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DTSTART;TZID=America/Toronto:20200304T183000
DTEND;TZID=America/Toronto:20200304T200000
DTSTAMP:20261006T111657
CREATED:20200212T174124Z
LAST-MODIFIED:20200212T223152Z
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SUMMARY:Arms Race in Architecture
DESCRIPTION:An arms race is on in the worlds of computation and architectural fabrication research. Robots with increasingly large\, fast\, and powerful capabilities are available and can produce outputs with military-grade precision. The assumption is that through the use of these advanced tools\, architects will also advance the production of outputs\, but can these tools be developed with traditional forms of human engagement still in mind? Robots are not particularly adaptive. They do not integrate changes with ease—at least\, not yet. Humans\, on the other hand\, exhibit great capacity for adaptation but lack the precision of robots. How could precision and adaptation be combined in architecture\, specifically within the context of Japan\, where imperfections are embraced as part of an ideal form? This lecture will explore that question with a presentation of a series of small scale building projects in Tokyo. \n\n \nYusuke Obuchi is an Associate Professor in Architecture at the University of Tokyo\, where he has directed Obuchi Laboratory at the Department of Architecture since 2010. He is also a founding Co-director of the Advanced Design Studies Program\, which consists of Digital Fabrication Lab\, Sustainable Prototyping Lab\, Media Initiative Lab\, Design Think Tank\, Design Practice Lab\, Social Design Lab\, and Computational Unit. Prof. Obuchi was Co-Director of the Design Research Laboratory at the Architectural Association (AA) in London from 2005 to 2010\, and Course Master and Unit Master of the Architectural Association from 2003 to 2005. He studied architecture at Princeton University\, Southern California Institute of Architecture\, and the University of Toronto. He has previously taught at Princeton University\, Harvard University’s Graduate School of Design\, University of Kentucky\, and New Jersey Institute of Technology. \nProf. Obuchi teaches design studios\, workshops\, and seminar courses where he explores the concepts of materiality\, design systems\, computational design techniques\, and fabrication processes in contemporary architecture and design. He has previously worked for Reiser-Umemoto in New York and ROTO Architects in Los Angeles. His research projects have been published and exhibited widely in the U.S. and Europe\, and have been included in the National Triennial Exhibition at the Cooper Hewitt Museum in New York City\, Centre Georges Pompidou in Paris\, Architecture Biennial Beijing\, Architecture Biennial Rotterdam\, Zurich Design Museum\, Tokyo Designers Week\, and Barcelona Design Museum. \n\nCo-Presented by: \n\n\n\n\n	\n\n\n\n\n\n\n 
URL:https://tr.jpf.go.jp/event/yusuke-obuchi/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Lecture
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DTSTART;TZID=America/Toronto:20200311T183000
DTEND;TZID=America/Toronto:20200311T200000
DTSTAMP:20261006T111657
CREATED:20200211T215937Z
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SUMMARY:The Italian Nobleman  Urbano Monte’s World Map of 1587: Sources\, Development\, and his Interest in Japan
DESCRIPTION:In this talk Chet Van Duzer will discuss a spectacular Italian world map made in 1587 by the Milanese noble Urbano Monte. It consists of 60 manuscript sheets designed to be assembled into a map on a north polar projection more than three meters in diameter. It is distinctive for its rich program of decoration\, its large hypothetical southern continent\, and Monte’s intention that it be mounted so that it could be rotated about its center. Its depiction of Japan is of particular interest\, as Monte had met members of the Tenshō embassy from Japan when they came to Milan in 1585\, and Van Duzer will discuss the map in the context of the explosion of European interest in Japan that followed the ambassadors’ visit. In the course of the talk Van Duzer will show how Monte made use of his many sources\, both textual and cartographic\, to create this unique and captivating image of the world\, and also show the development of his world maps over time. \n\nChet Van Duzer is a Researcher in Residence at the John Carter Brown Library and a board member of the Lazarus Project at the University of Rochester\, which brings multispectral imaging to cultural institutions around the world. He has published extensively on medieval and Renaissance maps. His book Sea Monsters on Medieval and Renaissance Maps was published in 2013 by the British Library\, and is now available in editions in German\, Russian\, Thai\, and Chinese (both mainland and Taiwan). His book The World for a King: Pierre Desceliers’ Map of 1550 was published in 2015 by the British Library\, and in 2018 Springer published his book Henricus Martellus’s World Map at Yale (c. 1491): Multispectral Imaging\, Sources\, and Influence. His research on Urbano Monte’s manuscript world map of 1587 was funded by a David Rumsey Research Fellowship at Stanford and the John Carter Brown Library. \n\nThis event is Co-Presented by the Istituto Italiano di Cultura Toronto \n \n 
URL:https://tr.jpf.go.jp/event/chet-van-duzer/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Lecture
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