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SUMMARY:On writing and translating Sakura: A conversation with Kanako Nishi and Allison Markin Powell
DESCRIPTION:  \nIn-person Talk Event at UBC Asian Centre Auditorium (1871 West Mall\, Vancouver\, BC) \nNISHI Kanako is one of Japan’s most acclaimed authors. Two decades after her debut novel was published in Japan\, Kanako Nishi’s bestseller Sakura has at last reached English-language readers through a translation by Allison Markin Powell. Join us at the UBC Asian Centre for a bilingual reading from Sakura and a conversation in English on writing and translation hosted by Christina Laffin. \nBooks will be available for purchase from Upstart & Crow\, with an author book signing immediately following the event. \n  \nThis event is co-presented by the Japan Foundation and UBC Library\, the Department of Asian Studies. \nRegistration Details Here \n  \n\nRelated Programming \n  \nFrom Japanese to English: An Evening of Translation with Kanako Nishi\, Allison Markin Powell & Janet Hong \n \nSaturday\, April 25\, 6:00 PM – 7:30 PM (PT)\nIn-Person at Upstart & Crow Studio (1387 Railspur Alley\, Vancouver\, BC) | $10 Tickets | Registration Required \nIn recent years\, Japanese literature has surged in global readership\, appearing on shelves\, in book clubs\, and in conversations worldwide. But how do these stories travel across languages\, and what does it take to bring them into English? \nJoin this Japan Foundation supported event at Upstart & Crow to hear directly from acclaimed Japanese author Kanako Nishi and her longtime translator Allison Markin Powell\, in conversation with writer and translator Janet Hong. \nIn celebration of Nishi’s long-awaited official debut in English — Sakura — this event will include a bilingual reading and discussion of contemporary Japanese literature\, what it takes to bring a book into translation\, and the recent influx of East Asian fiction by women writers. \nDetails and Tickets here
URL:https://tr.jpf.go.jp/event/on-writing-and-translating-sakura/
LOCATION:UBC Asian Centre Auditorium\, 1871 West Mall\, Vancouver\, BC\, Canada
CATEGORIES:Talk Event
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DTSTART;TZID=America/Toronto:20260306T120000
DTEND;TZID=America/Toronto:20260306T193000
DTSTAMP:20260210T223603Z
CREATED:20260210T223603Z
LAST-MODIFIED:20260210T223603Z
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SUMMARY:Bring Your Own Bento: Japanese Language and Culture Talk (March 6\, 2026)
DESCRIPTION:  \n \n  \nFriday March 6\, 2026 | 12:00 pm – 1:00 pm ET In Person @ The Japan Foundation\, Toronto |  6:30 pm – 7:30 pm ET Online (Zoom) \n  \nHave you been thinking about learning a new language but haven’t been able to find the time? \nThe Japan Foundation\, Toronto is happy to offer a series of Japanese language and culture talks where we will introduce words and expressions to get you started on the path to learning Japanese! All levels of Japanese learners are welcome to join too! \nWe will hold 2 sessions providing the same content: in-person at the Japan Foundation\, Toronto during the lunch hour (12:00-1:00 pm ET) and online in the evening (6:30-7:30 pm ET). If you are near the Yonge/Bloor area in Toronto\, why not stop by during your lunch break and learn more about Japanese language and interesting cultural information? Or join us on Zoom in the evening if that better suits your schedule/location. These sessions are B.Y.O.B. (“bring your own bento“)\, so please feel free to bring your lunch/dinner with you! \nThe sessions will be held on selected Fridays and run for approximately one hour. \nUpcoming Schedule and Topic: \n\nMarch 6\, 2026: Japanese Clothing – Traditional to Contemporary\n\nIn this session\, we will cover the topic of “Japanese Clothing – Traditional to Contemporary“. Come join us and learn Japanese words and phrases related to clothing and colours\, along with interesting facts about Japanese clothing including kimono\, hakimono and more! \nThe sessions are free to join but registration is required. Please let us know if you will be joining us using the button below! \nPlease note that we will only accept registration on a session-by-session basis. Registration for the next session will open after the previous session has passed. \nIf you have any questions\, please contact us at koza_jftoronto@jpf.go.jp. \nTerms and Conditions: \n\nThe Japan Foundation\, Toronto (hereinafter referred to as “the Organizer”) reserves the right to cancel the registration of any participant who engages in disruptive behavior or any sales activity during the event. Such actions may result in immediate removal from the event at the Organizer’s discretion.\nThe Organizer is not responsible for any personal interactions between participants outside of the event. Participants are encouraged to manage these relationships independently.\nPhotographs or videos may be taken during the event by the Organizer’s staff for promotional purposes only.\nParticipants are not to record\, photograph\, or take screen captures of the event.\nBy registering for and attending the event\, participants acknowledge that they have read\, understood\, and agree to the above Terms and Conditions.\n\n  \nPlease note that registration will take place on Eventbrite – please choose the ticket type corresponding to the timeslot (in-person for 12:00-1:00pm ET\, online for 6:30-7:30pm ET). \nThe Zoom meeting link for the online session will be be provided via email\, a few days prior to the event. \nREGISTER \n 
URL:https://tr.jpf.go.jp/event/byob-20260306/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Community Events,Language Class,Talk Event
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DTSTART;TZID=America/Toronto:20260226T180000
DTEND;TZID=America/Toronto:20260226T193000
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SUMMARY:Hiroshima Appeals and JAGDA’s Peace Posters Exhibitions: A Creative History of a New Graphic Design Genre
DESCRIPTION:Talk and slide presentation by Toshi Aoyagi\nProgram Officer\, The Japan Foundation\, Toronto\nCurator\, “Hiroshima Appeals: A Poster Exhibition of Global Messages” at JFT \nHiroshima Appeals and JAGDA’s Peace Posters Exhibitions: A Creative History of a New Graphic Design Genre \nThursday\, February 26\, 2026\, 6:00 pm – 7:30 pm\, EST \nThe Japan Foundation\, Toronto\, Event Hall\nPresented in English | Free Admission\nRSVP Required | Register Below \nThe peace poster was a newly created genre in graphic design after World War II.  One of the most pioneering peace poster works was “Victory 1945” by Fukuda Shigeo of Japan\, the winner of the 1975 “International Poster Competition in Commemoration of the 30th Anniversary of the Victory against Fascism and Violence through Democracy and Liberty” in Poland. \nResponding to and stimulated by young Fukuda’s sensational success\, Japan’s graphic design giant Kamekura Yūsaku organized two unique design projects to enlighten and educate himself and all other members of Japan Graphic Designers Association\, JAGDA in 1983. \nKamekura Yūsaku designed “Butterflies Burning Falling” the first poster of the “Hiroshima Appeals” annual poster promotion project. JAGDA\, led by Kamekura Yūsaku\, also launched an annual national peace poster exhibition and competition\, in which all JAGDA members contributed and participated. These paired projects have worked together to advance the development and creation of peace posters for years to come. \nThe talk examines the leadership and contribution of two great Japanese designers\, Kamekura Yūsaku and Fukuda Shigeo\, master and disciple\, to the peace posters genre. Together they discovered and nurtured the potential of peace posters by collaborative and competitive dynamics. \nPresented in celebration and admiration of the dedication\, generosity\, and foresight of the Japanese graphic design world—in particular\, two of its great designers\, Kamekura Yūsaku and Fukuda Shigeo. \nThis is going to be a repeat presentation of the talk on October 4\, 2025 with additional information from recent research.
