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DTSTART;TZID=America/Toronto:20251106T180000
DTEND;TZID=America/Toronto:20251106T194500
DTSTAMP:20261006T073047
CREATED:20251024T135612Z
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SUMMARY:The Face of Jizo (film screening)
DESCRIPTION:The Face of Jizo \n父と暮せば \nThursday\, November 6\, 6:00PM (ET) \nDoors open 5:30PM | Film Screening | In-Person | JFT Event Hall \nDirected by KUROKI Kazuo • 2004 • Drama\, War • 99 minutes • Presented in Japanese with English subtitles \n  \n© EISEI GEKIJO\, BANDAI VISUAL\, NIHON SKY WAY\, TV TOKYO MEDIANET\, AOI PROMOTION\, PAL ENTERTAINMENTS PRODUCTION \n  \nIn Hiroshima in 1948\, memories of the atomic bombing three years earlier are still fresh in the minds of the people. Mitsue (MIYAZAWA Rie) works at a library where she meets Mr. Kinoshita (ASANO Tadanobu)\, a shy\, young man researching the disaster. They grow close\, and Mr. Kinoshita eventually asks for her hand in marriage. However\, Mitsue is troubled by her memories of the bombing when she was unable to save her father\, Takezo (HARADA Yoshio)\, and her closest friends as well as the many others who lost their lives. She doubts whether she deserves to have survived. Then the spirit of her father appears before her\, and asserts that she should be happy. Watching over her budding romance with Mr. Kinoshita\, Takezo cajoles and encourages Mitsue into opening her heart again. \nThe third in veteran director KUROKI Kazuo’s trilogy of films (Tomorrow\, Kirishima 1945) set in wartime Japan. \n  \nThe Face of Jizo is presented in conjunction with our ongoing exhibition Hiroshima Appeals. \nFree admission. Registration Required. \n  \nThis event is now fully booked and registration is closed. We will have a rush line before the event to release available seats on a first-come\, first-served basis. Admission is not guaranteed. Thank you for your understanding.
URL:https://tr.jpf.go.jp/event/the-face-of-jizo/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Film,Film Screening
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DTSTART;TZID=America/Toronto:20251120T180000
DTEND;TZID=America/Toronto:20251120T201500
DTSTAMP:20261006T073047
CREATED:20251103T192447Z
LAST-MODIFIED:20251121T152559Z
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SUMMARY:Late Autumn (film screening)
DESCRIPTION:Late Autumn \n秋日和 \nThursday November 20\, 6:00PM (ET) \nDoors open 5:30PM | Film Screening | In-Person | JFT Event Hall \nDirected by OZU Yasujirō • 1960 • 128 minutes • Presented in Japanese with English subtitles • Trailer  \n  \nLate Autumn follows the attempts of three older men to help the widow of a late friend\, MIWA Akiko (HARA Setsuko)\, to marry off her daughter Ayako (TSUKASA Yōko\, in her assured first appearance in an Ozu film). Ayako\, however\, is less than happy at the proposals\, mainly because of her reluctance to leave her mother alone.   \nA reworking of Ozu’s earlier masterpiece Late Spring (1949)\, the film reverses the roles\, with the Ozu regular HARA Setsuko now portraying the sensitive\, caring mother\, instead of the devoted daughter she played in the original film. A more comedic entry in Ozu’s oeuvre\, Late Autumn satirizes the social rituals and emotional turbulence surrounding marriage and matchmaking\, while continuing Ozu’s meditation on the widening generational gap in the post-war Japan.  \nOzu once said about Late Autumn: “People complicate the simplest things. Life\, which seems complex\, suddenly reveals itself as very simple. I wanted to show that in this film.” Released three years before his death\, Late Autumn may be lesser known than his most celebrated works\, but it nevertheless is a testament of his unique sensibility and refined artistry.          \n©Janus Films \n  \nIf you are interested in more classic Japanese films\, don’t miss the NARUSE Mikio retrospective currently touring across Canada\, including films starring HARA Setsuko and TSUKASA Yōko! \nFree admission.  Register below. \n\nThis event is now fully booked and registration is closed. We will have a rush line before the event to release available seats on a first-come\, first-served basis. Admission is not guaranteed. Thank you for your understanding. \n\n\n \n\n\n Director Profile: \n  \nOZU Yasujirō (小津 安二郎\, 1903-1963) is widely regarded as one of the greatest Japanese filmmakers in the history of cinema\, known for his deeply humanistic portrayals of family life and the quiet passage of time. Ozu began his career during the era of silent films. He first made a number of short comedies\, before turning to more serious themes in the 1930s. Over a career spanning more than three decades\, Ozu crafted a distinctive cinematic language characterized by low camera angles (“tatami shot”)\, static compositions\, and meticulous attention to everyday conversations. Marriage and family\, generational divides\, and the tension between tradition and modernity in post-war Japan are often the prominent themes in his works. \nAmong his most celebrated works are Late Spring (1949)\, Tokyo Story (1953)\,  Floating Weeds (1959)\, and his final film An Autumn Afternoon (1962). Ozu’s restrained storytelling\, delicate humor\, and compassionate view of ordinary life have made him an enduring icon of world cinema and have continued to influence filmmakers. In the 2012 Sight & Sound poll\, Ozu’s Tokyo Story was voted the greatest film of all time by directors around the world.  \n 
