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DTSTART;TZID=America/Toronto:20171004T183000
DTEND;TZID=America/Toronto:20171004T200000
DTSTAMP:20171002T200635Z
CREATED:20170915T183159Z
LAST-MODIFIED:20171002T200635Z
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SUMMARY:Japanese Graphic Design History Backwards
DESCRIPTION:Moving from the contemporary moment to the 1960s\, Ian Lynam examines Japanese graphic design history by looking at the work of contemporary Japanese graphic designers\, their influences\, and how each fits into a greater continuum. Included are perspectives on the design of the upcoming Tokyo Olympics\, speculative labor\, and authenticity. \nRegistration is now closed. We thank everyone for their interest. Rush seating may be available on the day of the event.\n \n\n \nIan Lynam is a Tokyo-based designer operating at the intersection of graphic design\, design education and design research. Originally hailing from New York\, Ian Lynam has a BS in Graphic Design from Portland State University and an MFA in Graphic Design from CalArts. Ian Lynam is Co-Chair and faculty at Vermont College of Fine Arts in the MFA Graphic Design program (http://www.vcfa.edu/graphic-design). He is faculty in Tokyo at Meme Design School (http://www.memedesign.org/meme_design_school/) and faculty at Temple University Japan (http://www.tuj.ac.jp/). \nCurrently\, Ian writes for IDEA Magazine (Japan) (http://www.idea-mag.com/en/) and Slanted Magazine (Germany) (http://www.slanted.de/). More: http://ianlynam.com
URL:https://tr.jpf.go.jp/event/ian-lynam/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Lecture
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
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DTSTART;TZID=America/Toronto:20171021T140000
DTEND;TZID=America/Toronto:20171021T153000
DTSTAMP:20180426T162114Z
CREATED:20170828T160452Z
LAST-MODIFIED:20180426T162114Z
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SUMMARY:Talk by Rowland Rickets: I am Ai\, We are Ai
DESCRIPTION:Talk by Rowland Ricketts: I am Ai\, We are Ai\nIndigo dye artist \nCo-invitation with Textile Museum of Canada\nIn conjunction with Diligence and Elegance: The Nature of Japanese Textiles exhibition\nSaturday October 21\, 2:00-3:30 pm Doors will open at 1:00 P.M. \nAdmission free \nRegistration required below; \nThe region of Tokushima is known throughout Japan for the indigo\, or ai\, that has been grown there for more than 400 years. This lecture will explore the history and practice of indigo farming in the region and examine the current culture of indigo through the lens of the artist’s public art project I am Ai\, We are Ai that was part of the National Cultural Festival hosted by Tokushima Prefecture in 2012. \nhttp://www.rickettsindigo.com/category/rowland-ricketts/installations-exhibits/i-am-ai-we-are-ai/ \nRowland Ricketts’ profile: http://www.rickettsindigo.com/ \nAs one of the programs for the TMC’s exhibition “Diligence and Elegance: The Nature of Japanese Textiles\,” the TMC will host internationally recognized textile artist Rowland Ricketts\, providing public access to this pioneering figure in the use of natural dyes and historical processes to create contemporary textiles that span art and design. \nTrained in indigo farming and dyeing in Japan\, Rowland Ricketts grows and processes his own indigo (Polygonum tinctorium) in the USA\, using centuries-old Japanese methods. He consciously favours slower\, natural processes and materials over more immediate\, synthetic options. Today\, with petroleum-derived indigo readily and cheaply available\, his choice to plant\, transplant\, weed\, harvest\, winnow\, dry\, and compost the indigo by hand is not one of necessity. Instead it is a conscious act of recognition that all the energy extended in the farming and processing is just as much a part of the final dyestuff as the indigo molecules themselves. \nLearning about plant dyes and how to grow indigo is Ricketts’ life work\, leading him to understand that craft traditions are formed through the intimate relationship of people and their immediate environment. Ricketts’ knowledge and experience is extremely unique\, and while there is a vast appetite for his expertise in this indigo field\, Canadians haven’t explored the cultivation and processing in depth – in part because of our climate. Ricketts has brought generations of Japanese knowhow into his own practice and now is making it a priority to share that expertise around the globalized world. \nThe culture of textile crafts is under constant examination throughout our exhibitions that feature historic textiles from the Museum’s collections juxtaposed with the work of contemporary artists who are committed to the understanding and appreciation of traditional textiles from the past and present. Ricketts’ own experiences with indigo – first as an apprentice in Japan followed by years of working with and learning from this dye in that country and the USA – have made him aware of a connection that leads not just from his teachers to his own practice\, but one that reaches back to his teacher’s teachers and the people they learned from. His visit to