URL:https://tr.jpf.go.jp/event/hiroshima-appeals-talk-2026/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Exhibition,Lecture,Talk Event
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DTSTART;TZID=America/Toronto:20251030T180000
DTEND;TZID=America/Toronto:20251030T193000
DTSTAMP:20251017T161005Z
CREATED:20251002T210528Z
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SUMMARY:Crafting Twists and Thrills: A conversation with author ISAKA Kotaro
DESCRIPTION:Multi-award-winning mystery fiction author\, ISAKA Kotaro\, is making his North American debut this year! A featured guest at the 2025 Toronto International Festival of Authors (TIFA)\, the author of the Assassins series is most widely known for his thrilling take on crime fiction\, although he has experience across various genres of writing. Mr. Isaka’s works have been translated into over 20 languages around the world and many of his novels have been adapted into films\, including the 2022 Hollywood adaptation of Bullet Train. \nOn October 30\, Mr. Isaka will share rare insights into his life as a creative at the Japan Foundation\, Toronto\, in conversation with Brian Bergstrom\, translator for one of his novels Hotel Lucky Seven. The pair will talk about creative processes\, inspirations\, and challenges\, in addition to experience with translation and film adaptations. Audience can also expect to learn more about Isaka’s most recent English translations Seesaw Monster and Hotel Lucky Seven and ask any burning questions they may have about his intricately woven plotlines. \n  \n*Registrants are encouraged to arrive on time when doors open at 5:30 PM. We will have an in-person waiting line before the event\, where we will release any empty seats\, on a first-come first-served basis.  \n*Following the talk event\, there will be a book-signing session with ISAKA Kotaro at the JFT Library until 9 pm. The signing session is exclusively available to registered participants; you must already be onsite for the event prior to the signing session. There is no separate registration for the signing session. \nRegistrants can purchase copies of Mr. Isaka’s books from the bookseller onsite or bring their personal copy to get signed. Please note that there is a limit of one autograph per attendee. \nThis event is now fully booked and registration is closed. We will have a rush line before the event to release available seats on a first-come\, first-served basis. Admission is not guaranteed. Thank you for your understanding. \n\nGuest\n(c) Munemasa Takahashi \nKotaro Isaka is the internationally acclaimed Japanese author of Bullet Train (Japanese title Maria Beetle\, 2010). One of the most consistently bestselling authors of contemporary Japanese fiction\, Isaka is known for works that straddle the literary and entertainment genres. His novels include Audubon’s Prayer (2000\, Shincho Mystery Club Award)\, Lush Life (2002)\, Three Assassins (Japanese title Grasshopper\, 2004)\, The Precision of the Agent of Death (2005\, Mystery Writers of Japan Award)\, Shumatsu no Fool (2006)\, Golden Slumber (2007\, Yamamoto Shugoro Award and Japan Booksellers’ Award)\, The Mantis (Japanese title AX\, 2017)\, and Gyaku Socrates (2020\, Shibata Renzaburo Award). His latest novel is 777 (2023). Isaka’s books have been translated into over 20 languages worldwide. Bullet Train was the basis of the eponymous movie from Sony Pictures (2022)\, directed by David Leitch and starring Brad Pitt. \n*Click here to download the PDF file of author details\, his books available at JFT Library and TIFA related event info. \n\nModerator\n(c) Toma Iczkovits \nBrian Bergstrom is a lecturer and translator who has lived in Chicago\, Kyoto\, and Yokohama. His writing and translations have appeared in publications including Paris Review\, Granta\, Aperture\, Lit Hub\, Mechademia\, Japan Forum\, positions: asia critique\, and The Penguin Book of Japanese Short Stories. He translated Erika Kobayashi’s novel Trinity\, Trinity\, Trinity (2022) and story collection Sunrise: Radiant Stories (2023) with Astra House\, the former winning the 2022 Japan-U.S. Friendship Commission (JUSFC) Prize for the Translation of Japanese Literature. His recent translations include Slow Down: The Degrowth Manifesto by Kōhei Saitō (W&N & Astra House\, 2024)\, which was shortlisted for the 2024 Sasakawa Foundation Translation Prize\, and Hotel Lucky Seven by Kōtarō Isaka (Harvill Secker & Overlook\, 2024)\, which was long-listed for the 2025 Crime Writers’ Association Dagger for Crime Fiction in Translation. He is currently based in Montréal\, Canada. \n\nInterpreter\nChieko Bond is a Canadian government-certified conference and simultaneous interpreter. Her career as an interpreter started in Japan and has expanded in Canada. She has interpreted for prime ministers and cabinet ministers at bilateral and multilateral meetings\, including G7/G20 summits and ministerial meetings. She has also interpreted for negotiations of agreements between Canada and Japan\, and worked in all continents at public and private international conferences\, bilateral meetings\, business meeting\, Investor Relations\, litigations\, and audits. Ms. Bond also works as a translator and has various other roles outside of interpretation. \n\n  \nCo-presented by\n  \n  \n\nRelated Programming\nBullet Train \nWednesday\, October 29\, 6:45 PM (ET)\nDoors open 6:25PM | Film Screening | In-Person | Innis Town Hall (2 Sussex Avenue\, Toronto\, ON M5S 1J5) \nUnlucky assassin Ladybug (Brad Pitt) is determined to do his job peacefully after one too many gigs gone off the rails. Fate\, however\, may have other plans\, as Ladybug’s latest mission puts him on a collision course with lethal adversaries from around the globe—all with connected\, yet conflicting\, objectives—on the world’s fastest train from Tokyo to Kyoto. \nAdapted from ISAKA Kōtarō’s 2010 novel Maria Beetle\, Bullet Train features a cast of unforgettable characters and takes audiences on a wild\, high-speed ride that’s as stylish as it is fun\, blending thrilling action sequences\, witty banter and a dazzling neon style.   \nSpecial pre-screening introduction by the author of the original novel — ISAKA Kōtarō\, who is a featured guest at the 2025 Toronto International Festival of Authors! \nRegister here \n  \n\nJFT Book Club (Hybrid): Seesaw Monster by ISAKA Kotaro \nSaturday\, November 8\, 5:00 PM – 6:30 PM (ET)\nOnline &| In-Person | Japan Foundation\, Toronto Library (2 Bloor St E #300\, Toronto\, ON\, Canada M4W 1A8) \nJoin us virtually or in person for our book club meeting\, where we dive deep into the dark wit and intricate plots of Japan’s master storyteller\, ISAKA Kotaro! We’ll discuss his novel Seesaw Monster (or the original Japanese version: 伊坂幸太郎著『シーソーモンスター』\, translated into English by Sam Malissa)\, which consists of two interconnected\, suspenseful stories set in the past and the future. Meet fellow readers and share insights into the stories that you might not have discovered on your own!   \nP.S. A special video message from the author ISAKA Kotaro will be exclusively shared with book club participants! \nRegister here \n 
URL:https://tr.jpf.go.jp/event/crafting-twists-and-thrills/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Talk Event
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DTSTART;TZID=America/Toronto:20251004T143000
DTEND;TZID=America/Toronto:20251004T160000
DTSTAMP:20250924T163803Z
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SUMMARY:Hiroshima Appeals and JAGDA’s Peace Posters Exhibitions: A Creative History of a New Graphic Design Genre
DESCRIPTION:Talk and slide presentation by AOYAGI Toshi\, Program Officer and Curator of Hiroshima Appeals: A Poster Exhibition of Global Messages at JFT.\nThe peace poster was a newly created genre in graphic design after World War II.  One of the most pioneering peace poster works was “Victory 1945” by FUKUDA Shigeo of Japan\, the winner of the 1975 “International Poster Competition in Commemoration of the 30th Anniversary of the Victory against Fascism and Violence through Democracy and Liberty” in Poland. \nResponding to and stimulated by young FUKUDA’s sensational success\, Japan’s graphic design giant KAMEKURA Yūsaku organized two unique design projects to enlighten and educate himself and all other members of Japan Graphic Designers Association\, JAGDA in 1983. KAMEKURA Yūsaku designed “Butterflies Burning Falling” the first poster of the “Hiroshima Appeals” annual poster promotion project. JAGDA\, led by KAMEKURA Yūsaku\, also launched an annual national peace poster exhibition and competition\, in which all JAGDA members contributed and participated. These paired projects have worked together to advance the development and creation of peace posters for years to come. \nThis talk examines the leadership and contribution of two great Japanese designers\, KAMEKURA Yūsaku and FUKUDA Shigeo\, master and disciple\, to the peace posters genre. Together they discovered and nurtured the potential of peace posters by collaborative and competitive dynamics. \nPresented in celebration and admiration of the dedication\, generosity\, and foresight of the Japanese graphic design world—in particular\, two of its great designers\, KAMEKURA Yūsaku and FUKUDA Shigeo.