URL:https://tr.jpf.go.jp/event/late-autumn/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Film,Film Screening
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DTSTART;TZID=America/Toronto:20251125T173000
DTEND;TZID=America/Toronto:20251125T200000
DTSTAMP:20261006T073047
CREATED:20251106T211849Z
LAST-MODIFIED:20251121T145811Z
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SUMMARY:Tampopo (film screening)
DESCRIPTION:Tampopo \nタンポポ \nTuesday November 25\, 5:30PM (ET) \nDoors open 5:00PM | Film Screening | In-Person | JFT Event Hall \nDirected by ITAMI Jūzō • 1985 • 115 minutes • Presented in Japanese with English subtitles • Trailer    \n  \nA self-proclaimed “ramen Western\,” Tampopo is a playful and delicious satire on food\, desire\, and Japanese culture. The story follows truck driver Goro (YAMAZAKI Tsutomu) and his sidekick Gun (WATANABE Ken) as they help Tampopo (MIYAMOTO Nobuko)\, a widowed noodle shop owner\, perfect her ramen recipe and transform her small eatery into a local legend. \nThrough a series of eccentric vignettes—from a gangster’s sensual food rituals to an etiquette lesson gone wrong—ITAMI Jūzō serves up a loving and absurd meditation on the art of eating and living. Both hilarious and heartfelt\, Tampopo celebrates the pursuit of perfection and the joy found in a simple bowl of ramen. \n©Janus Films \nContent Warning: This film contains brief scenes of animal violence and sexual content\, including nudity. Viewer discretion is advised. \n  \nAfter the screening\, 2025 Japan Foundation Awards recipient Marty Gross will join us for a conversation\, including screening an interview he conducted & produced with the food stylist OGAWA Seiko who worked on the film!   \n  \nIf you are interested in more Japanese films about food\, don’t miss the current line-up of films in the feature “Meals That Heal and Connect” on JFF Theater. Available for FREE streaming across Canada! \n  \nFree admission. \nThis event is now fully booked and registration is closed. We will have a rush line before the event to release available seats on a first-come\, first-served basis. Admission is not guaranteed. Thank you for your understanding. \n\n Director Profile:   \nITAMI Jūzō (伊丹 十三\, 1933-1997) was a Japanese actor\, essayist\, screenwriter and film director. One of Japan’s most distinctive satirists\, Itami began his career as an actor\, where he used the stage name ITAMI Ichizō (伊丹 一三). He appeared in foreign-language films such as 55 Days at Peking (1963) and Lord Jim (1965). In 1965\, he published a book called Diary of Boredom in Europe\, an essay collection of his thoughts and reflections on his time in Europe.  \nIn 1967\, when working with director ŌSHIMA Nagisa on the set of Sing a Song of Sex\, he met actress MIYAMOTO Nobuko; they got married in 1969 and Miyamoto would later star in all his films. \nItami turned to filmmaking in the 1980s. His directorial debut\, The Funeral (1984)\, was a critical and commercial success in Japan and won many awards\, including Japanese Academy Awards for Best Picture\, Best Director\, and Best Screenplay. With Tampopo (1985)\, he reached international acclaim\, cementing his reputation for subversive wit and inventive storytelling. His following film A Taxing Woman (1987) was again highly successful. It won six major Japanese Academy awards and spawned a sequel A Taxing Woman’s Return in 1988.  \nItami’s films often tackled contemporary Japanese life\, from consumerism and bureaucracy to gender roles\, with his signature blend of sharp social observation and wry humor. \n\n \nGuest Profile: \nMarty Gross is a consulting producer for companies based in North America\, Europe and Asia\, with focus on Japanese art\, film\, theatre and crafts. His company\, Marty Gross Film Productions\, Inc. (founded in 1975)\, manages one of the most comprehensive websites devoted to films on Japanese cultural and historical subjects. \nSince 1974\, he has produced and directed films (including As We Are\, Potters at Work\, The Lovers’ Exile)\, restored archival films on Japanese arts and crafts (such as The Leach Pottery\, Mashiko Village Pottery\, Japan 1937)\, conducted numerous interviews\, produced documentaries and coordinated publication of books on the history of Japanese cinema and on Japanese animation. \n(C) photo by Grant Delin
URL:https://tr.jpf.go.jp/event/tampopo/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Film,Film Screening
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