with a suitable breadth. Second\, the exhibition is intended to encourage viewers to reconsider the existing history of contemporary Japanese prints. Today\, 70 years after World War II\, at a point when prints are on the verge of being forgotten as a trend in contemporary art\, there is a need\, both in Japan and abroad\, to reconsider history from a variety of critical perspectives without overlooking the subject of dissolution. \nWithout a doubt\, the prints of the artists featured in this exhibition constitute variations on the medium of painting\, yet at the same time they stand alone as works of art that could only be realized through printmaking. Viewing the works of these peintre-graveurs leads us to a genuine understanding of contemporary printmaking in Japan. \n  \n42 works by 10 artists \nHitoshi Nakazato\, Kosai Hori\, Masanari Murai\, Naoyoshi Hikosaka\, \nNatsuyuki Nakanishi\, Toeko Tatsuno\, Tomoharu Murakami\, Toshinobu Onosato \nYasukazu Tabuchi\, Yayoi Kusama \n  \nShow GALLERY HOURS  \nMon 11:30 am – 6:30 pm EXTENDED HOURS \nTues 11:30 am – 4:30 pm \nWed 11:30 am – 4:30 pm \nThurs 11:30 am – 6:30 pm EXTENDED HOURS \nFri 11:30 am – 4:30 pm \n  \nShow The Japan Foundation\, Toronto  \n2 Bloor Street East \nHudson’s Bay Centre\, 3rd floor \nAbove Royal Bank of Canada \nwww.jftor.org 416.966.1600 x229 \n  \n  \nADMISSION: FREE \nSaturday openings: \n11:00 am – 4:00 pm \nJanuary 13\, 27\, February 10\, 24\, March 3\, 24 \nClosed: Other Saturdays and Sundays \nFebruary 19 (Family Day)
URL:https://tr.jpf.go.jp/event/variation-and-autonomy/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
GEO:43.6710659;-79.3857432
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Japan Foundation Toronto 2 Bloor St. East 3rd Floor Toronto ON M4W 1A8 Canada;X-APPLE-RADIUS=500;X-TITLE=2 Bloor St. East\, 3rd Floor:geo:-79.3857432,43.6710659
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170906
DTEND;VALUE=DATE:20170907
DTSTAMP:20261004T024734
CREATED:20170828T141459Z
LAST-MODIFIED:20180426T151641Z
UID:20107-1504656000-1504742399@tr.jpf.go.jp
SUMMARY:Graphic Liberation of Gender: Eiko Ishioka Poster Exhibition
DESCRIPTION:September 6 – December 20\, 2017\nGraphic Liberation of Gender: Eiko Ishioka Poster Exhibition\n \n\nThe late Eiko Ishioka (1938-2012) established her fame as a designer in films\, starting with Mishima: A Life in Four Chapters (1985) directed by Paul Schrader. Ishioka developed her successful design career\, which was not limited to film\, for the theatre and opera stage as well as for Cirque Du Soleil. The team uniforms of Canada\, Swiss\, Spain and Japan for the 2002 Winter Olympics in Salt Lake City\, as well as the costumes for the Opening Ceremony of the 2008 Beijing Olympics were other highlights of Ishioka’s creativity. \n \nAlthough Ishioka built a stunning film career internationally\, she was also an art director and graphic designer in Tokyo before she moved to New York City in 1980. Her achievements in graphic design were so memorable and outstanding. One may look back at her as a child of the economic growth period\, but it is possible to overlook the impact and influence of her design works from the viewpoint of gender history in Japan. \nStarting as one of the staff designers at Shiseido Cosmetic Company in 1961\, Ishioka rewrote the self-image of Japanese women. Since the establishment of her own independent studio in 1970\, her design fully blossomed\, particularly in her works for PARCO\, a chain of shopping complexes. In these image-inspiring poster works for PARCO\, women do not dress to please men any more; they do not try to fit men’s standard of feminine beauty. Self-awareness of womanhood was called up by the posters. When women were aware of the beauties of their own identities\, they positioned themselves much closer to the liberation of their gender. The posters suggested that women enjoy fashion as an expression of pride in their gender. Ishioka’s posters were outgoing and stimulating\, and boldly embraced eroticism. \nThe Japan Foundation\, Toronto is pleased to present a public exhibition of our recent donation of posters by the late Eiko Ishioka. This series of 67 posters will visualize the wide range and productivity of Ishioka’s creativity. However\, the core of the collection here (her works from the 1970s) will prove that her distinguished talent shone even before she arrived in North America. \n  \nGALLERY HOURS \nMon 11:30 am – 6:30 pm EXTENDED HOURS \nTues 11:30 am – 4:30 pm \nWed 11:30 am – 4:30 pm \nThurs 11:30 am – 6:30 pm EXTENDED HOURS \nFri 11:30 am – 4:30 pm \n  \nSaturday openings: \n11:00 am – 4:00 pm \nSeptember 9\, 23\, October 14\, 28\, November 4\, 18\, December 2\, 16 \n  \nClosed: Other Saturdays and Sundays \nOctober 9 (Thanksgiving) \n  \nADMISSION: FREE \n 