URL:https://tr.jpf.go.jp/event/hiroshima-appeals-talk/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Talk Event
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DTSTART;TZID=America/Toronto:20250504T140000
DTEND;TZID=America/Toronto:20250504T154500
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SUMMARY:30th Annual Katari Japanese Storytelling Festival – May the Force Be with Children!  –
DESCRIPTION:Enjoy an enchanting afternoon of Japanese folktales\, creative stories\, songs\, and traditional music performances with Katari Japanese Storytellers\, celebrating the 30th anniversary! \nThis year’s theme\, “May the Force Be with Children!” celebrates Japan’s Children’s Day ( “Kodomo no Hi”\,「こどもの日」)\, a day dedicated to honoring children’s health and happiness. This theme brings us full circle\, paying tribute to the very first Katari festival in 1994\, which began as part of Children’s Week event—a journey that started with Children’s Day and continues to inspire new generations! \nFor 30 years\, Katari has been a bridge between cultures\, spreading Japanese folklore\, creativity\, and language to the diverse communities of Canada in English. This event welcomes all generations to experience the power of oral storytelling and the rich heritage of Japan. \nBring your family and friends\, and experience the joy of Japanese storytelling in a warm\, welcoming environment! \n  \nThe recording of the event is now available on the YouTube channel of Katari Japanese Storytellers! Here’s what audience said!:“Today’s presentation was amazing! I can’t believe I missed 29 years of this! Thank you for the presentation ｡ﾟ(ﾟ´ωﾟ)ﾟ｡” —Anonymous “Learnt more about the life of past people in different prefectures through song and poetry. Beautiful performance all around”—Anonymous “Discovered diverse range of storytelling and folk culture.”—John“Beautiful performance. Talented artists.”—Thu“Love the magic\, storytelling.”—Eddy“People in here (Canada) seem to preserve Japanese tradition\, which is great!”—Anonymous \n\nAudience: General (around 6 yrs old and above) \nAdmission: Free (RSVP required) \nWheelchair Accessibility: Yes \n\nProgramme:\n\n「一休さん」菊池幸工 / The Boy Monk by Koko Kikuchi\n「熊に遭ったらどうするか・アイヌの狩人」田中裕介 / Ainu Bear Hunter by Yusuke Tanaka\n「祭花第二番」（吉崎克彦・作曲）、「五木の子守唄」琴：藤井愛子/ Koto (Japanese harp) performance of Matsurika No.2 (Composed by Katsuhiko Yoshizaki) and Lullaby of Itsuki Region by Aiko Fujii-休憩- Intermission *Feel free to explore JFT Library’s physical collection and the special Children’s Day display\, with complimentary tea!\n「平和詩集と歌」菊池幸工、田中裕介、歌「ハナミズキ」秦佐千子 / Peace Poetry and Songs by Koko Kikuchi and Yusuke Tanaka (guitar)\, Hanamizuki by Sachiko Hata\n「玉すだれ」白藤青湖 / Traditional street performance Bamboo Blind by Seiko Shirafuji\n「北海盆唄」、「嘉瀬の奴踊り」、「ソーラン節」、「花笠音頭」ドッコイ・グループによる民謡合奏 / Folk music performance of Hokkai Bon-Uta\, Kase no Yakko Odori\, Soran Bushi\, Hanagasa Ondo by the group DOKKOI!\n\n唄：白藤青湖、秦佐千子 / Vocal by Seiko Shirafuji and Sachiko Hata　\n三味線：マーティン・ポーセン/ Shamisen by Martin Posen\n尺八と三味線：ジェリー・ミッゴールドリック/ Shakuhachi and Shamisen by Gerry McGoldrick \nDancers: Michiko Abe-Kozlows and Yoko Hyde\n\n\n「リメンバー・パールハーバー」梅沢ルイ / Remember Pearl Harbor by Rui Umezawa\n\n*The event closing time may be extended by 10-15 minutes depending on the progress of the programme.　 \n\nJFT Library is open from 1:30 pm to 4:30 pm to the public on Sunday\, May 4. Feel free to explore our physical collection and the special Children’s Day display! Apply for a new JFT library card or renew your expired card here. \n\nStorytellers\n Sachiko Hata Born in Hyogo\, Japan\, Sachiko is an active community worker and singer at various local community events and she loves painting and teaching Etegami (picture card) craft\, while practicing Voice Yoga everyday. \n\n Koko Kikuchi Born in Tohoku\, the northeast of Japan\, Koko has been involved in Katari since its inception. He specializes in the folktales of his native region of Iwate\, Northern Japan.   \n\n Seiko Shirafuji Born in Yamaguchi Prefecture\, she is a singer and folk dancer and a retired medical doctor. Seiko has been performing in community events and local festivals since 1995. \n\n Yusuke Tanaka A veteran translator\, writer\, director of the Katari since 1994. He has been telling his own adaptations of Japanese folklore in many places such as New York\, Seoul\, Kyoto\, Tokyo and Sapporo. \n\n Rui Umezawa A Toronto writer and storyteller. His novel\, The Truth About Death and Dying was shortlisted for the Commonwealth Book Prize for Best First Book. His past participation in Katari inspired his latest publication\, Strange Tales Afar: Tales of the Supernatural from Old Japan. \n\nMusicians\n Aiko Fujii Started learning koto\, shamisen and jiuta at an early age. She holds a koto teacher’s diploma in the Ikuta school from the Kyoto Todokai. Since 2017\, she has experienced many concerts abroad\, collaborative ensembles with other genres and teaching. \n\n Gerry McGoldrick He has been involved with traditional Japanese music for over thirty years\, and has played shamisen and shakuhachi in a variety of styles in Japan and Canada. A professor at Toronto Metropolitan University. \n\n Martin Posen He is an acoustic guitarist and composer and is currently playing and studying both Minyo and Tsugaru styles of shamisen. \n\nDancers\nMichiko Abe-Kozlowski Born in Hokkaido\, Michiko is a jewelry designer and retired law clerk and a member of the Urara Mimbu-kai\, she enjoys learning and sharing traditional Japanese folk dances. She also belongs to the Kimono Fan group that promotes Kimono dressing in Canada. \n\nYoko Hyde Born in Kanagawa\, Yoko is a member of a Japanese folk dance group “Urara Minbu-Kai”\, which formed 15 years ago. She loves traditional Japanese dance and practicing with different groups. She enjoys golfing and exercising with Nia daily. \n  \n\n  \nCo-presented by\n  \nSupported by\n\n\n \n 
URL:https://tr.jpf.go.jp/event/katari-storytelling-festival-2025/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Community Events,Library,Performance,Talk Event
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20250212T183000
DTEND;TZID=America/Toronto:20250212T200000
DTSTAMP:20250313T165452Z
CREATED:20250128T161920Z
LAST-MODIFIED:20250313T165452Z
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SUMMARY:First Love and Beyond: Author SHIMAMOTO Rio on Japanese Romance Fiction
