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DTSTART;TZID=America/Toronto:20240709T180000
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SUMMARY:Tales from Okinawa (short film program)
DESCRIPTION:  \n \nTales from Okinawa \nTuesday\, July 9\, 6:00PM (ET) \nDoors open 5:30PM | Short Film Program | In-Person | JFT Event Hall \nTales from Okinawa is a short film program spotlighting emerging indie filmmakers from the Okinawa Islands. \nFrom agriculture\, bullfighting\, and coffee cultivation\, these three films will take you across Okinawa through the lens of their uplifting characters and their connection with nature. \nExtended introduction and photo presentation by Victoria Davis\, a member of the Toronto Kyuyokai トロント球陽会 (Okinawan Kenjinkai). Victoria will speak about her personal connections with locations and landmarks in Okinawa that are featured in the films. \nMany thanks to the Okinawa Film Office for their support in providing us with these films. \n  \nThis screening is a part of our ongoing Keep Dancin’\, Okinawa! film series\, celebrating Okinawan stories\, culture\, and history. \nFree admission. This event is now fully booked and registration is closed. \n\n \nBullfight Girl\n闘牛女子 \nDirected by MAEHIRA Hitoshi • 2021 • Drama • 19 minutes • Presented in Japanese with English subtitles \nTomomi\, the protagonist of the film\, has lived with cows since her parent’s generation. She is fascinated by cows and is struggling to appeal to the bullfighting town. Yoshiki\, who aims to become a farrier (craftspeople who trims and shoes horse hooves) by living with Tomomi\, asks questions about her relationship with cows. Based on the true story of KUDAKA Yukie\, a photographer who published the photo book “Bullfighting Girls.” \n  \n \nSuch A Night of Chrysanthemum Lights\nこんな、菊灯りの夜に \nDirected by MATSUDA Sho • 2021 • Comedy / Drama • 20 minutes • Presented in Japanese with English subtitles \nSet in the light-bulb illuminated chrysanthemum fields of Sunset Farm Okinawa in Yomitan Village\, Such A Night of Chrysanthemum Lights is a comedy that focuses on the story of a young man Teppei who is engaged in agriculture\, and his childhood friend Satsuki who has returned to his hometown. \n  \n \nDAWN\n陽いづる \nDirected by MATSUI Ryo • 2023 • Drama • 19 minutes • Presented in Japanese with English subtitles \nMocha\, who works on a coffee plantation\, has been deaf since birth. The villagers calmly support Mocha in her daily life. \nThrough the nature and people of Higashi Village\, as well as the daily life of a deaf-mute woman\, DAWN depicts the beauty of living in a village that is unaffected by a world that demands change. \n 
URL:https://tr.jpf.go.jp/event/tales-from-okinawa/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Film Screening
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DTSTART;TZID=America/Toronto:20240723T180000
DTEND;TZID=America/Toronto:20240723T193000
DTSTAMP:20240723T141931Z
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SUMMARY:Jiro Dreams of Sushi (film screening)
DESCRIPTION:Jiro Dreams of Sushi\n二郎は鮨の夢を見る \nTuesday\, July 23\, 6:00PM (ET) \nDoors open 5:30PM | Film Screening | In-Person | JFT Event Hall | Free Admission \nDirected by David Gelb • 2011 • Documentary • 82 minutes • Presented in Japanese with English subtitles • Trailer \nJiro Dreams of Sushi is the story of 85 year-old ONO Jiro\, considered by many to be the world’s greatest sushi chef. He is the proprietor of Sukiyabashi Jiro\, a 10-seat\, sushi-only restaurant inauspiciously located in a Tokyo subway station. Despite its humble appearances\, it is the first restaurant of its kind to be awarded a prestigious 3 star Michelin review\, and sushi lovers from around the globe make repeated pilgrimage\, calling months in advance and shelling out top dollar for a coveted seat at Jiro’s sushi bar. \nFor most of his life\, Jiro has been mastering the art of making sushi\, but even at his age he sees himself still striving for perfection\, working from sunrise to well beyond sunset to taste every piece of fish; meticulously train his employees; and carefully mold and finesse the impeccable presentation of each sushi creation. At the heart of this story is Jiro’s relationship with his eldest son Yoshikazu\, the worthy heir to Jiro’s legacy\, who is unable to live up to his full potential in his father’s shadow. \nThe feature film debut of director David Gelb\, Jiro Dreams of Sushi is a thoughtful and elegant meditation on work\, family\, and the art of perfection\, chronicling Jiro’s life as both an unparalleled success in the culinary world\, and a loving yet complicated father. \nThis is the final screening in our food film series\, Cinema Umami. \n\nDirector Profile: \n \nOriginally from New York City\, David Gelb currently works and lives in Los Angeles. After graduating from USC’s film production program\, David worked on various music videos\, short films\, and documentaries. Most notably\, he directed A Vision of Blindness\, an extensive behind the scenes look at Fernando Meirelles’s film Blindness\, which enjoyed a run on the Sundance Channel. David has been a sushi aficionado since his childhood. Jiro Dreams of Sushi is his first full-length feature film. \nSince the success of Jiro Dreams of Sushi\, David continued his journey of capturing culinary artistry and helmed the acclaimed Netflix series Chef’s Table\, Street Food\, and Disney+ documentary Wolfgang.