URL:https://tr.jpf.go.jp/event/eiko-ishioka-poster-exhibition/2017-09-06/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
GEO:43.6710659;-79.3857432
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Japan Foundation Toronto 2 Bloor St. East 3rd Floor Toronto ON M4W 1A8 Canada;X-APPLE-RADIUS=500;X-TITLE=2 Bloor St. East\, 3rd Floor:geo:-79.3857432,43.6710659
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20170707T113000
DTEND;TZID=America/Toronto:20170901T163000
DTSTAMP:20261004T024734
CREATED:20170629T221619Z
LAST-MODIFIED:20180426T151712Z
UID:19158-1499427000-1504283400@tr.jpf.go.jp
SUMMARY:World Heritage in Japan: Photography by Kazuyoshi Miyoshi
DESCRIPTION:World Heritage in Japan: \nPhotography by Kazuyoshi Miyoshi\nJuly 7\, 2017 – September 1\, 2017\n\nHumans have built great civilizations\, a plenitude of unique cultures\, and\, in the wake of four million years of natural history we find ourselves today immersed in a cultural and natural heritage with no apparent bounds or limits.  But the doings of men have often interfered with nature\, sometimes even causing its ruin.  It is our charge today to preserve the great heritage of nature\, as well as the human cultures. \n  \nThe World Heritage Convention is a document adopted in 1972 in Paris by a general session of UNESCO (United Nations Educational\, Scientific\, and Cultural Organization).  Its aims are to preserve for future generations cultural and natural legacies of the world with conspicuous and universal value. \n  \nBy 2016\, there are 1\,052 sites registered as World Heritage sites\, and 192 countries pledged to the world that they accept the obligation and responsibility to cooperate with other countries for the preservation and protection of the World Heritage legacies of humankind. \n \nJapan had signed the convention in June 1992\, and UNESCO designates 20 World Heritage sites in Japan\, consisting of 16 cultural sites and 4 natural sites.  The history can be traced back to the 7th century at Horyu-ji Temple\, or the 8th century at Todai-ji Temple in Nara.  These ancient treasures are contrasted against the modern historical legacies such as the Tomioka Silk Mill and the National Museum of Western Art by Le Corbusier in Tokyo.  Diversity is evident among natural sites as well: Shiretoko Peninsula is surrounded by drift ice\, while the islands of Okinawa and Ogasawara are located in the middle of the tropical ocean. \n  \nPhotographer Kazuyoshi Miyoshi introduces the beauty and attraction of these heritage sites through his 67 photographic works. \n  \nJuly 7 – September 1\, 2017 \nGALLERY HOURS \nMon 11:30 am – 6:30 pm EXTENDED HOURS \nTues 11:30 am – 4:30 pm \nWed 11:30 am – 4:30 pm \nThurs 11:30 am – 6:30 pm EXTENDED HOURS \nFri 11:30 am – 4:30 pm \n  \nThe Japan Foundation\, Toronto \n2 Bloor Street East \nHudson’s Bay Centre\, 3rd floor \nAbove Royal Bank of Canada \nwww.jftor.org 416.966.1600 x229 \n  \nADMISSION: FREE \n  \nSaturday openings: \n11:00 am – 4:00 pm \nJuly 8\, 22\, August 12\, 26 \nClosed: Other Saturdays and Sundays \nAugust 7 (Civic Holiday) \nRELATED WORLD HERITAGE IN JAPAN FILM SCREENINGS CLICK HERE > 
URL:https://tr.jpf.go.jp/event/world-heritage-in-japan/2017-07-07/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
GEO:43.6710659;-79.3857432
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Japan Foundation Toronto 2 Bloor St. East 3rd Floor Toronto ON M4W 1A8 Canada;X-APPLE-RADIUS=500;X-TITLE=2 Bloor St. East\, 3rd Floor:geo:-79.3857432,43.6710659
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20170508T113000
DTEND;TZID=America/Toronto:20170508T183000
DTSTAMP:20261004T024734
CREATED:20170424T203754Z
LAST-MODIFIED:20180426T154905Z
UID:17488-1494243000-1494268200@tr.jpf.go.jp
SUMMARY:TCAF: Exhibition of Comics & Illustrations by Jane Mai & An Nguyen