DESCRIPTION:Thank you to all those who participated in the live-streamed talk event! A recorded video of this event is now available on our YouTube channel!\nSharing some comments from our participants who agreed to share their feedback!\n\n“It was so nice to hear the author speak in her native language – it added so much subtlety and feelings. It’s great that your organization provides space to so many different authors\, artists\, etc. And the translation – I really appreciated how natural it was\, how it created a connection to Ms. Rio Shimamoto. Thank you.”—MK  \n“Thank you for the wonderful interview with the author. I am so happy that these opportunities are available online so that people around the world can attend.” — Anonymous\n“I really enjoyed. Online talk is the excellent way of this kind of event. The moderator’s interview were focused and good. ” — Anonymous\n“Through the conversation between Shimamoto and Shimotakahara I realized how experiences and stories that we have read shape our mindset. Really appreciated how detailed and well thought each question and answer was. I also realize how important it is to be concise. ” — Johan\n\nP.S The novel First Love is available in physical copies (ENG & JPN) and ebook format (ENG) at JFT Library—don’t miss out on this thought-provoking Japanese romance and psychological mystery! \n\n \n \nDive into the world of romance and storytelling with SHIMAMOTO Rio\, the celebrated Naoki Prize-winning author renowned for her masterful romance novels. Now that her award-winning novel First Love has been translated into English by Louise Heal Kawai for the first time\, she will share insights into her creative process\, writing journey\, and the allure of Japanese romance fiction. \nModerating the conversation will be Leslie Shimotakahara\, award-winning Canadian author\, adding her own literary perspective to this unforgettable dialogue. \n*The event will be held in English\, with English-Japanese interpretation provided by Jocelyne Allen. \n*RSVP Required – This event will be exclusively livestreamed on the Japan Foundation\, Toronto’s official YouTube channel. Viewers can submit questions to the guest author via YouTube live chats. Register below to receive the streaming URL. \n \n(c) Daisuke Hayata  \nGuest Author\nRIO SHIMAMOTO (島本 理生) was born in Tokyo in 1983. In 2001\, she won the 44th Gunzo New Writers’ Prize for Silhouette\, and in 2003\, she won the 25th Noma Literary New Face Prize for Little by Little. In 2015\, she received the 21st Shimasei Renai Literature Award for Red and the 159th Naoki Prize for First Love in 2018. \n \nModerator\nLeslie Shimotakahara‘s memoir\, The Reading List\, won the Canada-Japan Literary Prize and has been recently translated into Japanese. She has written three other critically acclaimed novels\, After the Bloom\, Red Oblivion\, and Sisters of the Spruce. She completed a PhD in English at Brown University\, after which she returned to her hometown of Toronto\, where she now resides with her husband. Her fourth novel\, The Breakwater\, is forthcoming from Cormorant Books. \n \nABOUT THE BOOK\n First Love \n(The original Japanese version:『ファーストラヴ』)\nWritten by SHIMAMOTO Rio \nTranslated by Louise Heal Kawai \nPublished by Honford Star\, 2024 \n  \nUpon being arrested for the gruesome murder of her father\, all college student Kanna Hijiriyama tells the police is “It’s up to you to find the motive.” Amidst the media frenzy about the woman “too beautiful to be a killer\,” clinical psychologist Yuki Makabe is asked by Kanna’s lawyer to counsel the young woman as her trial approaches. Yuki slowly uncovers the dark history behind the relationships in Kanna’s life – with her father\, her mother\, and her “first love” – and discovers shocking inconsistencies in Kanna’s defense. \nWinner of the prestigious Naoki Prize and a Japanese bestseller\, First Love is part psychological drama\, part legal thriller. \n— from Publisher’s website \n \nRelated programming: \nJFT Book Club (Hybrid) – First Love by SHIMAMOTO Rio\n \nSaturday\, February 8\, 5:00 PM – 6:30 PM (EST) \nFor the upcoming JFT Book Club (Hybrid)\, we will discuss SHIMAMOTO Rio’s novel: First Love (the original Japanese version: 島本理生著『ファーストラヴ』). Join us in person or virtually to unravel the complexities of love\, family\, and hidden truths in this Naoki-award-winning mystery novel! \nDetails Here \n  \n \nThe Nighthawk’s First Love \nTuesday\, February 11\, 6:00PM (ET) \nJoin us for our Valentine’s film screening of The Nighthawk’s First Love (よだかの片想い)\, adapted from the novel of the same name from acclaimed romance author SHIMAMOTO Rio. The film follows graduate student Aiko who always had low self-esteem because of the birthmark on the left side of her face. When her story becomes part of a book\, and then adapted into a movie\, she falls for the director who accepts her as she is. \nDetails Here
URL:https://tr.jpf.go.jp/event/first-love-and-beyond-shimamoto-rio/
LOCATION:Virtual
CATEGORIES:Lecture,Library,Talk Event
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20250120T190000
DTEND;TZID=America/Toronto:20250120T203000
DTSTAMP:20250109T173941Z
CREATED:20241219T175337Z
LAST-MODIFIED:20250109T173941Z
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SUMMARY:Journey Through Japanese Contemporary Art: A Conversation with Canadian Curators
DESCRIPTION:Date: Monday\, January 20\, 2025\nTime: 7:00 PM – 8:30 PM (ET)\nVenue: YouTube (livestream) \nJoin us for a livestream discussion with four Canadian art curators as they share their unique perspectives on the vibrant Japanese contemporary art scene. \nExplore the world of Japanese contemporary art with insights from four Canadian curators who visited over 20 art sites in Tokyo\, Gunma and Niigata from November 1 to 12\, 2024. This was part of the special program named The Ishibashi Foundation / The Japan Foundation Curatorial Exchange Program\, designed to introduce the contemporary art scenes of Japan to the curators across the world and foster relationships between art experts. \nIn this online talk event\, the curators will share their authentic impressions\, key takeaways\, and thoughts on building future bridges between the two countries’ art projects. \n\nThe Speakers \n \nJohn G. Hampton | MacKenzie Art Gallery | Executive Director\, CEO\nJosée Drouin-Brisebois | National Gallery of Canada | Producer\, Senior Manager of National Engagement\nShaun Dacey | Richmond Art Gallery | Director\nSu Ying Strang | Southern Alberta Art Gallery Maansiksikaitsitapiitsinikssin | Executive Director \n\nThe moderator \nManabu Yahagi | Associate Curator\, Mori Art Museum \nManabu Yahagi is an associate curator at the Mori Art Museum in Tokyo. At the museum\, he curated solo presentations on Chen Chieh-Jen\, Oscar Murillo\, Hiraki Sawa\, and the Karrabing Film Collective\, and co-curated the exhibitions Stars: Six Contemporary Artists from Japan to the World\, MAM Research 009: Imagining Justice—Asian American Art Movements\, World Classroom: Contemporary Art through School Subjects\, Louise Bourgeois: I have been to hell and back. And let me tell you\, it was wonderful\, and Machine Love: Video Game\, AI and Contemporary Art. Before joining the museum\, he participated in the Whitney Independent Studies Program as a Helena Rubinstein Curatorial Fellow. He received his MA in History of Art from Columbia University\, New York. \n\n\nWhat is The Ishibashi Foundation / The Japan Foundation Curatorial Exchange Program? \nThe Japan Foundation invites curators and professionals of contemporary arts with the aim of deepening understanding of Japanese contemporary arts overseas and facilitating the formation of networks among institutions and people involved in contemporary arts in the participating countries. \nThis program is implemented by the Japan Foundation with generous funding from the Ishibashi Foundation. \nThis year\, 2024\, we invited 15 curators and professionals in the contemporary arts from the Americas (Canada and Brazil) and Europe (Germany\, Italy and Switzerland) for 11 days. In addition to meetings and discussions with Japanese curators and artists\, the groups of experts visited museums in many parts of Japan. \nhttps://tr.jpf.go.jp/2024ishibashi_jf_curatorial_ep/ \nhttps://www.jpf.go.jp/e/project/culture/exhibit/exchange/curators_ishibashi/