URL:https://tr.jpf.go.jp/event/jiro-dreams-of-sushi/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Film Screening
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DTSTART;TZID=America/Toronto:20240730T180000
DTEND;TZID=America/Toronto:20240730T201500
DTSTAMP:20240729T170611Z
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SUMMARY:Remembering the Island of the Gods: Izaihō in Film\, Memory\, and History
DESCRIPTION:Reservations are now closed. Thank you for your interest. We will have a rush line before the event\, and will start to release unclaimed seats 10 minutes before the event. \n \nRemembering the Island of the Gods: Izaihō in Film\, Memory\, and History \nTuesday\, July 30\, 6:00PM (ET) \nDoors open 5:30PM | Film Screening & Lecture Event | In-Person | JFT Event Hall \nNOMURA Gakuya’s film Izaihō vividly captures the rhythms of everyday life on Kudaka Island\, as well as the planning and performance of one of the final Izaihō. The experience of watching the film is so fascinating that we might not give much thought to its historical context. And yet\, in 1968\, the main island of Okinawa\, only a few kilometers to the west\, was in the midst of significant social and political turmoil. Ordinary people still struggled to come to grips with the consequences of the Battle of Okinawa\, only two decades earlier\, in which 150\,000 Okinawan civilians were killed\, and most cities and villages destroyed. Unlike mainland Japan\, Okinawa remained under American military occupation. Rebuilding homes and businesses was difficult\, and the future was unclear. Charged debates over independence\, continued subordination to the United States\, or return to Japanese rule took place everywhere\, from public meetings to the kitchen table. Citizens took to the streets to protest economic disparity\, the use of Okinawan bases to fight the war in Vietnam\, and their lack of political self-determination. How does an understanding of this context shape our understanding of Nomura’s film? How can the film help us to have a more complex understanding of that moment in time? \n\nSpeaker Profile: \n \nChristopher T. Nelson is a cultural anthropologist at the University of North Carolina at Chapel Hill. For nearly three decades\, he has done ethnographic fieldwork in Okinawa\, Japan. His work focuses on the relationship between history and memory\, and he has a deep interest in storytelling\, ritual and performance. \nHis new book\, When the Bones Speak: The Living\, the Dead\, and the Sacrifice of Okinawa\, an ethnography of laborers\, artists\, ethnologists\, political activists\, shaman and the dead in Japan\, will be published by Duke University Press in the spring of 2025. \n\nAbout the film: \n \nIzaihō \nDirected by NOMURA Gakuya • 1967 • Documentary • 49 minutes • Presented in Japanese with English subtitles • Trailer \nKudaka Island is a half-agricultural and half-fishing remote island where the men run the fishing industry and the women do the agriculture. Life on the small island is not easy. They share the scarce water and share the land fairly with an allotment system. When the boys become men\, they all go out the sea. The women come together around the rituals\, praying for the safety of the journeying men and protection of the island. The men are fishermen and travelers\, and the women are priestesses who protect them. Kudaka Island has long been known as the “island of the gods\,” and 30 yearly rituals embedded into island life are solemnly passed down by the islanders even to this day. Held once every 12 years on the year of the horse\, Izaihō is Kudaka Island’s greatest ritual. During Izaihō\, women from the ages of 30 to 41 who were born on and live on the island become gods.  \nThis film captures the Izaihō performed in 1966. The ritual was held once more in 1978 and then vanished — an unusual occurrence. While many of Japan’s festivals and rituals are becoming mere charades as they transform into tourist attractions in order to survive\, Izaihō disappeared while it was still in practice and remained representative of the spirit of the people of Kudaka Island. \n\nThis is the final event of our Keep Dancin’\, Okinawa! film series\, in celebration of Okinawan stories\, culture\, and history. \nFree admission. Register below.
URL:https://tr.jpf.go.jp/event/izaiho/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Film Screening,Lecture
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