DESCRIPTION:The Japan Foundation\, Toronto and The Toronto Comic Arts Festival presents\nExhibition of Comics & Illustrations by Jane Mai & An Nguyen\nThe exhibition is in conjunction with the book launch of their book So Pretty / Very Rotten: Comics and Essays on Lolita Fashion and Culture by Jane Mai and An Nguyen\, with additional materials by Novela Takemoto.\nThe exhibition will feature a number of works by An Nguyen and Jessica Mai that are featured in the book So Pretty / Very Rotten. In addition\, there will be Lolita fashion on display as well as a photograph presentation. \nFor more on TCAF click here > \nIn a series of essays and comics that are at once academic and intimate\, cartoonists Jane Mai and An Nguyen delve into Lolita subculture and their relationship with it. Empowering and beautiful\, but also inescapably linked to consumerism\, the Rococo-inspired fashion is indulgent and sublime\, pretty and rotten. The book is published by Koyama Press. \nAn Nguyen is a Canadian cartoonist and illustrator best known for her romantic comic series Open Spaces and Closed Places. She has drawn comics for Spera: Ascension of the Starless\, Electric Ant zine\, and various Love Love Hill anthologies. In addition to So Pretty / Very Rotten which makes its debut at TCAF this year\, she and Jane Mai also released a zine titled Don’t Talk to Me or I’ll Set Myself on Fire. More on An Nguyen here > Link \nJane Mai is an award winning illustrator from Brooklyn\, New York. She has written several books including Soft and See You Next Tuesday. More on Jane Mai here > Link \nNovala Takemoto is a Japanese author\, fashion designer and prominent promoter of the Lolita lifestyle. \nIn conjunction with So Pretty / Very Rotten: Exhibition of Comics & Illustrations by Jane Mai and An Nguyen\, there are two other special events taking place at the Japan Foundation\, Toronto; \nMay 11\, 2017 – So Pretty / Very Rotten Book Launch\nMay 14\, 2017 – Lolita Culture Panel Discussion
URL:https://tr.jpf.go.jp/event/tcaf-exhibition-of-comics-illustrations-by-jane-mai-an-nguyen/2017-05-08/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Community Events,Exhibition
ATTACH;FMTTYPE=image/jpeg:https://tr.jpf.go.jp/wp-content/uploads/Poster-JPEG.jpg
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
GEO:43.6710659;-79.3857432
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170315
DTEND;VALUE=DATE:20170316
DTSTAMP:20261004T024734
CREATED:20170309T162050Z
LAST-MODIFIED:20170516T211409Z
UID:14764-1489536000-1489622399@tr.jpf.go.jp
SUMMARY:Road of Light and Hope: National Treasures of Todai-ji Temple\, Nara
DESCRIPTION:Road of Light and Hope\nNational Treasures of Todai-ji Temple\, Nara\nPhotographs by Miro Ito\nco-presented by Media Art League\, Japan Camera Industry Institute\, and The Japan Foundation\, Toronto\nPhotographed with the special permission of Todai-ji\, Japan\nMarch 15\, 2017 – June 28\, 2017\n*Artist talk with Miro Ito on May 26\, 2017\, 6:30 pm – 8:30 pm\nThe history of the city of Nara can be traced back to its years as the ancient capital of Japan from 710 to 784 when it was known as Heijokyo. Japan’s administrative systems and legal codes were reformed by the central government in Nara on the basis of the newly adopted state religion\, Buddhism\, as well as Chinese Confucianism and legalism. As part of this national transformation\, a central temple was built in each province\, and in order to oversee these provincial religious centres\, the Todai-ji temple was established in Nara by Emperor Shomu. \nThe Great Buddha Hall which houses the seated statue of the Vairocana Buddha with a height of over 15 metres is the centrepiece of the Todai-ji temple. The Hall was once surrounded by buildings\, towers\, and other facilities on a grand scale. Repeated periods of destruction were followed by rebuilding\, and the surviving buildings and artifacts at the Todai-ji temple are part of the precious heritage which many Japanese identify with\, as well as an important example of human civilization recognised the world over. \nAt the time of the construction of the Todai-ji temple in the eighth century\, the Eurasian continent was ruled by myriad powers: from the western Kingdom of the Franks under Charlemagne\, the Byzantine Empire\, the Umayyad dynasty and Abbasid-Seljuq Empire\, to the Tang dynasty under Emperor Xuanzong in the east. \nNara is considered to be the easternmost terminus of the Silk Road extending through Eurasia from Rome. Trade and cultural exchange in the eighth century led to these statues\, structures\, musical instruments\, and craftsmanship to be accumulated at this temple. The influence from the West can be detected in many of these cultural treasures\, which are the signs of a flourishing cultural exchange. \nThis photo