URL:https://tr.jpf.go.jp/event/curators-talk-2024/
LOCATION:Virtual
CATEGORIES:Talk Event
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240926T180000
DTEND;TZID=America/Toronto:20240926T180000
DTSTAMP:20241008T191712Z
CREATED:20240905T203255Z
LAST-MODIFIED:20241008T191712Z
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SUMMARY:Curtain Up to a New Chapter: KAWAGUCHI Toshikazu's journey of storytelling across genres
DESCRIPTION:Author of the global bestselling series Before the Coffee Gets Cold\, KAWAGUCHI Toshikazu is embarking on a North American tour this fall\, starting with the annual Toronto International Festival of Authors. Mr. Kawaguchi’s stories of a time-traveling café originated as a play which was later published as a novel. It has since become a series\, been translated to over 30 languages and sold over 5 million copies around the world\, gaining popularity with diverse audiences. The playwright-turned-author is especially known for capturing his audience with heartwarming stories and a splash of nostalgia. \nOn September 26\, Mr. Kawaguchi will converse with Mr. Bruce Pitkin at the Japan Foundation\, Toronto about his unique journey of being a playwright turned novelist. The pair will discuss theatre\, writing\, and translation\, making it suitable for enthusiasts of all three to join in. Venturing into the challenges and opportunities the writer has faced in his journey\, audience can expect to learn more about the author’s storytelling\, which spans genres\, as well as hear all about how the café that lets you visit your past came into being. \n  \n*Registrants are encouraged to arrive on time when doors open at 5:30 PM. We will have an in-person waiting line before the event\, where we will release any empty seats\, on a first-come first-served basis.  \n*Following the talk event\, there will be a book-signing session with KAWAGUCHI Toshikazu at the JFT Library until 9 pm. The signing session is exclusively available to registered participants; you must already be onsite for the event prior to the signing session. There is no separate registration for the signing session.\n\nRegistrants can purchase copies of Mr. Kawaguchi’s novels from the bookseller onsite\, or bring their personal copy to get signed. Please note that there is a limit of one autograph per attendee. \n\n  \nGUEST\n \nToshikazu Kawaguchi was born in Osaka\, Japan\, in 1971. He has produced\, directed and written for the theatrical group Sonic Snail. As a playwright\, his works include COUPLE\, Sunset Song and family time. His play Before the Coffee Gets Cold won the grand prize at the Suginami Drama Festival. His debut novel of the same name\, Before the Coffee Gets Cold has become an international bestseller and has been adapted for the screen. \nClick here to see PDF file of author details\, book list and TIFA related event info. \n  \n  \n\nModerator\n\n \nBruce Pitkin is a distinguished theatre professional with a Master of Fine Arts in Acting from York University. He brings extensive experience in acting\, directing\, and teaching to his role as moderator for the audience discussion with Toshikazu Kawaguchi at Japan Foundation\, Toronto. With a career spanning leadership roles at Theatre Ontario and Art Starts\, Bruce has directed award-winning productions and adapted classical works\, demonstrating his deep understanding of theatrical techniques. His international experience includes studying the Tadashi Suzuki Method of Actor Training in Japan with Mr. Suzuki’s SCOT company\, giving him a unique perspective on Japanese theatre. Fluent in English and German\, with basic proficiency in Japanese\, Bruce will accompany the audience in exploring Kawaguchi’s unique background as a playwright\, his novelization of Before the Coffee Gets Cold\, and his global success in publishing translations with an enriched and informed discussion. \n\nInterpreter\n \nJocelyne Allen is a Japanese translator and interpreter and has translated hundreds of short stories\, novels\, and manga\, including the Eisner Award-winning Frankenstein by Junji Ito and the critically acclaimed Our Dreams at Dusk by Yuhki Kamatani. As an interpreter\, she has worked with Japan’s most celebrated authors and artists\, including Sayaka Murata\, Nagata Kabi\, Kyoko Nakajima\, and Asano Inio. @brainvsbook \n  \n  \n  \n  \n\nCo-presented by\n \n \n \n \n\nRelated Programing \n \nBefore the Coffee Gets Cold \nSaturday\, September 28\, 3:00 PM (ET) | Innis Town Hall (University of Toronto) | Presented in Japanese with English subtitles \nUrban legend has it that you can return to your chosen point in the past at Café Funiculi Funicula\, the coffee shop where Kazu works. Fumiko hears the rumour and shows up to talk again with her childhood friend\, who left for the US after they had a fight. But\, several rules must be obeyed in order to travel back to the past. One’s time travelling is limited to the period by which the coffee gets cold. Adapted from the global book sensation of the same name by author KAWAGUCHI Toshikazu\, who is a featured guest at the 2024 Toronto International Festival of Authors. \nDetails here
URL:https://tr.jpf.go.jp/event/curtain-up-to-a-new-chapter/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Library,Talk Event
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240918T183000
DTEND;TZID=America/Toronto:20240918T200000
DTSTAMP:20240918T163817Z
CREATED:20240729T161233Z
LAST-MODIFIED:20240918T163817Z
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SUMMARY:Breaking Barriers: The Power of Children's Books
DESCRIPTION:Breaking Barriers: The Power of Children’s Books\nA Talk With Picture Book Authors Rie Muranaka and Eriko Ishikawa\n \nIf you are interested in Japanese\, picture books\, childhood education\, or even psychology\, you do not want to miss this talk! \nWednesday September 18  | 6:30 pm – 8:00 pm EDT | In Person @ North York Central Library (Toronto Public Library)\, Room 1 | Japanese + English Interpretation \nRegistration Deadline: Sunday September 15\, 2024 \nJoin author Rie Muranaka (村中李衣) and illustrator Eriko Ishikawa (石川えりこ) as they introduce the concept of “barrier-free” picture books through their award winning book “Kokun” (Nodding). Chosen as Outstanding for the IBBY Collection for Young People with Disabilities\, this story explores a girl with a disability asserting her independence but also learning to accept help when it’s needed. Based on their work in Japan\, the authors will describe how they have used picture books to spark discussion about visible and invisible barriers and in therapeutic settings. \nThe talk will be in Japanese with an English translator. There will be a Q&A afterwards. \nVenue: Room 1 at North York Central Library\, 5120 Yonge St.