the TMC will be timely\, as the Museum will be hosting an exhibition of Japanese textiles that focuses on the highly refined skills and practices by which textiles have been constructed and decorated\, and on how diligence and ingenuity have shaped their timeless beauty. \nRowland Ricketts is an artist whose approach stems from his unusually intimate and comprehensive involvement in the making of his works\, from start to finish\, including growing the materials used to create his dyes. He learned the technique of traditional indigo dyeing while working as an apprentice in an indigo farm and dyeing studio in Tokushima\, Japan\, and subsequently established his own indigo farm in 2000 with his wife Chinami Ricketts in Bloomington\, Indiana\, where he teaches at the Henry Radford Hope School of Fine Arts at Indiana University. He uses centuries-old methods to cultivate and process his own indigo\, stepping outside the mainstream dependence on synthetic colourants or petroleum derived indigo. His idea of making starts with the seed\, and he focuses on a mode of making that requires time and intimate relationship with the natural world\, and in so doing\, links his contemporary work to long-standing borrowed traditions. As a craft-based artist who employs pioneering strategies to define space and to redefine our relationship to materials\, physically or perceptually\, Rowland Ricketts is experiencing growing recognition and acclaim through his work\, as he expands the borders between fields of artistic and intellectual practice. \nRowland Ricketts was born in 1971\, and received his BA in East Asian Studies from Wesleyan University\, Middletown\, Connecticut\, and his MFA in Fibers from Cranbrook Academy of Art in Bloomfield Hills\, Minnesota. He worked for a number of years in Japan\, teaching English and learning how to farm indigo and make dye. At present he is Assistant Professor\, Textiles at the Henry Radford Hope School of Fine Art\, Indiana University in Bloomington\, Indiana\, and connects his curriculum and his students with the seasonal growing cycle of indigo\, and they grow and harvest dye plants on his farm as part of their classes and studio work. His work has been exhibited at the Textile Museum (Washington\, DC)\, Museum of Fine Arts\, Boston\, Cavin-Morris Gallery (New York)\, and Douglas Dawson Gallery (Chicago) and has been published in Textiles Now\, FiberArts\, Selvedge\, Surface Design Journal\, and Hand/Eye Magazine.
URL:https://tr.jpf.go.jp/event/talk-by-rowland-rickets-i-am-ai-we-are-ai/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Lecture
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
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DTSTART;TZID=America/Toronto:20171026T183000
DTEND;TZID=America/Toronto:20171026T200000
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SUMMARY:Hideo Furukawa's Author's Talk: Samurai Literature in Contemporary Japan
DESCRIPTION:Heike Monogatari\, or The Tale of the Heike\, is an epic of medieval Japanese literature\, serving as a fictional dramatization of the battles of the Taira and Minamoto clans for control of Japan during the Genpei War (1180 – 1185). The Tale of the Heike has been an inspiration for centuries\, providing the basis for Noh plays\, woodblock prints\, and many translations and interpretations. \nAuthor Hideo Furukawa translated Heike Monogatari from its original medieval Japanese into modern Japanese\, as it is used today\, in his 2016 publication. The rich content of Heike Monogatari explores many themes\, including the origins of bushido (the way of the warrior) and the notion of Japan as a unified nation. \nHailing from Fukushima\, the epicenter of the Great East Japan Earthquake\, Furukawa was one of the first authors to respond to the devastation of the area. Thinking of written works and ideologies that emerge from disasters and times of conflict\, Furukawa will discuss the power of literature to reflect on and make sense of constant impermanence by soothing the souls of fallen soldiers and victims of both man-made and natural disasters. \n\nThe Japan Foundation\, Toronto and IFOA (International Festival of Authors) look forward to hosting award-winning author Hideo Furukawa. Hailing from Fukushima\,  Furukawa is  known for his experimental and ever-evolving literary style. Each new book showcases a different style\, encompassing prose\, essays\, critiques\, picture books\, and plays.  Furukawa has received the Japan Science Fiction Grand Prize and the Yukio Mishima award. His most recent publication that has been translated into English is Slow Boat\, a remix of Haruki Murakami’s short story Slow Boat to China. \nMr. Furukawa will also be part of a group reading at Harbourfront Centre on Tuesday\, October 24th at 6:00pm. \n“Around the World” showcases authors whose work has been translated into English. Check the International Festival of Authors website for details: http://ifoa.org/events \n 
URL:https://tr.jpf.go.jp/event/hideo-furukawa/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Lecture
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
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