exhibition is a tribute to the remarkable historical exchange among various ethnic and religious groups\, philosophies and teachings\, arts and artisanship\, as well as diverse folk cultures of the Eurasian continent. \nMiro Ito is one of the few photographers who have been permitted to document the national treasures at the Todai-ji Temple. \nMiro Ito states: \n“Amid today’s religious divisions and clashes as well as the countless — seemingly endless — conflicts\, the Eurasian history of interactions may well hold a key for bringing the world together…”   \n  \nGALLERY HOURS       *exhibition will be closed on April 25th from 11:30 am to 3:00 pm. \nMon 11:30 am – 6:30 pm EXTENDED HOURS\nTues 11:30 am – 4:30 pm\nWed 11:30 am – 4:30 pm\nThurs 11:30 am – 6:30 pm EXTENDED HOURS\nFri 11:30 am – 4:30 pm \nSaturday openings:\n11:00 am – 4:00 pm\nMarch 18\, April 8\, 22\, May 13\, 27\, June 10\, 24 \nClosed: Other Saturdays and Sundays\nClosed for Easter: April 14 to 17\nMay 22 (Victoria Day) \nADMISSION: FREE \nIn conjunction with this photography exhibit by Miro Ito\, the Tenpyo Art Screenings will cover a variety of related subjects; Gigaku masks; fire festivals in Nara\, Gagaku ancient music\, and much more. \nFor more details > \n  \nSPECIAL THANKS: \nTodai-ji Temple\, Nara National Museum\, Nippon Care Communications\, Japan National Tourism Organization \nEquipment provided by Canon Marketing Japan\, Iino Media Pro\nScroll photo printed by Canon USA\nEnglish text for the photographs edited by Andreas Boettcher
URL:https://tr.jpf.go.jp/event/national-treasures-of-todai-ji-temple/2017-03-15/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition
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ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170104
DTEND;VALUE=DATE:20170105
DTSTAMP:20261004T024734
CREATED:20160929T154358Z
LAST-MODIFIED:20170828T141659Z
UID:12769-1483488000-1483574399@tr.jpf.go.jp
SUMMARY:Legendary Loyalty: The 47 Ronin in Japanese Prints
DESCRIPTION:Legendary Loyalty\nThe 47 Ronin in Japanese Prints \nco-presented by Stuart Jackson Gallery and The Japan Foundation\nNovember 15\, 2016 – March 4\, 2017 \nThe Japan Foundation\, Toronto\, with the Stuart Jackson Gallery\, Toronto\, is proud to co-present original 18th – 19th century woodblock print illustrations of theatrical performances of the story of Chushingura\, and artistic depictions of the actual ronin (masterless samurai). \nThree centuries ago\, a series of events culminating on the snowy night of the 14th day of the 12th month\, 1702 (January 30\, 1703\, in today’s calendar) would shake and alter Japan and the world’s perception of that country. \nThe story of the 47 ronin and their vendetta is one of the most popular Japanese stories of “legendary loyalty” and revenge. It all began in 1701 when Lord Asano of Ako attempted to kill Lord Kira\, a senior official at the Shogun’s palace. His motive is unknown – in theatrical versions it is because Kira has insulted Asano.  Kira was only wounded\, but as it was such a serious offence\, Asano’s execution was ordered and he committed seppuku (ritual suicide).  Asano’s properties were confiscated and his retainers became ronin. \nThese 47 ronin\, under the leadership of Oishi Kuranosuke\, planned revenge against Lord Kira.  A year later\, they attacked his mansion and engaged in a fierce battle against his retainers. The ronin captured and killed Kira\, laying his severed head in front of Lord Asano’s grave at Sengakuji Temple.  They surrendered to the authorities\, were condemned to death\, and were allowed to perform seppuku. Their graves are by their master’s. \nThe story immediately captivated the Japanese public at the time. Within days of the deaths of the ronin\, a kabuki play based on the story was performed. The play was closed down after three days because stories about current events were prohibited. Other plays based on the ronin’s story kept reappearing until 1748 when a fictionalized drama\, Kanadehon Chushingura\, was successfully performed at the puppet theatre and later at the kabuki. Chushingura as it is now better known\, has become one of the most popular kabuki plays ever written\, and is performed every December.  Enthusiasm for the 47 ronin saga has endured through the years and the story has reappeared countless times in theater\, film\, literature\, and television. \n*Japanese proper names are listed with the family name first\, given name second. \nGALLERY HOURS \nMon 11:30 am – 6:30 pm EXTENDED HOURS\nTues 11:30 am – 4:30 pm\nWed 11:30 am – 4:30 pm\nThurs 11:30 am – 6:30 pm EXTENDED HOURS\nFri 11:30 am – 4:30 pm \nSaturday openings: 11:00 am – 4:00 pm \nNovember 19\, December 3\, 17\nJanuary 7\, 21\, February 4\, 18\, March 4 \nClosed: Other Saturdays and Sundays\nClosed for Christmas and New Year: December 18 to January 3\nFebruary 20 (Family Day) \nADMISSION: FREE