\, Toronto\, ON M2N 5N9. \nGoogle Map \nRegister at the bottom of this page or click here to jump there. \n \nAbout the Speakers \n Rie Muranaka 村中李衣 \nBorn in Yamaguchi Prefecture. Children’s literature author and visiting professor at Yamaguchi Gakugei University. \nShe conducted research on reading therapy at Keio University\, looking at the possibility of communication through picture books with children in pediatric wards. Since then\, she has been creating and reading picture books with people from 0 to 100 years old in various places such as children’s hospital wards\, nursing homes\, geriatric health care facilities\, and prisons. She received the 1st Japan Picture Book Research Award. \nMajor works include award-winning ”おねいちゃん” (My Older Sister)\, and “女性受刑者とわが子をつなぐ絵本の読みあい” (Picture Book Reading Connecting Female Inmates and Their Children). \n  \nEriko Ishikawa 石川えりこ \nBorn in Fukuoka Prefecture. After working as a designer\, became an illustrator and picture book author. \nShe is one of the initiators of The Chikyu Passport (Earth Passport) project\, where picture book writers from different countries convey through their artwork their wish for children of the Earth to freely spread their wings. \nMajor works include “ほんやねこ” (The Bookstore Cat)\, “カイトWherever the Wind Blows” (Kite – Wherever the Wind Blows)\, “ボタ山であそんだころ” (When We Played on “Bota” Mountain)\, and “しぶがき　ほしがき　あまいかき” (Bitter Persimmon\, Dried Persimmon\, Sweet Persimmon)\, which won numerous accolades and awards internationally. \n  \nAbout “Kokun” \nTheir book “こくん” Kokun (Nodding) (Story by Rie Muranaka\, Art by Eriko Ishikawa. Published by Doshinsha) received the JBBY (Japanese Board on Books for Young People) Award\, Barrier Free Books Division\, and was selected for IBBY’s (International Board on Books for Young People) Selection of Outstanding Books for Young People with Disabilities. \nIntroduction (translated from publisher’s website): When I came to my beloved Tsubasa Nursery after being discharged from the hospital\, Shun came running to me. When he saw the walker\, he said\, “I’ll help you\,” but I told him firmly\, “I don’t need it.” It’s hard for me to move my body the way I want to. But with a walker\, I can walk with everyone. One day\, I saw Shun trying\, and I wanted to climb the slide too. I nodded deeply. It’ll be fine. I’m sure I can do it…\nThis is the story of two people taking a new step forward. \nFor those interested\, the book is available for free at North York Public Library and the Japan Foundation\, Toronto’s library. \nTarget audience: All adults welcome\, particularly those interested in Japanese language\, Japanese literature\, children’s books\, reading\, therapy\, psychology\, or childhood education \nQuota: 60 attendees maximum \nFor inquiries: Please contact the Japanese Language Team at koza_jftoronto@jpf.go.jp. \nToronto Public Library Listing: https://www.torontopubliclibrary.ca/detail.jsp?Entt=RDMEVT514091&R=EVT514091 \n  \nRegistration \nNote: This event is held at North York Central Library\, 5120 Yonge St.\, Toronto\, ON M2N 5N9. \nRegistration is now closed. Thank you for your interest.
URL:https://tr.jpf.go.jp/event/breaking-barriers/
LOCATION:North York Central Library (Toronto Public Library)\, 5120 Yonge St.\, Toronto\, Ontario\, M2N 5N9\, Canada
CATEGORIES:Talk Event
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240613T180000
DTEND;TZID=America/Toronto:20240613T193000
DTSTAMP:20240604T180830Z
CREATED:20240522T141648Z
LAST-MODIFIED:20240604T180830Z
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SUMMARY:Living with Ceramics in Japan: From Edo (1603-1868) to Meiji (1868-1912)
DESCRIPTION:This online talk will explore how people in Japan used ceramics during the Edo period\, when the Tokugawa shogunate ruled the archipelago and the samurai held political and military dominance\, and the Meiji period\, when the emperor was symbolically restored to power and modernization transformed the nation. \nUsing extant examples of ceramics from a variety of museum collections\, the lecture will consider ceramics in plebian\, everyday contexts\, used for daily offerings at altars\, for family meals\, or for tea and sake drinking with friends. It will also discuss the use of ceramics in politically and economically significant encounters\, such as gifts to a samurai lord\, meetings between merchants and customers\, tribute offerings to the Tokugawa shoguns\, and diplomatic exchanges between the Meiji government and their global counterparts. \nThis talk is presented to complement our ongoing exhibition titled “From Edo to Meiji: Transformation of Japanese Ceramics”. \n\nThe Speaker \nDr. Morgan Pitelka is the Bernard L. Herman Distinguished Professor at the University of North Carolina at Chapel Hill\, with joint appointments in the Department of Asian and Middle Eastern Studies and the Department of History. He is a historian of medieval and early modern Japan who focuses on material culture\, environmental history\, and urban history. His new project is an environmental and cultural history of early modern Kyoto. His most recent book\, Reading Medieval Ruins: Urban Life and Destruction in Sixteenth-Century Japan (Cambridge University Press\, 2022) was named one of the ten best humanities books in Asian Studies by the International Convention of Asia Scholars and received the honorable mention for the John Whitney Hall Book Prize in Japanese Studies. \n  \n  \n\nRelated Programming:  \nJFT Book Club (Hybrid)– With Silent Reading Time – Japanese Ceramics & Life in the Edo to Meiji Periods\n \nTuesday\, June 18\, 5:30PM – 7:00PM (ET)\nHybrid (Online & In-Person) | JFT Library | Admission Free | Registration Required \nAre you interested in learning deeper about Japanese arts\, as well as the culture and history behind those works of art? Our upcoming hybrid-style book club meeting\, inspired by the JFT Gallery’s current exhibition\, invites you to explore the beauty of Japanese ceramics and life during the Edo and Meiji periods through books! No prior knowledge/preparation is required – pick a book from the library’s book list (or bring your own) and indulge in the simple pleasure of reading in silence. Afterward\, engage in optional discussion to share your discoveries with fellow book\, art\, and history enthusiasts. This is a perfect opportunity to enhance your understanding of Japanese arts and culture while connecting with like-minded individuals. We welcome both seasoned book club members and first-time participants to join this enriching literary and cultural experience! \nDetails here
URL:https://tr.jpf.go.jp/event/living-with-ceramics-in-japan/
LOCATION:Virtual
CATEGORIES:Lecture,Talk Event
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BEGIN:VEVENT
DTSTART;TZID=America/Toronto:20240426T180000
DTEND;TZID=America/Toronto:20240426T200000
DTSTAMP:20240403T213205Z
CREATED:20240319T221650Z
LAST-MODIFIED:20240403T213205Z
UID:92718-1714154400-1714161600@tr.jpf.go.jp
SUMMARY:Conversation avec des designers\, par matohu à Montréal
