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DTSTART;TZID=America/Toronto:20260125T130000
DTEND;TZID=America/Toronto:20260125T193000
DTSTAMP:20261006T035738
CREATED:20251117T212628Z
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SUMMARY:Cinema Kabuki 2026 Toronto
DESCRIPTION:Presented by The Japan Foundation In association with the Consulate-General of Japan in Toronto  CINEMA KABUKI: In High Definition on the Big Screen ‒ Direct from Japan ‒ English subtitled. Kabuki Theatre filmed with high-resolution cameras for cinemas in High-Definition digital projection and six-channel sound. A twisted comedy set in the tenements in Rakuda: Party with a Dead Man\, the further developments of the scandalous secret love and downfall in Princess Sakurahime Part II\, and a romantic yet domestic dance-comedy in The Zen Substitute.   \n \nOn-Line at Ticketmaster.comTelephone: 416-599-2033 (TIFF Lightbox box office)Tickets can also be purchased In-Person at the TIFF Lightbox box office.Admission for each screening: $24.80 including Tax and handling charge.All seats are assigned. \n\n\n \nTIFF Lightbox\, 350 King Street West\, Toronto\, Cinema 2 \n\n\n \nCinema Kabuki 2026 Toronto Time Table:Sunday\, January 25 at 1:00 p.m. Rakuda: Party with a Dead Man    52 minutesSunday\, January 25 at 3:00 p.m. Princess Sakurahime Part II        138 minutesSunday\, January 25 at 6:25 p.m. The Zen Substitute                         62 minutes \n \nPurchase Tickets \n\n Rakuda\, Party with a Dead Man A twisted comedy set in the tenements  \nSunday\, January 25 at 1:00 p.m. 【らくだ 眠駱駝物語 ねむる、が、らくだ、ものがたり】 \nBased on Rakugo comic storytellingPremiered in 1928Written by Onitarō Oka based on a Rakugo storyDirected for the stage by Shigetami EnomotoDirected for Cinema Kabuki by Hiroyuki NakataniRecorded live at Kabuki-za Theatre\, Tokyo\, 200852 minutes\, English subtitled© 2008 Shochiku Co.\, Ltd. \nSynopsis \nUma\, an unpopular tenant\, dies\, his only friend Hanji cooks up a scheme to make some money. He sends Kyūroku\, the junk collector\, to demand support for the funeral celebrations from Uma’s miserly landlord – or else the dead Uma will come to his house and dance. Kabuki’s most powerful acting duo\, Kanzaburo and Mitsugoro\, light a fire under this twisted comedy\, which turns to hilarious farce with the aid of copious amounts of sake. \n落語原作の、江戸下町長屋の笑劇。フグの毒で急死した長屋の嫌われ者の屍を引っ提げて、葬式を口実に酒と肴の強請り放題、さて大家さんは応じるか？ \n  \n\n Princess Sakurahime Part II \nSunday\, January 25 at 3:00 p.m.  【桜姫東文章 下の巻　さくらひめ　あずまぶんしょう げのまき】 \nPremiered in Bunka 14 (1817) at Kawarazaki-za Theatre\, Edo\, TokyoWritten by TSURUYA NanbokuRecorded live at Kabuki-za Theatre\, Tokyo\, 2021138 minutes\, English subtitled© 2022 Shochiku Co.\, Ltd. \nSynopsis | Trailer \nA sweet child and a monk\, an esteemed princess and a thief— two unusual couples whose fates are linked by karma. A high-ranking monk is convinced that Princess Sakurahime is the reincarnation of his dead male lover and falls madly for her. Sakurahime\, however\, is obsessed with finding the unknown villain who raped her and left her pregnant. Described by critics and historians as one of the most scandalous Kabuki plays ever written\, this story of the secret love and downfall of Princess Sakurahime still has the power to shock contemporary audiences. The playwright TSURUYA Nanboku was at the apex of the overripe culture of Edo in the Bunka-Bunsei period (1804-1830). Nanboku’s masterpiece has been brought to the live stage in the most ideal manner by Kabuki’s golden pair\, Nizaemon and Tamasaburo\, who started their collaboration in their twenties. This Cinema Kabuki presentation is a precious record of their reunion in their most successful repertoire for the first time in 36 years. Following last year’s Part I screening\, Part II starts with a summary of Part I to refresh your memory\, or to enable you to enjoy Part II by itself. \n桜姫―玉三郎―と、清玄/権助―仁左衛門二役―との因縁愛憎はさらに渦を巻き、愛欲と尊厳が激しく交錯衝突する。いよいよ大詰めに迫り、南北独特の奇想のどんでん返しが次々に炸裂。 \n  \n    \n\n The Zen Substitute  \nSunday\, January 25 at 6:25 p.m.  【身替座禅 みがわり ざぜん】 \nPremiered in 1910Written by Okamura ShikōDirected for Cinema Kabuki by Sekine KiyoshiRecorded live at Kabuki-za Theatre\, Tokyo\, 200962 minutes\, English subtitled© 2010 Shochiku Co.\, Ltd.  \nSynopsis Lord Ukyō announces to his wife that he intends to isolate himself in Zen meditation by locking himself in a remote pavilion overnight. The truth\, however\, is that he is planning to sneak out to see a woman he had met on a recent trip. As a decoy\, a hapless servant is forced to stay in the prayer pavilion in a place of the lord. Although the lord’s wife is supposed to refrain from visiting her husband out of respect for his religious isolation\, she is so monstrously affectionate that she breaks her vow and goes looking for him. This simple domestic farce is elevated to an expression of the joyful energy of life by two of the best dancers of the Kabuki world\, Kanzaburo and Mitsugoro. 狂言を基にした歌舞伎舞踊の最高傑作のひとつ。今は共に亡き十八世勘三郎と十世三津五郎の舞踊コンビの、最も充実した時期の、豊かにおおらかに、そして洒落た、あの幻の舞台の記録、今よみがえる。 \n            \n  \n  \n  \n  \n  \n  \n      \n\nRelated Programming: \n \n\nFrom Stage to Screen to Page:  JFT Library Items to Enhance Your Cinema Kabuki Experience! \n\n\n\nPlanning to attend Cinema Kabuki? Whether you are discovering kabuki for the first time or returning as a seasoned theatre lover\, this curated selection from the JFT Library invites you to extend your journey into the rich world of kabuki theatre—before and after the event! Discover how kabuki has evolved through the centuries\, explore actors’ lives on and off stage\, enjoy beautifully illustrated guides to its aesthetics\, and watch DVDs/Blu-rays of renowned plays with English soundtracks. Highlights include Kabuki: Five Classic Plays\, featuring a full English translation of Princess Sakurahime—perfect for revisiting the drama after the screening or preparing in advance. The library items are available in English and Japanese\, across print\, DVD/Blu-ray\, and ebook formats.   \n\n The curated library items are currently on display at JFT library. \n\n Apply for a new library card or renew your expired card here. \n\nLibrary Item List       \n  \n  \n  \n  \n \nIn conjunction with Kabuki Talks Series \nJanuary 10\, 2:30 pm – 4:30 pm @ JFT Event Hall January 14\, 6:00 pm – 7:30 pm @ JFT Event Hall January 20\, 6:00 pm – 7:30 pm @ JFT Event Hall Join us for a special three-part talk series\, where we explore various aspects of Kabuki theatre in depth.  
URL:https://tr.jpf.go.jp/event/cinema-kabuki-2026-toronto/
LOCATION:TIFF Lightbox\, 350 King Street West\, Toronto\, Ontario\, Canada
CATEGORIES:Film,Film Screening,Performance
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DTSTART;TZID=America/Toronto:20260127T180000
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DTSTAMP:20261006T035738
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SUMMARY:Harakiri (film screening)
DESCRIPTION:Harakiri \n切腹 \nTuesday January 27\, 6:00PM (ET) \nDoors open 5:30PM | Film Screening | In-Person | JFT Event Hall \nDirected by KOBAYASHI Masaki • 1962 • 133 minutes • Presented in Japanese with English subtitles • Trailer    \nFollowing the collapse of his clan\, an unemployed samurai (NAKADAI Tatsuya) arrives at the manor of Lord Iyi\, begging to be allowed to commit ritual suicide on the property. Iyi’s clansmen\, believing the desperate ronin is merely angling for a new position\, try to force his hand and get him to eviscerate himself—but they have underestimated his beliefs and his personal brand of honor. Winner of the Cannes Film Festival’s Special Jury Prize\, Harakiri is a fierce evocation of individual agency in the face of a corrupt and hypocritical system. \n©Janus Films \n  \nWidely regarded as one of the greatest actors in the history of cinema\, NAKADAI Tatsuya collaborated extensively with many of Japan’s best-known and acclaimed directors. In his over seven decade career\, he appeared in more than 160 films. According to him\, Harakiri was his favourite film of them all. In memory of the unparalleled actor\, who passed away on November 8\, 2025\, JFT is presenting the screening of Harakiri. \nContent Warning: This film contains scenes of violence and gore.   \n  \nFree admission. \nThis event is now fully booked and registration is closed. We will have a rush line before the event to release available seats on a first-come\, first-served basis. Admission is not guaranteed. Thank you for your understanding. \n\n Director Profile: \nKOBAYASHI Masaki (小林 正樹\, 1916-1996) was a Japanese filmmaker who was “one of the finest depicters of Japanese society in the 1950s and 1960s.” Kobayashi started his film career as an assistant at the Shochiku studio\, working under KINOSHITA Keisuke (木下 惠介)\, who was an acclaimed director domestically during the period. While working as an assistant\, Kobayashi grew to admire Kinoshita’s skills in directing. The two collaborated on a few projects and Kinoshita helped Kobayashi make some of his earliest films. \nIn 1957\, Kobayashi made Black River\, about the crime and prostitution that arose around US bases in Japan during and after the American occupation. This was the first of Kobayashi’s films to star NAKADAI Tatsuya in a major role. Nakadai would become a mainstay of Kobayashi’s film\, starring in 9 of Kobayashi’s next 13 films. Starting from 1959\, Kobayashi rose to the peak of his career\, with the trilogy of epic war dramas The Human Condition (1959-1961) starring Nakadai as a pacifist gradually disillusioned as he goes through various hardships and cruelty during the war. Labelled as “one of the most staggering achievements of Japanese cinema\,” the total length of the films is almost ten hours\, which makes it one of the longest fiction films ever made for theatrical release. \nIn 1962\, Kobayashi directed Harakiri\, which won the Jury Prize at the 1963 Cannes Film Festival. The same year\, he also directed The Inheritance\, which won the BAFTA United Nations award. In 1964\, Kobayashi made Kwaidan\, his first color film\, a collection of four ghost stories drawn from books by Lafcadio Hearn. Kwaidan won the Special Jury Prize at the 1965 Cannes Film Festival\, and received an Academy Award nomination for Best Foreign Language Film.
URL:https://tr.jpf.go.jp/event/harakiri/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Film,Film Screening
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