URL:https://tr.jpf.go.jp/event/legendary-loyalty-the-47-ronin-in-japanese-prints/2017-01-04/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://tr.jpf.go.jp/wp-content/uploads/brochure_web.jpg
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
GEO:43.6710659;-79.3857432
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Japan Foundation Toronto 2 Bloor St. East 3rd Floor Toronto ON M4W 1A8 Canada;X-APPLE-RADIUS=500;X-TITLE=2 Bloor St. East\, 3rd Floor:geo:-79.3857432,43.6710659
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20161115
DTEND;VALUE=DATE:20161116
DTSTAMP:20261004T024734
CREATED:20160929T153105Z
LAST-MODIFIED:20170120T174117Z
UID:12623-1479168000-1479254399@tr.jpf.go.jp
SUMMARY:Legendary Loyalty: The 47 Ronin in Japanese Prints
DESCRIPTION:Legendary Loyalty\nThe 47 Ronin in Japanese Prints \nco-presented by Stuart Jackson Gallery and The Japan Foundation\nNovember 15\, 2016 – March 4\, 2017 \n  \nThe Japan Foundation\, Toronto\, with the Stuart Jackson Gallery\, Toronto\, is proud to co-present original 18th – 19th century woodblock print illustrations of theatrical performances of the story of Chushingura\, and artistic depictions of the actual ronin (masterless samurai). \nThree centuries ago\, a series of events culminating on the snowy night of the 14th day of the 12th month\, 1702 (January 30\, 1703\, in today’s calendar) would shake and alter Japan and the world’s perception of that country. \nThe story of the 47 ronin and their vendetta is one of the most popular Japanese stories of “legendary loyalty” and revenge. It all began in 1701 when Lord Asano of Ako attempted to kill Lord Kira\, a senior official at the Shogun’s palace. His motive is unknown – in theatrical versions it is because Kira has insulted Asano.  Kira was only wounded\, but as it was such a serious offence\, Asano’s execution was ordered and he committed seppuku (ritual suicide).  Asano’s properties were confiscated and his retainers became ronin. \nThese 47 ronin\, under the leadership of Oishi Kuranosuke\, planned revenge against Lord Kira.  A year later\, they attacked his mansion and engaged in a fierce battle against his retainers. The ronin captured and killed Kira\, laying his severed head in front of Lord Asano’s grave at Sengakuji Temple.  They surrendered to the authorities\, were condemned to death\, and were allowed to perform seppuku. Their graves are by their master’s. \nThe story immediately captivated the Japanese public at the time. Within days of the deaths of the ronin\, a kabuki play based on the story was performed. The play was closed down after three days because stories about current events were prohibited. Other plays based on the ronin’s story kept reappearing until 1748 when a fictionalized drama\, Kanadehon Chushingura\, was successfully performed at the puppet theatre and later at the kabuki. Chushingura as it is now better known\, has become one of the most popular kabuki plays ever written\, and is performed every December.  Enthusiasm for the 47 ronin saga has endured through the years and the story has reappeared countless times in theater\, film\, literature\, and television. \n*Japanese proper names are listed with the family name first\, given name second. \nGALLERY HOURS \nMon 11:30 am – 6:30 pm EXTENDED HOURS\nTues 11:30 am – 4:30 pm\nWed 11:30 am – 4:30 pm\nThurs 11:30 am – 6:30 pm EXTENDED HOURS\nFri 11:30 am – 4:30 pm \nSaturday openings: 11:00 am – 4:00 pm \nNovember 19\, December 3\, 17\nJanuary 7\, 21\, February 4\, 18\, March 4 \nClosed: Other Saturdays and Sundays\nClosed for Christmas and New Year: December 18 to January 3\nFebruary 20 (Family Day) \nADMISSION: FREE \n 
URL:https://tr.jpf.go.jp/event/12623/2016-11-15/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://tr.jpf.go.jp/wp-content/uploads/brochure_web.jpg
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
GEO:43.6710659;-79.3857432
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Japan Foundation Toronto 2 Bloor St. East 3rd Floor Toronto ON M4W 1A8 Canada;X-APPLE-RADIUS=500;X-TITLE=2 Bloor St. East\, 3rd Floor:geo:-79.3857432,43.6710659