DESCRIPTION:Esthétisme et artisanat – La philosophie de matohu sur le design –\nVendredi 26 avril à 18 h \nÉcole supérieure de mode (ESM) de l’ESG UQAM Room DM-R310 (280 rue Sainte-Catherine Est\, Montréal\, Québec) \nBook your visit here \n\n  \nÀ chaque pays son climat\, sa nature. Ce sont de telles particularités qui donnent naissance à une culture culinaire\, une architecture\, un artisanat et un art du spectacle qui lui sont propres. À leur tour\, vêtements et accessoires\, fondation d’un sens de la beauté façonné et perfectionné au fil d’une longue histoire\, reflètent les valeurs culturelles du territoire.\nDepuis quand\, alors\, appelle-t-on simplement « mode » toute une variété de cultures vestimentaires ? La mode n’est pas le nom d’une chose\, mais d’un phénomène.\nAvec la modernité et la mondialisation s’érodent jusqu’à disparaître non seulement notre sens unique et original de ce qui est beau\, mais aussi le travail manuel servant à l’exprimer. Voyons d’un nouvel œil les accoutrements du passé devenus synonymes de « mode » et rendons-leur leur statut de symbole culturel unique à chaque nation.\nmatohu s’intéresse continuellement à ces questions à travers les vêtements. Nous souhaitons présenter notre travail aux gens du Canada et l’utiliser pour partager ce qui\, selon nous\, constitue la place nécessaire de la diversité et de la durabilité dans les époques à venir. \nEsthétisme\nNous aborderons le sens de la beauté en prenant pour exemple notre collection Œil du Japon (Nihon no Me) et en nous appuyant sur un agencement d’images\, de concepts\, de textiles maison et de pièces de vêtement de notre cru. \nArtisanat\nNous aborderons le travail manuel en prenant pour exemple notre collection Voyage de la paume des mains (Tenohira no Tabi). En nous appuyant sur des images\, nous présenterons l’histoire de cet artisanat\, sa situation actuelle ainsi que de véritables pièces réalisées dans le cadre de collaborations avec lesquelles vous pourrez faire connaissance de très près. \n– Hiroyuki Horihata et Makiko Sekiguchi\, designers de matohu\, mars 2024 \n\nParcours des designers / Designers’ Profile \n \nHiroyuki Horihata a réalisé une maîtrise à l’université Doshisha.\nMakiko Sekiguchi a obtenu son diplôme à l’université Kyorin. \nEnsemble\, les deux ont étudié la mode masculine sous le programme de conception vestimentaire du Bunka Fashion College.\n1998 : Après avoir obtenu leur graduation\, le couple a travaillé pendant cinq ans en fabrication de patrons pour les marques japonaises Comme des Garçons et Yohji Yamamoto.\n2003 : Le couple a remis sa démission\, déménagé au Royaume-Uni et commencé à travailler pour Bora Aksu\, designer basé à Londres\, sur sa collection automne-hiver 2004-2005.\n2005 : Le couple a fondé sa propre marque\, matohu\, et s’est mis à participer à la Fashion Week du Japon à partir de 2006.\n2009 : Monsieur Hirohata et madame Sekiguchi ont remporté le prix New Designer dans le cadre de la Mainichi Fashion Grand Prix et le prix des commanditaires Shiseido. \nÀ propos de matohu / About matohu \n \nEn japonais\, le mot matohu (まとふ\, prononcé ma-to-u) revêt deux significations.\nLa première est le verbe matou\, qui rappelle un tissu recouvrant ou enveloppant le corps avec douceur.\nLa deuxième est la forme volitive du verbe matsu\, « attendre »\, ce qui revient à dire : « attendons ». Plutôt que consommer des biens et les jeter\, matohu nous invite donc à laisser à notre sens de la beauté le temps de venir à maturité.\nAnimée par la création de nouveaux vêtements qui perpétuent le sens japonais de la beauté\, matohu offre des motifs nés de l’histoire\, de la culture et du terroir du Japon dans des styles authentiques à l’expérience japonaise. \n  \nCo-presenter:
URL:https://tr.jpf.go.jp/event/designers_talk_2/
LOCATION:École supérieure de mode (ESM) de l’ESG UQAM Room DM-R310\, 280 rue Sainte-Catherine Est\, Montreal\, Quebec\, H2X 1L4\, Canada
CATEGORIES:Talk Event
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DTSTART;TZID=America/Toronto:20240424T130000
DTEND;TZID=America/Toronto:20240424T150000
DTSTAMP:20240323T141650Z
CREATED:20240313T030133Z
LAST-MODIFIED:20240323T141650Z
UID:92632-1713963600-1713970800@tr.jpf.go.jp
SUMMARY:Designers’ talk by matohu in Toronto
DESCRIPTION:Aesthetics and Handicraft – The Design Philosophy of matohu – \n美意識と手仕事　– matohuのデザイン哲学について – \nWednesday\, April 24\, 2024 @ 1:00 PM – 3:00 PM\nRSVP Required | Talk Event | @ The Japan Foundation\, Toronto (2 Bloor St. East\, Toronto\, Ontario) \n\nEvery country has its unique climate and natural features\, to which accordingly it develops its suitable food culture\, architecture\, craft works\, and performing arts. Clothing also always embodies cultural values which reflect the distinctive characteristics of those places. Clothes have been produced based on the aesthetics which have gone through continuous sophistication in the course of a long history. \nBut when did we start to call this versatile clothing culture simply “Fashion”? “Fashion” must not be the name of an existing thing\, but just a noun to describe a phenomenon. \nUnique aesthetics with tremendous originality and handicraft which materialize the aesthetics can be lost first in modernization and globalization. While clothing has been downgraded as the equal of fashion for a long time\, let’s re-examine our clothing culture as a representation of each culture anew. \nMatohu（まとふ）has continued to question these fundamental issues between clothing and culture through our clothes. By introducing our work of matohu as examples\, we will share our pursuit of versatility and sustainability which all of us\, both in Canada or Japan\, desperately need in upcoming times. \nAbout the aesthetics\, the “Japanese Eye （日本の眼）” series will provide examples. The talk will be delivered with video clips\, conceptual images\, and original textile/clothes. \nAbout the handicraft\, the “Journey from Palms of Hands （手のひらの旅）” series will give examples. The talk will be delivered with video clips\, an explanation of the history and current status of each craft\, and the actual results of collaboration with matohu. \n– HORIHATA Hiroyuki\, SEKIGUCHI Makiko\, matohu designers\, March 2024
URL:https://tr.jpf.go.jp/event/designers-talk/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Talk Event
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ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
GEO:43.6710659;-79.3857432
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DTSTART;TZID=America/Toronto:20240323T140000
DTEND;TZID=America/Toronto:20240323T153000
DTSTAMP:20240516T202801Z
CREATED:20240212T173920Z
LAST-MODIFIED:20240516T202801Z
UID:91672-1711202400-1711207800@tr.jpf.go.jp
SUMMARY:29th Annual Katari Japanese Storytelling Festival – After Every Storm Comes a Rainbow –
DESCRIPTION:  \nThe recording of the event is now available on the YouTube channel of Katari Japanese Storytellers!  \n \n  \nStep into a world of enchanting Japanese tales at our traditional storytelling event\, celebrating Japanese culture through captivating narratives\, folk songs\, and musical performances! \nAlthough the pandemic prevented us from holding in-person events for the past five years\, Katari has evolved into a cherished tradition\, spreading Japanese folklore\, creativity\, and language to the diverse communities of Canada. The Katari Japanese Storytellers’ programme showcases family-friendly traditional Japanese stories in English. This year’s theme\, “After every storm comes a rainbow” (「待てば海路の日和あり」) promises a celebration of resilience\, hope\, and the triumph of positivity in the face of challenges. \n\nAudience: General (6 yrs old and above) \nAdmission: Free (RSVP required) \nWheelchair Accessibility: Yes \n\nProgramme:\n\n「座敷わらし」菊池幸工 / Tatami Room Boy by Koko Kikuchi\n「山姥（やまんば）」田中裕介 / Mountain Woman by Yusuke Tanaka\n「さくらさくら」唄：白藤青湖 / Song Sakura Sakura by Seiko Shirafuji    「春の海」琴：藤井愛子/ Koto solo The Spring Ocean by Aiko Fujii-休憩- Intermission\n グループ 弥栄 による民謡演奏 / Folk song performance by the group Iyasaka      「こきりこ節」/ Kokiriko-bushi      「津軽甚句」/ Tsugaru Jinku      唄と小太鼓：秦佐千子 / Vocal & Framedrum by Sachiko Hata\,       津軽三味線と尺八：Gerry McGoldrick /Tsugaru-shamisen & Shakuhachi by Gerry McGoldrick\,       津軽三味線：Martin Posen / Tsugaru-shamisen by Martin Posen\n「浦島太郎」森俊樹 / Urashima Taro by Toshiki Mori\n「無手勝流」梅沢ルイ / The Art of Fighting Without Fighting by Rui Umezawa\n\n*The event closing time may be extended by 10-15 minutes depending on the progress of the programme.　 \n\nJFT Library is open from 11:30 am to 4:30 pm to the public on Saturday\, March 23. Feel free to explore our physical collection\, with complimentary tea! Apply for a new JFT library card or renew your expired card here. \n\nStorytellers\n Sachiko Hata Born in Hyogo\, Japan\, Sachiko is an active community worker and singer at various local community events and she loves painting and teaching Etegami (picture card) craft\, while practicing Voice Yoga everyday. \n\n Koko Kikuchi Born in Tohoku\, the northeast of Japan\, Koko has been involved in Katari since its inception. He specializes in the folktales of his native region of Iwate\, Northern Japan. \n\n Toshiki Mori Toshiki started his career as storyteller of Kamishibai in Toronto and was invited to the Japan Festival 2020 in Ottawa. He currently lives in Yamagata\, Japan and has been actively performing at libraries and schools. \n\n Seiko Shirafuji Born in Yamaguchi Prefecture\, she is a singer and folk dancer and a retired medical doctor. Seiko has been performing in community events and local festivals since 1995. \n\n Yusuke Tanaka A veteran translator\, writer\, director of the Katari since 1994. He has been telling his own adaptations of Japanese folklore in many places such as New York\, Seoul\, Kyoto\, Tokyo and Sapporo. \n\n Rui Umezawa A Toronto writer and storyteller. His novel\, The Truth About Death and Dying was shortlisted for the Commonwealth Book Prize for Best First Book. His past participation in Katari inspired his latest publication\, Strange Tales Afar: Tales of the Supernatural from Old Japan. \n\nMusicians\n Aiko Fujii Started learning koto\, shamisen and jiuta at an early age. She holds a koto teacher’s diploma in the Ikuta school from the Kyoto Todokai. Since 2017\, she has experienced many concerts abroad\, collaborative ensembles with other genres and teaching. \n\n Gerry McGoldrick He has been involved with traditional Japanese music for over thirty years\, and has played shamisen and shakuhachi in a variety of styles in Japan and Canada. A professor at Toronto Metropolitan University. \n\n Martin Posen He is an acoustic guitarist and composer and is currently studying Minyo and Tsugaru shamisen with Omodaka Akiko. \n\nCo-presented by\n  \nSupported by\n\n\n\n\nRegistration\nThis event is now fully booked\, and registration is closed. Rush tickets will be available at the entrance on day of the event.
URL:https://tr.jpf.go.jp/event/katari-storytelling-festival-2024/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Community Events,Library,Performance,Talk Event
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ORGANIZER;CN="The Japan Foundation%2C Toronto Library":MAILTO:library_jftoronto@jpf.go.jp
GEO:43.6710659;-79.3857432
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DTSTART;TZID=America/Toronto:20230823T180000
DTEND;TZID=America/Toronto:20230826T235900
DTSTAMP:20230824T163403Z
CREATED:20230822T220812Z
LAST-MODIFIED:20230824T163403Z
UID:86954-1692813600-1693094340@tr.jpf.go.jp
SUMMARY:Filmmakers Conversation: Short Films of the Ainu
DESCRIPTION:Filmmakers Conversation: Short Films of the Ainu\nWatch now on the JFT Youtube Channel \nIn conjunction with our online film program\, Short Films of the Ainu\, we invite you to join us for a special conversation about the preservation of Ainu culture\, family\, language\, and identity\, through the lens of documentary filmmaking.  \nOur guests include YAMADA Yuichiro\, an award-winning Hokkaido-based filmmaker\, who directed the two contemporary documentaries Happy Ainu and rametokkor yan that centres on the Sekine family and their efforts in saving the Ainu language. We also welcome MIZOGUCHI Naomi\, a filmmaker based in New York who will be speaking on behalf of KAYANO Shiro\, the director behind the ethnographic documentaries TONOTO Kamuy\, a Spirit of Sake and Language is the Proof of People — A Story about Canoe-Making. Naomi’s company\, GARA FILMS\, serves as the distributor of Director Kayano’s films and helped facilitate their English translation and subtitling. \nThis talk is presented in English.  \n \n\n \nNotes from Director KAYANO Shiro: \nThe director’s father\, KAYANO Shigeru (1926-2006)\, was one of the last native speakers of the Ainu language\, and a leader of the Ainu’s ethnic movement in Japan in the 1990s. He wrote over 100 books about Ainu culture and language and recorded traditional stories which were passed down only orally. He was also famous for being the first Ainu politician in the Japanese Diet. His effort led to the enactment of a law to promote Ainu culture in1997\, and this led to the law in 2019\, which categorized the Ainu as indigenous people in Japan for the first time in history. \nShiro inherited his father’s legacy and has been leading the Nibutani Language Class as well as FM Pipausi\, the first Ainu community radio station. FM Piapusi has broadcast over 260 shows since 2001. \n \nDirector Biography – YAMADA Yuichiro: \nYAMADA Yuichiro is a filmmaker based in Hokkaido\, Japan. After graduating from the graduate school of the University at Buffalo\, the State University of New York in 2010\, he started “Yamada Art Film” in Japan. He is involved in video production for educational institutions and local governments\, and creates short documentaries. In 2018\, he received the Hokkaido Director’s Award at the Sapporo International Short Film Festival. In 2021\, he won the Director of the Year award in the Yahoo! Japan Creators Program\, and in the following year\, 2022\, he received the Docs for SDGs Award at Tokyo Docs. \n\nRelated Programming: \n \nShort Films of the Ainu\nStreaming Canada-wide until Saturday\, August 26\, 11:59PM (ET) \nIn recognition of International Day of the World’s Indigenous Peoples on August 9\, the Japan Foundation\, Toronto is delighted to present a selection of rare short films that explore the Ainu language\, history\, canoe-making\, sake\, and modern life. While the films present contrasting perspectives of the historic and the contemporary\, to show important traditions as well as modern Ainu lives\, there are themes of ethnography\, preservation\, and survival that bind all of them. Watch here.
URL:https://tr.jpf.go.jp/event/ainu-shorts-talk/
LOCATION:The Japan Foundation\, Toronto\, 2 Bloor St. East\, 3rd Floor\, Toronto\, ON\, M4W 1A8\, Canada
CATEGORIES:Film Screening,Talk Event
ORGANIZER;CN="The Japan Foundation%2C Toronto":MAILTO:info_jftoronto@jpf.go.jp
GEO:43.6710659;-79.3857432
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