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20161004
DTEND;VALUE=DATE:20161005
DTSTAMP:20261004T024734
CREATED:20160929T141818Z
LAST-MODIFIED:20160929T154943Z
UID:12538-1475539200-1475625599@tr.jpf.go.jp
SUMMARY:TAKASHI HIRAIDE----AIRPOST POETRY
DESCRIPTION:TAKASHI HIRAIDE—-AIRPOST POETRY\nBOOK DESIGN FOR ONE FROM ONE \nOctober 4 – November 5\, 2016\nThe Japan Foundation\, Toronto \n《TH_AIRPOST》is  an “Aerial Post Office” utilized by the Minimum Press which was created by Hiraide in relationship with the postal system. The author writes\, creates the layout\, prints\, formats and does the bookbinding by himself. The literary work that is created in this way is accessed through an intermediary post office located on the web and ultimately delivered to the individual mailboxes of readers worldwide. \nThere is a “Book” that is both a letter and an objet d’art or a “Poem” that is both a postcard and a greeting\, and these create a unique one-to-one relationship\, a bridge between the reader and the author. In the same way that various life forms exist in relationship with the environment while adapting their forms to others\, the creation of the singular experience of the book unfolds. \nThe《AIRPOST POETRY》exhibit is the first time that an overview of this experiment 《FOR ONE FROM ONE》has been presented. \n\nTakashi Hiraide is a poet\, critic and book designer. He has published books of various genres and forms from poetry to prose and from poetics of sports to criticism on arts\, receiving numerous prizes. Kenzaburo Oe\, Nobel Prize-winning novelist\, highly praised Hiraide’s writings for providing a new direction for prose within the field of poetry. His first novel\, The Guest Cat\, became a New York Times and Sunday Times bestseller in 2014. \n 
URL:https://tr.jpf.go.jp/event/takashi-hiraide-airpost-poetry/2016-10-04/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://tr.jpf.go.jp/wp-content/uploads/hiraide_exhibition_2_xla_newsletter.jpg
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
GEO:43.6710659;-79.3857432
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Japan Foundation Toronto 2 Bloor St. East 3rd Floor Toronto ON M4W 1A8 Canada;X-APPLE-RADIUS=500;X-TITLE=2 Bloor St. East\, 3rd Floor:geo:-79.3857432,43.6710659
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160524
DTEND;VALUE=DATE:20160525
DTSTAMP:20261004T024734
CREATED:20160422T142622Z
LAST-MODIFIED:20160726T182304Z
UID:10061-1464048000-1464134399@tr.jpf.go.jp
SUMMARY:Yakishime Ceramic Exhibition
DESCRIPTION:May 24 – August 18\, 2016\nThe Japan Foundation\, Toronto \nYAKISHIME—Earth Metamorphosis focuses on the yakishime ceramic technique in which unglazed wares are fired at extremely high temperatures of 1\,200-1\,300˚C. While one of the most basic or primitive means of producing ceramics\, yakishime has developed in distinctive directions in Japan\, and production has continued unbroken from Japan’s middle ages through the present. \nThe process\, which dates back as far as the 4th or 5th century\, became a mainstay of the Japanese ceramic repertoire in the 17th century\, and remains a substantial component of the output for major ceramic centres such as Bizen and Shigaraki. The high-firing produces vitrification\, or glassiness\, and a rough\, earthy surface punctuated with patches of brilliant sheen and colour. In addition\, it makes the results unpredictable\, and the challenge facing the ceramist is to retain control over the delicate transformations in the clay. \nThis exhibition examines yakishime as an element of traditional Japanese culture from its earliest origins to contemporary works. It includes pieces made for the tea ceremony\, demonstrating how yakishime gained new status in the Muromachi period (1338–1573)\, as practitioners searched for a distinctively Japanese sense of wabi and sabi\, the art of finding beauty in imperfection and profundity in the natural and authentic. Also presented are examples of yakishime tableware\, essential items for serving Japanese food through which we can glimpse a uniquely Japanese sensibility. Finally\, a wide range of of decorative items created by contemporary ceramic artists demonstrate the emergence of yakishime as a medium for innovative objets d’art. We hope that visitors will\, through experiencing this generous array of yakishime ware\, both become aware of the depth and diversity of Japanese culture and gain insight into its creativity. \n \n  \n  \n  \nPictured works from top: Shukusuijima – The blessing water island (Tokumaru Kyoko)\, Where Shadow Meets Form\, 2015-01 (Ikura Takashi)\, Kaku Hanaike – Square vase (Isezaki Jun) \n\nGallery Hours:\nMonday:     11:30 am – 6:30 pm EXTENDED HOURS\nTuesday:     11:30 am – 4:30 pm\nWednesday:  11:30 am – 4:30 pm\nThursday:    11:30 am – 6:30 pm EXTENDED HOURS\nFriday:       11:30 am – 4:30 pm\nSelect Saturdays: 11:00 am – 4:00 pm \nSaturday opening dates:\nMay 28\, June 11 & 25\, July 9 & 23\, August 6 \nClosed:\nSundays and other Saturdays\, July 1 (Canada Day)\, August 1 (Civic Holiday) \nAdmission Free \nwww.jftor.org 416.966.1600 x 229 \n\n 
URL:https://tr.jpf.go.jp/event/yakishime-ceramics/2016-05-24/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition
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ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
GEO:43.6710659;-79.3857432
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Japan Foundation Toronto 2 Bloor St. East 3rd Floor Toronto ON M4W 1A8 Canada;X-APPLE-RADIUS=500;X-TITLE=2 Bloor St. East\, 3rd Floor:geo:-79.3857432,43.6710659
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160413
DTEND;VALUE=DATE:20160414
DTSTAMP:20261004T024734
CREATED:20160413T155827Z
LAST-MODIFIED:20160413T160408Z
UID:9850-1460505600-1460591999@tr.jpf.go.jp
SUMMARY:Reflecting on the Past/ Reflecting on the Future: Hyogo Aid ’95 Revisited
DESCRIPTION:April 13 – May 13\, 2016\nThe Japan Foundation\, Toronto\nThe works exhibited here form a set of posters\, compiled as an initiative of the Hyogo Aid ’95 Committee in 1996. In order to support the victims of the Great Hanshin Awaji Earthquake\, twenty-three artists\, designers\, and photographers contributed images of their original works. In A1 size\, a common poster format in Japan\, these artworks were reproduced using state-of-the-art printing technology. Tadanori Yokoo\, one of the star participating artists of this series\, designed the exhibition poster and visited The Japan Foundation\, Toronto for the opening. \n\nDirector’s Message:\nThe journey is the reward. \nIn 1995\, the Japan Foundation\, Toronto was reborn. What began as an office became a fully-fledged cultural centre\, complete with a gallery for the exhibition of Japanese and Japan-related artworks. \nAnd the exhibition that first graced our gallery walls at our original location in the Colonnade was Hyogo Aid ’95. \n1995 was the year of the devastating Great Hanshin Earthquake in Kobe in which over six thousand lives were lost. The international community embraced the people of Japan\, and we were overwhelmed by the kind thoughts of those in Canada and all over the world. \nMany Japanese artists also showed their solidarity by contributing works of art in support of recovery efforts. Thus the Hyogo Aid ’95 project was born. \nNow we find ourselves twenty years on in a new location\, looking back on the many exhibitions and programs we have been able to present. Seeing the artwork in this collection on the gallery walls at the Japan Foundation\, Toronto once again\, I am reminded of the journey we have taken. A journey that has without a doubt been worthwhile. \nI am delighted to welcome you to our new gallery space\, and hope that you will be inspired by the images you see to reflect not only on the past\, but on the future as well. \nEmi Iwanaga\nExecutive Director\nJapan Foundation\, Toronto \n\nGALLERY HOURS \nMonday:     11:30 am – 6:30 pm EXTENDED HOURS\nTuesday:     11:30 am – 4:30 pm\nWednesday:  11:30 am – 4:30 pm\nThursday:    11:30 am – 6:30 pm EXTENDED HOURS\nFriday:       11:30 am – 4:30 pm \nClosed: Saturdays and Sundays
URL:https://tr.jpf.go.jp/event/hyogo-aid-95-revisited/2016-04-13/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
GEO:43.6710659;-79.3857432
X-APPLE-STRUCTURED-LOCATION;VALUE=URI;X-ADDRESS=The Japan Foundation Toronto 2 Bloor St. East 3rd Floor Toronto ON M4W 1A8 Canada;X-APPLE-RADIUS=500;X-TITLE=2 Bloor St. East\, 3rd Floor:geo:-79.3857432,43.6710659
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20151019
DTEND;VALUE=DATE:20151020
DTSTAMP:20261004T024734
CREATED:20151019T154601Z
LAST-MODIFIED:20220909T192946Z
UID:6694-1445212800-1445299199@tr.jpf.go.jp
SUMMARY:Handcrafted Form: Tradition and Techniques
DESCRIPTION:People in Japan are surrounded by utilitarian craft objects that have been brought into being and nurtured within their daily lives. By making the most of the raw materials of each craft—ceramics\, textiles\, metal work\, lacquerware\, wood and bamboo work\, paper\, etc.—and contriving to use the techniques appropriate to each\, goods have been created that combine ease of use with beauty. \nFollowing the industrial revolution in the West\, Japan also saw the modernization of production during the Meiji era (1868-1912). Through the introduction of machines\, most of the craft objects that until then had been made by hand were replaced by mass-produced\, industrially manufactured goods. Alongside the mechanized production that occurred from the beginning of the Meiji era\, however\, production of hand-made craft objects continued on a smaller scale in independent\, regional workshops throughout Japan. While this workshop system fostered superior artisans\, among those workshop artisans it also gave rise to individualistic\, idiosyncratic craft artists. \nTraditional material and techniques\, rooted in the climate and landscape of every region of Japan\, produced both utilitarian craft objects made by the seasoned skills of artists and art works richly imbued with the creativity of craft artists. Artisans and artists have influenced each other. This mutual influence has contributed to the depth and high quality of Japanese craft as a whole. \nThis exhibition introduces hand crafted objects made from traditional materials with traditional techniques from all over Japan. Representative objects designated as “Traditional Craft Objects” under the Japanese government’s Traditional Manufactured Goods Law form the core of the exhibition\, supplemented by works of craft artists. \nKazuko Todate\nChief Curator\nIbaraki Ceramic Art Museum \nHandcrafted Form Exhibition Hours\n\n\n\n\n	Monday11:30 am - 6:30 pm EXTENDED HOURS\n\n\n	Tuesday11:30 am - 4:30 pm\n\n\n	Wednesday11:30 am - 4:30 pm\n\n\n	Thursday11:30 am - 6:30 pm EXTENDED HOURS\n\n\n	Friday11:30 am - 4:30 pm\n\n\n	Select Saturdays11:00 am - 4:00 pmOctober 17\, 31 November 14\, 28 December 12 January 9\n\n\n	CLOSEDOther Saturdays\, Sundays;\nNovember 11 (Remembrance Day);\nClosed for Christmas and New Year: From December 19\, 2015 to January 3\, 2016
URL:https://tr.jpf.go.jp/event/handcrafted-form/2015-10-19/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition
ATTACH;FMTTYPE=image/jpeg:https://tr.jpf.go.jp/wp-content/uploads/83-Lamp-with-Edo-Karakami-Washi-paper.jpg
GEO:43.6710659;-79.3857432
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END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20150506
DTEND;VALUE=DATE:20150507
DTSTAMP:20261004T024734
CREATED:20150409T145304Z
LAST-MODIFIED:20220909T191526Z
UID:5288-1430870400-1430956799@tr.jpf.go.jp
SUMMARY:Poster Exhibition: Getting the Big Picture in B-Zero
DESCRIPTION:May 6 – June 30\, 2015\n The Japan Foundation\, Toronto \nIn 1953\, the Nissenbi (Japan Advertising Artists Club) Poster Competition set the entry format size as B1 (103 cm × 72.8 cm). This format quickly became the standard for posters in Japan. However\, for special occasions\, Japanese graphic designers took advantage of the larger horizon of the B-Zero size (103 cm × 145.6 cm). Designing in the B-Zero format is the most challenging and rewarding task for graphic designers. Exactly double the size of B1\, these expanded posters are designed to dazzle commuters at train and subway stations. \nIn addition to its function in advertising\, B-Zero is also used for artistic purposes\, with original posters created for display in exhibitions. At solo exhibitions of renowned designers\, B-Zero works are always the core attraction. \nB-Zero masterpieces from the collection of The Japan Foundation\, Toronto\, by such creators as Ikko Tanaka and Shin Matsunaga\, will occupy our walls\, with poster series by Kazumasa Nagai\, Tadanori Yokoo\, and Shigeo Fukuda joining this celebration of Japanese graphic design. \nB-Zero Exhibition Hours\n\n\n\n\n	Monday11:30 am - 7:00 pm EXTENDED HOURS\n\n\n	Tuesday11:30 am - 4:30 pm\n\n\n	Wednesday11:30 am - 4:30 pm\n\n\n	Thursday11:30 am - 7:00 pm EXTENDED HOURS\n\n\n	Friday11:30 am - 4:30 pm\n\n\n	Select Saturdaysnoon - 5:00 pmMay 9\, 30\nJune 13\, 20\, 27\n\n\n	CLOSEDOther Saturdays\, Sundays\nMay 18 (Victoria Day)
URL:https://tr.jpf.go.jp/event/exhibition-b-zero/2015-05-06/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition
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GEO:43.6710659;-79.3857432
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